Warholian city maps, or what a Parisian lover has to do with urban infrastructure.
Cities are living organisms. And their veins — the interconnected streets and walkways and alleys — are what keep the city’s vitality in flux. Each city has a different “circulatory system,” a different flow of its livelihood, a unique pattern that holds its cultural DNA.
In ComplexCity, Korean artist Lee Jang Sub explores the concealed aesthetic formed by the infrastructure of the city and its evolution across time.
Although the project started in the artist’s hometown of Seoul, he has since dissected the street patterns of other global cultural epicenters.
Something intangible about the shape and color of each pattern seems to capture an incredibly authentic piece of the city’s vibe and uniqueness — the rose bushes of Florence, the black lace on the stocking of a Parisian lover, the aristocratic iciness of winter in Moscow.
The ComplexCity patterns are available as wall prints and absolutely stunning lighting, made from backlit Korean rice paper — a fitting metaphor for the delicate natural texture of the city.