From Walt Disney to Stalin, or how 1952 America interpreted the Soviet regime.
During World War II, some of the West’s greatest filmmakers — including Frank Capra, John Huston, John Ford, and Alfred Hitchcock — put their Hollywood films on hiatus and started producing propaganda films on behalf of the U.S. government. Even Walt Disney did his part. Eventually, when the war drew to a close, these iconic filmmakers went back to making commercial films. But propaganda films kept right on going. The Cold War was getting underway, and because the danger was more potential than actual, the U.S. government felt an extra need to paint a picture for its citizens.
Just what was the existential threat coming out of the Soviet Union? A series of films made it clear. Some , like Communism (1952), offered a brief overview of the historical and ideological foundations of Communism and its point men — Marx, Lenin, Stalin, and the rest. Others, like the famous Duck and Cover educational video, gave young Americans and their parents every reason to fear the atomic bomb. And others still talked about the superiority of capitalism and the American way of life.
The fact that the Soviet regime (which produced its own Cold War propaganda) was repressive, no one doubts. But whether the regime truly posed an existential threat to the U.S. has remained somewhat open to debate. Just watch Noam Chomsky speaking on the matter in 1985.