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22 APRIL, 2009

Earth Day The Reel Way

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Just how stupid we really are, or what James Earl Jones and a giant humpback whale have in common.

It’s Earth Day, and instead of engaging in questionable eco initiatives, like watching Philly’s fountains turn green, why not call a few friends over for some essential viewing that will disturb, move, outrage and inspire you in that bitter-sweet way that An Inconvenient Truth did in 2006.

Here’s some help, with our selection of 5 new must-see films that explore our environmental sensibility.

THE COVE

2009 Sundance Audience Award Winner The Cove is a mixture of action, adventure, mystery and, as the tagline goes, “oh, and it’s a documentary”. The movie tells the story of a group of filmmakers, activists and free-divers, led by director Louie Psihoyos, who penetrate a hidden cove in Japan uncovering a terrible secret.

No spoilers here  — you’ll only know the secret after seeing the movie, but let’s just say that given the filmmakers are wanted by the Japanese authorities,  it’s going to be be good.

THE AGE OF STUPID

Director Franny Armstrong takes the scare approach to instill in us some eco sensibility. Half-fiction, half-documentary, The Age of Stupid shows Oscar-nominated Pete Postlethwaite living alone on a devastated Earth in 2055. In this barren habitat, the only type of entertainment available to the poor guy is “old” documentary footage of us trashing the planet in the present day.

Troubled by questions like why we didn’t stop climate change when we had the chance, Pete suggests that the answer might simply be that we were really, really stupid. And he may have a point.

FUEL

Fuel is last year’s Sundance Best Documentary Award Winner, and covers a topic painfully familiar by now — America’s addiction to oil.

Director Josh Tickell drills the history behind the rising domination of the petrochemical industry — which may seem like a regurgitated discussion to some, but we believe these things simply need to be said until there is no longer a need for them to be.

Plus, there’s a cameo by one of our heroes — Sir Richard Branson — as well as other fascinating instigators like Josh Tickell himself and Robert Kennedy Jr.

EARTH

Sure, it may be unoriginally titled. But earth, out in the U.S. today, is a piece of remarkable visual storytelling about three animal families and their amazing journeys across the planet we all call home.

The film comes from directors Alastair Fothergill and Mark Linfield, the acclaimed creative team behind the Emmy-Award-winning Planet Earth. It also doesn’t hurt that it’s narrated by the one and only James Earl Jones.

It’s a story told through incredible action taking place on unimaginable scale at impossible locations. Full of mystery and intimacy and magic as we glimpse inside the worlds of our planet’s most elusive creatures, the film is an epic call for appreciation of the fragile world we inhabit, a moving plea for a new self-conception as actors in an intricate and brilliantly orchestrated system beyond our own existence.

You can catch the filmmakers hosting a special episode over at Current for a fascinating behind-the-scenes look at their phenomenal adventure and creative process.

FOOD, INC.

By now, you know we’re big proponents of sustainable agriculture and permaculture. So it comes as no surprise that we find Robert Kenner‘s FOOD, INC. to be a compelling must-see. A merciless exposé on America’s food industry, it reveals all the hidden workings and often shocking truths of the government’s regulatory agencies, USDA and FDA, lurking behind the consumer’s scope of vision.

The film features social entrepreneurs and sustainability visionaries like Michael Pollan (The Omnivore’s Dilemma), Eric Schlosser (Fast Food Nation), Stonyfield Farm’s Gary Hirshberg and Polyface FarmsJoel Salatin, who together paint a grim picture of what we eat and how it ended up on our plates, brimming with an urgency to change what we eat in order to change where we end up.

For 13 more Earth-conscious must-sees, we highly recommend the selections in Yale’s Environmental Film Festival, as well as the two incredible forthcoming films presented at this year’s TED Conference and TEDPrize winner Sylvia Earle’s compelling talk on why blue is the real green.

07 APRIL, 2009

The MacGuffin Library

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The secret lives of props, or what Hitler and Mickey Mouse have in common.

Cinema history trivia: MacGuffin is a term, allegedly coined by Hitchcock, which stands for a cinematic plot device, most likely on object, whose only purpose and value lie in driving the filmic narrative.

So how would such an object — whose very essence, form and function are defined solely within the context of fictional circumstances — inhabit and relate to the real world? This is exactly what non-traditional product designer Onkar Kular explores with his project The MacGuffin Library.

The objects that he creates are neither products, nor sculptures, nor props, but a strange medley of all three, challenging the way we perceive art and design. They stand somewhat awkward and unsure of themselves, reminiscent, in all their black polymer resin glory, of Frankenstein’s monster.

Each MacGuffin comes with a one-page synopsis of a non-existent screenplay that inspired it. There is a plot for every taste as themes range from futuristic thrillers to midlife crisis dramas.

The exhibition is incredibly engaging since the role of each object is not specified in the adjacent synopses. Endless possibilities of interpretations and lively discussions arise.

Unlike other, more traditional art exhibits, where one sees, nods, and moves on, the enjoyment of The MacGuffin Library lies exclusively in the quantity and quality of the viewer’s own engagement. So go ahead, engage.

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10 MARCH, 2009

Hungry Planet: How The World Eats, or Doesn’t

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What $376.45 and $1.23 have in common, or why we should be embarrassed to even worry about “the recession.”

Data visualization may hold its mesmerism as a tool of illumination, but but even the most original ways of presenting data can fail to make that eye-opening, visceral impact on us — what usually remains in the heart are not scientific analyses and cold facts but emblematic events (Woodstock), inspiring words (Martin Luther King, Jr.) or riveting photographs (D-day bombing).

Which is what makes Peter Menzel and Faith D’Alusio’s Hungry Planet: What the World Eats (public library) so powerful — a photographic journey to 24 countries, where the authors stayed with 30 different families for a week each, documenting on paper and film what these families ate and how much it cost.

Each photograph depicts all the family members in their home environment, surrounded by a week’s worth of groceries.

United States: The Revis family of North Carolina

Food expenditure for one week: $341.98

Image copyright Peter Menzel, menzelphoto.com

Guatemala: The Mendozas of Todos Santos

Food expenditure per week: 573 Quetzales ($75.70)

Image copyright Peter Menzel, menzelphoto.com

There’s something very special about the photograph and its ability to encapsulate the time’s vibe, condensing big amounts of information — cultural, political, economic — in a commentary that engages us emotionally. The student standing in front of a tank on Tiananmen Square. The Pulitzer-Prize-winning photo of a vulture stalking a starved child. National Geographic’s iconic Afghan girl. Even without the full contextual facts about these photos, they somehow make us get “it.” And Hungry Planet does just that.

Comparing these images makes for some shocking conclusions, both funny and sad — prolific fodder for sociology, economics, and anthropology college papers alike. But to stick to our point here, we’ll seize elaboration and let the photographs speak.

Australia: The Browns of River View

Food expenditure per week: 481.14 Australian dollars ($376.45)

Image copyright Peter Menzel, menzelphoto.com

Japan: The Ukita family of Kodaira City

Food expenditure per week: 37,699 Yen ($317.25)

Image copyright Peter Menzel, menzelphoto.com

Egypt: The Ahmed family of Cairo

Food expenditure per week: 387.85 Egyptian Pounds ($68.53)

Image copyright Peter Menzel, menzelphoto.com

Chad: The Aboubakar family of Breidjing Camp

Food expenditure per week: 685 CFA Francs ($1.23)

Image copyright Peter Menzel, menzelphoto.com

Grab a copy of Hungry Planet for a pause-giving perspective on a basic human right we’ve come to take for granted.

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18 FEBRUARY, 2009

Spotlight: Cherri Wood

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Newspaper cutout, hidden messages, and what Oliver Twist has to do with ink stains.

Cherri Wood is one of those rare nineteen-year-olds who manage to translate their mandatory teen angst into wonderful works of art. Her drawings combine that childish, messy quality of art with the intensity of adult reality.

Simple but rich like a haiku, Wood’s work reveals graphite kids standing in the watercolor dirt, daring you to fill in the wide white blanks of the world.

The Oliver Twists of her canvases, inspired by a lost fingernail or the freakish masks of her neighbors, speak volumes with their faceless melancholy.

The talented teenager can transform a newspaper cutout and a piece of duct tape into something much grander and more profound, into tiny pieces chipped away from on old soul.

Do check out Cherri Wood‘s extraordinary work. And if you happen to be in the San Francisco area, stop by Gallery 1988 by February 28th. Just be sure to look for the tiny messages buried between the ink stains — they make the whole experience that much more gratifying and personal.