Vintage German artwork on digital steroids, or why you house a factory.
In 1926, German writer and artist Fritz Kahn came up with his famous Der Mensch als Industriepalast (Man as Industrial Palace) analogy. Kahn’s illustrations compartmentalized the body’s functions in great detail, brilliantly depicting human physiology through analogies with an industrial factory. His work was a visual commentary on industrial modernity and an intersection of two timeless fascinations — with machines and with the human body.
In 2006, German visual communication and animation student Henning Lederer discovered Kahn’s poster and decided to resurrect this complex and unusual way of explaining the body, growing on the original work and translating it into motion graphics. He made himself a cabinet with a mix of analog and digital objects and technologies, and set to creating Industriepalast — an interactive application based on the poster.
Lederer explores human physiology in six cycles — five representing the five main biological systems, and one melding them together into the complex human factory Kahn had envisioned.
For thousands of years, human beings have used metaphors as ways of understanding the body. We talk about our ‘ear drums’, or our ‘mind’s eye’. When we are in love we say our hearts are ‘bursting’ or ‘broken’ […] These familiar images help to explain the unfamiliar and to comprehend the complexity of our bodies.
This is the wonderfully animated preview for the project:
We find this project a particularly timely reminder of our growing inability to reconcile our incessant lust for technology with a dwindling appreciation of the purely human. In an era where incredible robots in our image draw oohs and ahhs from all sides, it’s easy to forget the complex, intricate and utterly awe-inspiring machinery that is the human body. Let’s not.