Unspoken speeches, the root of Beethoven’s misanthropy, and why we need a secretary of the future.
Last month, Kurt Vonnegut’s fictional interviews with luminaries were the most-shared piece on Brain Pickings. Revisiting the book reminded me of two things: One, the world lost one of its greatest observers of and commentators on culture the day Vonnegut died; two, how fantastic the 2009 anthology Armageddon in Retrospect is — the first posthumous collection of 12 never-before-published stories by Vonnegut, including fiction, nonfiction and, perhaps most notably, his last speech, which he wrote in 2007 and was meant to deliver in April of that year, but passed away shortly prior, so his son Mark delivered it in his stead. (Segue to reminder about last week’s selection of 5 timeless graduation speeches.)
If you can’t write clearly, you probably don’t think nearly as well as you think you do.” ~ Kurt Vonnegut
Mark Vonnegut also penned the beautiful introduction to the book, in which he offers a priceless slice-of-life perspective on his father’s writing process, worries, and joys.
He taught how stories were told and taught readers how to read. His writings will continue to do that for a long time. He was and is subversive, but not the way people thought he was. He was the least wild-and-crazy guy I ever knew. No drugs. No fast cars.” ~ Mark Vonnegut
Amidst the stories of war, peace, and the human predilection for violence hides a a rare selection of Vonnegut’s artwork that articulates the iconic author’s frustrations with humanity in a simple and even more poignant way.
As usual, Vonnegut’s contemplative dismay at the state of mankind permeates the narrative:
Where do I get my ideas from? You might as well have asked that of Beethoven. He was goofing around in Germany like everybody else, and all of a sudden this stuff came gushing out of him. It was music. I was goofing around like everybody else in Indiana, and all of a sudden stuff came gushing out. It was disgust with civilization.”
But, also as usual, it’s underpinned by an honest hope for humanity’s future, for our capacity to change and better ourselves, which makes Armageddon in Retrospect — and his work in general — as sticky and powerful as it is.