The secret lives of props, or what Hitler and Mickey Mouse have in common.
Cinema history trivia: MacGuffin is a term, allegedly coined by Hitchcock, which stands for a cinematic plot device, most likely on object, whose only purpose and value lie in driving the filmic narrative.
So how would such an object — whose very essence, form and function are defined solely within the context of fictional circumstances — inhabit and relate to the real world? This is exactly what non-traditional product designer Onkar Kular explores with his project The MacGuffin Library.
The objects that he creates are neither products, nor sculptures, nor props, but a strange medley of all three, challenging the way we perceive art and design. They stand somewhat awkward and unsure of themselves, reminiscent, in all their black polymer resin glory, of Frankenstein’s monster.
Each MacGuffin comes with a one-page synopsis of a non-existent screenplay that inspired it. There is a plot for every taste as themes range from futuristic thrillers to midlife crisis dramas.
The exhibition is incredibly engaging since the role of each object is not specified in the adjacent synopses. Endless possibilities of interpretations and lively discussions arise.
Unlike other, more traditional art exhibits, where one sees, nods, and moves on, the enjoyment of The MacGuffin Library lies exclusively in the quantity and quality of the viewer’s own engagement. So go ahead, engage.