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26 JANUARY, 2011

The Black Book of Colors


Today must be the day for tickling the outer limits of our senses. From the synesthetic explorations of sound through color earlier today, we take the creative mind-bending a step further: Experiencing color through the lack of color. The Black Book of Colors, from author Menena Cottin and illustrator Rosana Faria, is a remarkable book of simple, elegant illustrations of natural objects — from strawberries to rain to bird feathers — depicted not through color and shading but through embossed lines, inviting the viewer to experience them tactilely rather than visually.

The book is designed as an empathy tool that allows a sighted person to step inside the world of the blind, who experience the world through their fingers rather than their eyes.

Though intended for children, The Black Book of Colors is an absolute treat for adults — not merely as a feat of aesthetic elegance, but also as a beautiful philosophical metaphor for all those things in our lives that both are and aren’t, like the nature of reality or solitude or some great love we can touch with the tender tips of our fingers but never fully grasp.

Thanks, Kirstin

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26 JANUARY, 2011

Synesthesia Spotlight: 3 Visualizations of Music


What Vivaldi has to do with motion graphics, John Coltrane and skyscrapers of color.

Synesthesia is a rare neurological condition that leads stimulation in one sensory pathway to trigger an experience in another. Basically, a short-circuiting in the brain that enables such strange phenomena like perceiving letters and numbers as inherently colored (color-graphemic synesthesia) or hearing sounds in response to visual motion. More than 60 types of synesthesia have been identified, with one of the most common being the cross-sensory experience of color and sound — “hearing” color or “seeing” music.

These neurological eccentricities, however, can often be a source of tremendous artistic inspiration. Today, we look at three mesmerizing near-synesthetic ways of experiencing sound and color.


Israeli artist and jazz musician Michal Levy (who also happens to be a dear friend) is an actual synesthetic: When she listens to music, she sees shapes and colors as different tones, pitches, frequencies, harmonies, and other elements of the melody unfold. Her fantastic animated film, Giant Steps, captures this unique experience, visualizing the iconic John Coltrane masterpiece as Michal sees it in her mind’s synesthetic eye.

Michal’s latest film, One, is yet another vibrant journey into sonic color. Her creative process is quite extraordinary, like peering into a mind that functions on an entirely different sensory plane.


Let Yourself Feel is a mesmerizing animation by Argentinian motion graphics designer Esteban Diácono, visualizing “Slowly” by composer Ólafur Arnalds in spellbinding colorful smoke.


Since 1985, composer, inventor and software engineer Stephen Malinowski has been bringing an intuitive, visceral understanding to classical music’s greatest masterpieces. His Music Animation Machine, which we have featured previously, distills some of the most complex compositions in music history into digestible, beautiful visualizations.

Music moves, and can be understood just by listening. But a conventional musical score stands still, and can be understood only after years of training. The Music Animation Machine bridges this gap, with a score that moves — and can be understood just by watching.” ~ Stephen Malinowski

Malinowski has made the MIDI player available as downloadable freeware (alas, no Mac version) to encourge people to create their own visualizations. There’s even a free visual harmonizer for iPad — a wonderful educational tool exploring the relationship between pitches.

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25 JANUARY, 2011

The Beale Cipher: A Modern-Day Treasure Hunt


In 1820, a man named Thomas Jefferson Beale buried a treasure of gold, silver and jewels at a secret location in Virginia’s Bedford County and coded directions to the location in a set of three ciphertexts that became known as The Beale Ciphers. Estimated to be worth over $65 million today, Beale’s booty remains one of the most notorious modern treasure hunts, veiled in an air of mystery and suspense that has held up for nearly two centuries.

The Thomas Beale Cipher is a beautiful animated short film by Andrew Allen, telling the story of a cryptographer named Professor White who sets out to solve the uncrackable Beale cipher, only to find himself the subject of a hunt. Part film noir, part stop-frame cut-out animation, part something else entirely, the film builds a stunning textured narrative, both visually and conceptually, to relay a ceaselessly riveting living legend.

The Thomas Beale Cipher will be screening across the US, UK and Canada this year — find a screening near you.

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25 JANUARY, 2011

Animating Reality: A Collection of Short Animated Documentaries


Stop-motion animation and documentary are our two favorite film genres. Naturally, we’re all over Animating Reality: A Collection of Short Documentaries, a highly unusual and highly rewarding marriage of the two, showcasing 13 remarkable animated documentaries from around the world. With entries from Sweden, the Netherlands, Japan, Australia, France, Finland, Canada, Belgium and the United States, the compilation covers an impressive range of themes, animation techniques and storytelling styles.

Animating Reality ties nicely into our recent streak of animation-based “documentaries” — from last week’s superb animation of Möbius strip animation of Flatland to yesterday’s uncovered 1968 Saul Bass gem exploring the origin of creativity.

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