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14 MARCH, 2012

The Secret

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“Two girls discover the secret of life on a sudden line of poetry.”

The secret of happiness — or of purpose, for the semantically scrupulous — is a kind of holy grail of human existence. We probe its science and psychology, scour its geography, go after it with empirical enthusiasm, seek it in the wisdom of our greatest heroes.

But might the faith that happiness is possible be the very secret to its attainment? This beautiful 1964 poem by Denise Levertov (1923-1997), entitled “The Secret,” makes me infinitely happy.

THE SECRET

Two girls discover
the secret of life
in a sudden line of
poetry.

I who don’t know the
secret wrote
the line. They
told me

(through a third person)
they had found it
but not what it was
not even

what line it was. No doubt
by now, more than a week
later, they have forgotten
the secret,

the line, the name of
the poem. I love them
for finding what
I can’t find,

and for loving me
for the line I wrote,
and for forgetting it
so that

a thousand times, till death
finds them, they may
discover it again, in other
lines

in other
happenings. And for
wanting to know it,
for

assuming there is
such a secret, yes,
for that
most of all.

“The Secret” comes from O Taste and See: New Poems, where you can find more of Levertov’s elegant and thoughtful poetry.

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14 MARCH, 2012

The Smiley Book of Colors

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The basics of optimism and color theory, with a nod to neuroscience.

When Freud came to believe he was going to die between the ages of 61 and 62, and subsequently began seeing the two numbers everywhere he looked, which only intensifying the urgency of his superstition, he came to observe the value of selective attention in focusing the unconscious. But what if we engineered this selective attention purposefully and aligned it with our emotional and mental well-being? That’s exactly what photographer, children’s author, and educator Ruth Kaiser did in 2008, when she began seeing smiley faces everywhere she turned. For the past four years, she has been collecting and sharing photographs “found” everyday smileys in the Spontaneous Smiley Project — an exercise in self-induced feel-goodness, inviting others to upload their own photos and donating $1 for each uploaded photo to Operation Smile, which provides free surgeries to children born with cleft lip and cleft palate.

Four years later, The Smiley Book of Colors was born, at once teaching (eternal) kids basic color theory and instilling in them the habits of optimism — a charming, light-hearted complement to the recent grown-up exploration of the science of smiles. The images are paired with simple, poetic meditations on the optimistic life — truths we may be tempted, through years of conditioned cynicism, to roll our eyes at, but ones that remain, at their heart, beautiful and true.

(Yes, let’s throw in a cat photo for good measure — after all, that’s the hallmark of curatorial achievement according to Jennifer Daniel over at BloombergBusinessweek. Wouldn’t want to disappoint.)

Skeptical, still? Let a neuroscientist elaborate on the optimism bias and its benefits.

https://www.amazon.com/dp/0375869832/ref=as_li_ss_til?tag=braipick-20&camp=0&creative=0&linkCode=as4&creativeASIN=0375869832&adid=02YXM5MD2VFTBCC5WMM6&Brain Pickings has a free weekly newsletter and people say it’s cool. It comes out on Sundays and offers the week’s best articles. Here’s what to expect. Like? Sign up.

13 MARCH, 2012

Memories, Dreams, Reflections: Legendary Psychiatrist Carl Jung on Life and Death

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“The sole purpose of human existence is to kindle a light in the darkness of mere being.”

In the spring of 1957, at the age of 84, legendary psychiatrist Carl Jung (July 26, 1875–June 6, 1961) set out to tell his life’s story. He embarked upon a series of conversations with his colleague and friend, Aniela Jaffe, which he used as the basis for the text. At times, so powerful was his drive for expression that he wrote entire chapters by hand. He continued to work on the manuscript until shortly before his death in 1961. The result was Memories, Dreams, Reflections — a fascinating peek behind the curtain of Jung’s mind, revealing a wonderland of wisdom, experience, and self-reflection.

Jaffe writes in the introduction in 1961:

The genesis of this book to some extent determined its contents. Conversation or spontaneous narration is inevitably casual, and the tone has carried over the entire ‘autobiography.’ The chapters are rapidly moving beams of light that only fleetingly illuminate the outward events of Jung’s life and work. In recompense, they transmit the atmosphere of his intellectual world and the experience of a man to whom the psyche was a profound reality.

Jung’s reflections span everything from the minutia of working for a living to the grand truths of the human condition to the nature of the divine. This particular passage, from the closing of a chapter entitled “Life and Death,” struck me as a powerful lens on consciousness and what it means to be human:

Our age has shifted all emphasis to the here and now, and thus brought about a daemonization of man and his world. The phenomenon of dictators and all the misery they have wrought springs from the fact that man has been robbed of transcendence by the shortsightedness of the super-intellectuals. Like them, he has fallen a victim to unconsciousness. But man’s task is the exact opposite: to become conscious of the contents that press upward from the unconscious. Neither should he persist in his unconsciousness, nor remain identical with the unconscious elements of his being, thus evading his destiny, which is to create more and more consciousness. As far as we can discern, the sole purpose of human existence is to kindle a light in the darkness of mere being. It may even be assumed that just as the unconscious affects us, so the increase in our consciousness affects the unconscious.

The inimitable Austin Kleon — of Steal Like An Artist fame — has a lovely sketchnote visualization of the book:

Among the most fascinating elements of the book, especially for a lover of letters such as myself, is the Appendix, which features never-before-published letters from Freud to Jung. In one, dated April 16, 1909, Freud discusses — with an odd blend of reverence for mysticism and keen self-awareness of the selective attention at work — how he became obsessed with the idea that he would die between the ages of 61 and 62, and subsequently started seeing the two numbers everywhere. Freud concludes, with a subtle jab at Jung’s own views on “poltergeist phenomena”:

Here is another instance where you will find confirmation of the specifically Jewish character of my mysticism. Apart from this, I only want to say that adventures such as mine with the number 62 can be explained by two thing. The first is an enormously intensified alertness on the part of the unconscious, so that one is led like Faust to see Helen in every woman. The second is the undeniable ‘co-operation of chance,’ which plays the same role in the formation of delusions as somatic co-operation in hysterical symptoms or linguistic co-operation in puns.

I therefore look forward to hearing more about your investigations of the spook-complex, my interest being the interest one has in a lovely delusion which one does not share oneself.

Although not without faults, Jung’s was one of modern history’s most intriguing minds and Memories, Dreams, Reflections presents a rare, infinitely insightful glimpse of its inner workings. Complement it with Jung on human nature in a rare BBC interview and his delightfully disgruntled review of Ulysses.

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