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02 SEPTEMBER, 2015

Rising Strong: Brené Brown on the Physics of Vulnerability and What Resilient People Have in Common


“If we are brave enough often enough, we will fall; this is the physics of vulnerability.”

“There is no science without fancy, and no art without facts,” Vladimir Nabokov famously proclaimed. Today, hardly anyone embodies this sentiment more fully than Brené Brown, who came of age as a social scientist in an era when the tyranny of facts trivialized the richness of fancy and the human experience was squeezed out of the qualitative in the service of the quantitative, the two pitted as polarities. But like Susan Sontag, who recognized how polarities limit and imprison us, Brown defied these dogmatic dichotomies and went on to become what she calls a “researcher-storyteller” — a social scientist who studies the complexities and nuances of the human experience with equal regard for data and story, enriching story with data and ennobling data with story in a quest to “find knowledge and truth in a full range of sources.”

In Rising Strong (public library), Brown builds upon her earlier work on vulnerability to examine the character qualities, emotional patterns, and habits of mind that enable people to transcend the catastrophes of life, from personal heartbreak to professional collapse, and emerge not only unbroken but more whole.

Art by Lisbeth Zwerger for a rare edition of 'The Wizard of Oz.' Click image for more.

To be sure, this isn’t another iteration of “fail forward,” that tired and trendy (but far from new) cultural trope of extolling failure as a stepping stone to success — Brown’s research is about what happens in the psyche and the spirit when we are in the thick of the failure itself, facedown in the muddy stream, gasping for air; about what those who live from a deep place of worthiness have in common; about the choices involved in living a wholehearted life and the consequences of those choices in rising from our facedown moments to march forward.

Brown writes:

While vulnerability is the birthplace of many of the fulfilling experiences we long for — love, belonging, joy, creativity, and trust, to name a few — the process of regaining our emotional footing in the midst of struggle is where our courage is tested and our values are forged. Rising strong after a fall is how we cultivate wholeheartedness in our lives; it’s the process that teaches us the most about who we are.

Brown argues that we live in “a Gilded Age of Failure,” where we fetishize recovery stories for their redemptive ending, glossing over the large swaths of darkness and struggle preceding it. (Some time ago, I too lamented this cultural tendency in my seven most important learnings from the first seven years of Brain Pickings.) This, Brown points out, does a disservice to the essence of grit, which has been shown to be a primary trait of those who succeed in life. She writes:

Embracing failure without acknowledging the real hurt and fear that it can cause, or the complex journey that underlies rising strong, is gold-plating grit. To strip failure of its real emotional consequences is to scrub the concepts of grit and resilience of the very qualities that make them both so important — toughness, doggedness, and perseverance.

Although we live in a culture of perfectionism where our idealized selves become our social currency, we know, at least on some level, that risk-taking, failure, and success are inextricably linked. Brown captures this elegantly:

If we are brave enough often enough, we will fall; this is the physics of vulnerability.

Art by Lisbeth Zwerger for a rare edition of 'The Wizard of Oz.' Click image for more.

Brown considers the trifecta of resilience her research has uncovered:

The most transformative and resilient leaders that I’ve worked with over the course of my career have three things in common: First, they recognize the central role that relationships and story play in culture and strategy, and they stay curious about their own emotions, thoughts, and behaviors. Second, they understand and stay curious about how emotions, thoughts, and behaviors are connected in the people they lead, and how those factors affect relationships and perception. And, third, they have the ability and willingness to lean in to discomfort and vulnerability.

Another common denominator Brown found across those able to rise strong from their facedown moments is an active engagement with the creative impulse, whatever the medium — a physical practice integrating the intellectual, the emotional, and the spiritual:

Creativity embeds knowledge so that it can become practice. We move what we’re learning from our heads to our hearts through our hands. We are born makers, and creativity is the ultimate act of integration — it is how we fold our experiences into our being… The Asaro tribe of Indonesia and Papua New Guinea has a beautiful saying: “Knowledge is only a rumor until it lives in the muscle.”

Yet another commonality among the resilient is some form of spiritual life rooted in love and belonging — be it communion with nature or a meditation practice or the reverence of art or the divinity of solitude. Brown, who comes from “a long line of folks who believe that fishing is church” and had her first taste of spiritual transcendence in the wilderness of Lake Travis as a child, writes:

Our expressions of spirituality are as diverse as we are. When our intentions and actions are guided by spirituality — our belief in our interconnectedness and love — our everyday experiences can be spiritual practices. We can transform teaching, leading, and parenting into spiritual practices. Asking for and receiving help can also be spiritual practices. Storytelling and creating can be spiritual practices, because they cultivate awareness.

In the remainder of Rising Strong, Brown goes on to explore the principles and practices of psychoemotional resilience through a tapestry of research findings and real human stories. Complement it with Parker Palmer on the six pillars of the wholehearted life, Cheryl Strayed on the art of living with opposing truths, and David Whyte on the true meaning of heartbreak, then treat yourself to this magnificent On Being conversation with Brown about her work and the insights it has furnished:

Hope is a function of struggle.

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02 SEPTEMBER, 2015

Bruce Lee on the Power of Repose and the Strength of Yielding


“One should be in harmony with, and not rebellion against, the strength of the opponent.”

When he emigrated from Hong Kong to America in 1959, Bruce Lee (November 27, 1940–July 20, 1973) adapted the ancient Chinese conceptual martial art Wing Chun into his own version, Jun Fan Gung Fu, literally translated as “Bruce Lee’s Kung Fu,” and popularized it in America. Over the course of his short life, he became not only a trailblazing martial artist but a modern philosopher whose ideas on personal development and the cultivation of character have continued to inspire generations.

On his ascent to superstardom, Lee was too poor to afford long-distance phone calls. Instead, he turned to letters not only as a medium for keeping in touch with his loved ones and collaborators but also as a creative sandbox for fleshing out the ideas that informed his philosophy. Those letters are now collected in Bruce Lee: Letters of the Dragon (public library) — the most direct record of the views, beliefs, and ideals that shaped Lee’s enduring legacy.

In a 1964 letter to Taky Kumura, his first student and one of his dearest friends, 24-year-old Lee outlines the learning process of gung fu. Under the heading “Self-cultivation,” he considers the essential purpose of leisure in spiritual development and writes:

The point where [one is] to rest being known, the object of pursuit is then determined; and, that being determined, a calm unperturbedness may be attained too. To that calmness there will succeed a tranquil repose. In that repose there may be careful deliberation, and that deliberation will be followed by the attainment of the desired end.

Wishing to cultivate oneself, one first rectifies his heart.

Wishing to rectify his heart, one seeks to be sincere in his thoughts.

Wishing to be sincere in his thoughts, one first extends to the utmost of his knowledge — such extension of knowledge lies in the investigation of things.

Only in repose, Lee points out, can the mind begin to investigate the nature of things, empty itself of interferences, and learn not to let external triggers induce internal states of fear, anger, sorrow, and anxiety. He writes of this contemplative space:

A gung fu man rests therein, and because he rests, he is at peace. Because he is at peace, he is quiet. One who is at peace and is quiet, no sorrow or harm can enter; therefore his inner power remains whole and his spirit intact.

Illustration by Maurice Sendak from 'Open House for Butterflies' by Ruth Krauss. Click image for more.

Under the captions “NO MIND” and “NO THOUGHT,” Lee adds:

Discard all thoughts of reward, all hopes of praise and fears of blame, all awareness of one’s bodily self. And, finally, [close] the avenues of sense perception and let the spirit out, as it will.

The highest skill operates on an unconscious level.

Sincere thought means thought of concentration (quiet awareness). The thought of a distracted mind cannot be sincere. Man’s mind and his behavior are one, his inner thought and outer expression cannot contradict each other. Therefore a man should set up his right principle and this right mind (principle) will influence his action.

Under the heading “Yielding,” he writes:

Yielding will overcome anything superior to itself; its strength is boundless.

The yielding will has a reposeful ease, soft as downy feathers — a quietude, a shrinking from action, an appearance of inability to do (the heart is humble, but the work is forceful). Placidly free from anxiety one acts in harmony with the opponent’s strength. One does not move ahead but responds to the fitting influence.

In a sentiment he would later hone into his famous metaphor for resilience, Lee adds:

Nothing in the world is more yielding and softer than water; yet it penetrates the hardest. Insubstantial, it enters where no room is. It is so fine that it is impossible to grasp a handful of it; strike it, yet it does not suffer hurt; stab it, and it is not wounded.

Illustration by Shaun Tan for a special edition of the Brothers Grimm fairy tales. Click image for more.

Under the heading “Law of Non-Interfering,” Lee elaborates on this philosophy of yielding as an act of strength:

One should be in harmony with, and not rebellion against, the strength of the opponent.


The strongest is he that makes use of his opponent’s strength — be the bamboo tree which bends toward the wind; and when the wind ceases, it springs back stronger than before.

Writing to his editor at Black Belt magazine on September 2 of that year, Lee draws a graphic representation of this idea and elaborates on the notion of strength and suppleness as complementary rather than contradictory forces:

Just as an object needs a subject, the person in attack is not taking an independent position but is acting as an assistant. After all, you need your opponent to complete the other half of a whole.

The gentleness/firmness is one inseparable force of one unceasing interplay of movement. If a person riding a bicycle wishes to go somewhere, he cannot pump on both [of] the pedals at the same time or not pump on them at all. In order to move forward he has to pump on one pedal and release the other. So the movement of going forward requires this “oneness” of pumping and releasing, and vice versa, each being the cause of the other.

Bruce Lee: Letters of the Dragon is a trove of timeless wisdom in its entirety. Complement it with the great Zen master D.T. Suzuki on what freedom really means, Aldous Huxley on the necessity of integrating mind and body in education, and a biologist-turned-Buddhist-monk and his philosopher father in conversation about the true measure of personal strength.

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01 SEPTEMBER, 2015

David Byrne’s Lending Library


A colorful case of the mosaic of influences that is art.

“When a library is open, no matter its size or shape,” Bill Moyers wrote, “democracy is open, too.” A century and a half earlier, Thoreau extolled a different aspect of the library as a technology of thought, writing in his diary: “Those old books suggested a certain fertility … as if they were making a humus for new literatures to spring in.”

It was in a similar spirit that, in curating the 2015 Meltdown Festival at London’s Southbank Centre, beloved musician David Byrne decided to turn his personal book collection into a lending library. “I love a library. The idea of reading books for free didn’t kill the publishing business,” he writes in The Guardian, “on the contrary, it created nations of literate and passionate readers. Shared interests and the impulse to create.”

His impressively worldly library of more than 200 titles spans nearly every aspect of music — from technique to theory, mechanics to memoirs, instruments to interviews — as well as psychology, art, architecture, history, and copyright law.

A lifelong lover of reading, Byrne grew up in a small suburban town near Baltimore, where the library was his only access point to the wider world and books became his formative creative sandbox. I asked him about his earliest memory of a formative book he borrowed from that childhood library and he points to The Phantom Tollbooth. How apt that the 1961 classic contains the now-iconic map of The Kingdom of Wisdom, with its Mountains of Ignorance, Foothills of Confusion, and Sea of Knowledge — an perfect metaphor for how reading itself equips us with an invaluable compass for navigating the landscape of life.

In resonance with Umberto Eco’s concept of the “anti-library,” Byrne points out that he hasn’t read all the books in his library, but has bought each one with the intention of reading it one day — a practice the Japanese call tsundoku.

I’ve digitized the complete alphabetized list of books in Byrne’s lending library, sent to me in a photograph by Brain Pickings reader Ben Hart. What emerges is confirmation that great art is always a mosaic of vibrantly varied influences.

  1. 40 Watts from Nowhere: A Journey into Pirate Radio (public library) by Sue Carpenter
  2. A divina comedia dos Mutantes (public library) by Carlos Calado
  3. A Photographic Record: 1969–1980 (public library) by Mick Rock
  4. A Thelonious Monk: Study Album (public library) by Lionel Grigson
  5. A Whole Room for Music: A Short Guide to the Balfour Building Music Makers’ Gallery (public library) by Helene La Rue
  6. Acoustic Territories: Sound Culture and Everyday Life (public library) by Brandon Labelle
  7. Acoustics for Radio and Television Studios (public library) by Christopher Gilford
  8. Africa Dances (public library) by Geoffrey Gorer
  9. African Music: A People’s Art (public library) by Francis Bebey
  10. African Rhythm and African Sensibility (public library) by John Miller Chernoff
  11. Afro-American Folk Songs (public library) by H.E. Krehbiel
  12. AfroPop! An Illustrated Guide to Contemporary African Music (public library) by Sean Barlow & Banning Eyre
  13. All You Need to Know About the Music Business (public library) by Donald S. Passman
  14. Aloud: Voices from the Nuyorican Poets Café (public library) by Miguel Algarin & Bob Holman
  15. An Illustrated Treasury of Songs (public library) by National Gallery of Art
  16. And They All Sang: Adventures of an Eclectic Disc Jockey (public library) by Studs Terkel
  17. Arranged Marriage (public library) by Wallace Berman & Robert Watts
  18. Audio Culture: Readings in Modern Music (public library) by Cristoph Cox & Daniel Warner
  19. Austin City Limits: 35 Years in Photographs (public library) by Scott Newton & Terry Lickona
  20. Bachata: A Social History of a Dominican Popular Music (public library) by Deborah Pacini Hernandez
  21. Bandalism: The Rock Group Survival Guide (public library) by Julian Ridgway
  22. Beats of the Heart: Popular Music of the World (public library) by Jeremy Marre & Hannah Charlton
  23. Best Music Writing 2001 (public library) by Nick Hornby & Ben Schafer
  24. Best Music Writing 2002 (public library) by Jonathan Lethem & Paul Bresnick
  25. Best Music Writing 2003 (public library) by Matt Groening & Paul Bresnick
  26. Best Music Writing 2006 (public library) by Mary Gaitskill & Daphne Carr
  27. Best Music Writing 2007 (public library) by Robert Christgau & Daphne Carr
  28. Bicycle Diaries (public library) by David Byrne
  29. Black Music of Two Worlds (public library) by John Storm Roberts
  30. Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific (public library) by Heidi Carolyn Feidman
  31. Blues Guitar: The Men Who Made the Music (public library) by Jas Obrecht
  32. Bossa Nova: The Story of the Brazilian Music that Seduced the World (public library) by Ruy Castro
  33. Botsford Collection of Folk Songs Volume 1 (public library) by Florence Hudson Botsford
  34. Botsford Collection of Folk Songs Volume 2 (public library) by Florence Hudson Botsford
  35. Bound for Glory (public library) by Woody Guthrie
  36. Bourbon Street Black: The New Orleans Black Jazzman (public library) by Jack V Buerkle & Danny Barker
  37. Brazilian Popular Music and Citizenship (public library) by Idelber Avelar & Christopher Dunn
  38. Brutality Garden: Tropicalla and the Emergence of a Brazilian Counterculture (public library) by Christopher Dunn
  39. Bug Music: How Insects Gave Us Rhythm and Noise (public library) by David Rothenberg
  40. But Beautiful: A Book About Jazz (public library) by Geoff Dyer
  41. Cancioneiro Vinicius De Moraes (public library) by Orfeu
  42. Capturing Sound: How Technology Has Changed Music (public library) by Mark Katz
  43. Catch a Fire: The Life of Bob Marley (public library) by Timothy White
  44. Chambers (public library) by Alvin Lucier & Douglas Simon
  45. Chinaberry Sidewalks: A Memoir (public library) by Rodney Crowell
  46. Chris Stein/Negative: Me, Blondie and the Advent of Punk (public library) by Deborah Harry, Glenn O’Brien & Shepard Fairey
  47. Clandestino: In Search of Manu Chao (public library) by Peter Culshaw
  48. Clothes Music Boys (public library) by Viv Albertine
  49. Cocinando! Fifty Years of Latin Cover Art (public library) by Pablo Yglesias
  50. Conjunto (public library) by John Dyer
  51. Conversations with Glenn Gould (public library) by Jonathan Cott
  52. Conversing with Cage (public library) by Richard Kostelanetz
  53. Copyrights & Copywrongs: The Rise of Intellectual Property and How it Threatens Creativity (public library) by Siva Vaidhyanathan
  54. Dancing in Your Head: Jazz, Blues, Rock and Beyond (public library) by Gene Santoro
  55. Desert Plants: Conversations with Twenty-Three American Musicians by Walter Zimmerman
  56. Diccionario de Jazz Latino (public library) by Nat Chediak
  57. Diccionario del Rock Latino (public library) by Nat Chediak
  58. Driving Through Cuba: Rare Encounters in the Land of Sugar Cane and Revolution (public library) by Carlo Gebler
  59. Drumming at the Edge of Magic: A Journey into the Spirit of Percussion (public library) by Mickey Hart & Jay Stevens
  60. Essays on Music (public library) by Theodor W. Adorno
  61. Experimental Music: Cage and Beyond (public library) by Michael Nyman
  62. Fair Use: The Story of the Letter U and the Numeral 2 (public library) by Negativland
  63. Fela Fela: This Bitch of a Life (public library) by Carlos Moore
  64. Fetish & Fame: The 1997 MTV Video Music Awards by David Felton
  65. Finishing the Hat: Collected Lyrics (1954–1981) with Attendant Comments, Principles, Heresies, Grudges, Whines and Anecdotes (public library) by Stephen Sondheim
  66. Folk and Traditional Music of the Western Continents (public library) by Bruno Nettl
  67. Folk Song Style and Culture (public library) by Alan Lomax
  68. Folk: The Essential Album Guide (public library) by Neal Walers & Brian Mansfield
  69. Formalized Music: Thought and Mathematics in Composition (public library) by Iannis Xenakis
  70. Fotografie in Musica (public library) by Guido Harari
  71. Genesis of a Music (public library) by Harry Partch
  72. Give my Regards to Eighth Street: Collected Writings of Morton Feldman (public library) by B.H. Friedman
  73. Gravikords, Whirlies, & Pyrophones: Experimental Musical Instruments (public library) by Bart Hopkin
  74. Guia Esencial De La Salsa (public library) by Jose Manuel Gomez
  75. Guitar Zero: The New Musician and the Science of Learning (public library) by Gary Marcus
  76. (public library) by
  77. Hearing Cultures: Essays on Sound, Listening, and Modernity (public library) by Veit Erlmann
  78. Here Come the Regulars: How to Run a Record Label on a Shoestring Budget (public library) by Ian Anderson
  79. He Stopped Loving Her Today: George Jones, Billy Sherrill and the Pretty-Much Totally True Story of the Making of the Greatest Country Record of All Time (public library) by Jack Isenhour
  80. Hip Hop: The Illustrated History of Break Dancing, Rap Music and Graffiti (public library) by Steven Hager
  81. Hit Men (public library) by Frederic Dannen
  82. Hitsville: The 100 Greatest Rock ‘n’ Roll Magazines 1954–1968 (public library) by Alan Betrock
  83. Homo Aestheticus: Where Art Comes From and Why (public library) by Ellen Dissanayake
  84. Hot Stuff: Disco and the Remaking of American Culture (public library) by Alice Echols
  85. How Music Works: The Science and Psychology of Beautiful Sounds, from Beethoven to the Beatles and Beyond (public library) by John Powell
  86. Hungry for Heaven: Rock and Roll and the Search for Redemption (public library) by Steve Turner
  87. I Have Seen the End of the World and it Looks Like This (public library) by Bob Schneider
  88. I’ll Take You There Mavis Staples: The Staple Songers, and the March Up Freedom’s Highway (public library) by Greg Kot
  89. In Pursuit of Silence: Listening for Meaning in a World of Noise (public library) by George Prochnik
  90. Indian Music (public library) by B. Chaitanya Deva
  91. It Ain’t Easy: Long John Baldry and the Birth of the British Blues (public library) by Paul Myers
  92. Japanese Music and Musical Instruments (public library) by William P. Malm
  93. Javanese Gamelan (public library) by Jennifer Lindsay
  94. Jazz (public library) by William Claxton
  95. Knitting Music (public library) by Michael Dorf
  96. La Traviata: In Full Score (public library) by Giuseppe Verdi
  97. Laurie Anderson (public library) by John Howell
  98. Leon Geico: Cronica de un Sueno by Oscar Finkelstein
  99. Lexicon of Musical Invective (public library) by Nicolas Slonimsky
  100. (public library) by
  101. Light Strings: Impressions of the Guitar (public library) by Ralph Gibson & Andy Summers
  102. Listen Again: A Momentary History of Pop Music (public library) by Eric Weisbard
  103. Listening Through the Noise: the Aesthetics of Experimental Electronic Music (public library) by Joanna Demers
  104. Listen to This (public library) by Alex Ross
  105. Look, I Made a Hat: Collected Lyrics (1981–2011) with Attendant Comments, Amplifications, Dogmas, Harangues, Digressions, Anecdotes and Miscellany (public library) by Stephen Sondheim
  106. Love Goes to Buildings on Fire: Music Made New in New York City in the ’70s (public library) by Will Hermes
  107. Love in Vain: The Life and Legend of Robert Johnson (public library) by Allen Greenberg
  108. Love Saves the Day: A History of American Dance Music Culture (public library) by Tim Lawrence
  109. Low (public library) by Hugo Wilcken
  110. Lucking Out: My Life Getting Down and Semi-dirty in Seventies New York (public library) by James Wolcott
  111. Macumba: The Teachings of Maria-Jose, Mother of the Gods (public library) by Serge Bramly
  112. Mango Mambo (public library) by Adal
  113. Masters of Contemporary Brazilian Song: MPB 1965–1985 (public library) by Charles Perrone
  114. Max’s Kansas City: Art, Glamour, Rock and Roll (public library) by Steven Kasher
  115. Me, the Mob, and the Music: One Helluva Ride with Tommy James and the Shondells (public library) by Tommy James
  116. Miles: The Autobiography (public library) by Miles Davis with Quincy Troupe
  117. Mingering Mike: The Amazing Career of an imaginary Soul Superstar (public library) by Dori Hadar
  118. Mister Jelly Roll: The Fortunes of Jelly Roll Morton, New Orleans Creole and “Inventor of Jazz” (public library) by Alan Lomax
  119. Mix Tape: The Art of Cassette Culture (public library) by Thurston Moore
  120. Music (public library) by Paul Bowles
  121. Music and Communication (public library) by Terence McLaughlin
  122. Music and Globalization: Critical Encounters (public library) by Bob W. White
  123. Music and the Brain: Studies in the Neurology of Music (public library) by MacDonald Critchley & R. A. Henson
  124. Music and the Mind (public library) by Anthony Storr
  125. Music and Trance: A Theory of the Relations between Music and Possession (public library) by Gilbert Rouget
  126. Music Cultures of the Pacific, The Near East, and Asia (public library) by William P. Malm
  127. (public library) by
  128. Music in Cuba (public library) by Alejo Carpentier
  129. Music, Language and the Brain (public library) by Aniruddh D. Patel
  130. Musica Cubana Del Areyto a la Nueva Trova (public library) by Dr. Cristobal Diaz Ayala
  131. Musical Instruments of the World: An Illustrated Encyclopedia with More than 4,000 Original Drawings (public library) by Ruth Midgely
  132. Musicophilia: Tales of Music and the Brain (public library) by Oliver Sacks
  133. My Music (public library) by Susan D Crafts, Daniel Cavicchi & Charles Keil
  134. New York Noise: Art and Music from the New York Underground 1978-88 (public library) by Stuart Baker
  135. Noise: A Human History of Sound & Listening (public library) by David Hendy
  136. Noise: The Political Economy of Music (public library) by Jacques Attali
  137. Notations (public library) by John Cage
  138. Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds (public library) by David Toop
  139. On Sonic Art (public library) by Trevor Wishart
  140. Opera 101: A Complete Guide to Learning and Loving the Opera (public library) by Fred Plotkin
  141. Patronizing The Arts (public library) by Marjorie Garber
  142. Perfecting Sound Forever: An Aural History of Recorded Music (public library) by Greg Milner
  143. Pet Shop Boys: Literally (public library) by Chris Heath
  144. Popular Musics of the Non-Western World: An Introductory Survey (public library) by Peter Manuel
  145. The Power of Music: Pioneering Discoveries in the Science of Song (public library) by Elena Mannes
  146. Presenting Celia Cruz (public library) by Alexis Rodriguez-Duarte
  147. Psychotic Reactions and Carburetor Dung (public library) by Lester Bangs
  148. Queens of Havana: The Amazing Adventures of the Legendary Anacaona, Cuba’s First All-Girl Dance Band (public library) by Alicia Castro
  149. Recordando a Tito Puente: El Rey del Timbal (public library) by Steven Loza
  150. Reflections on Macedonian Music: Past and Future (public library) by Dimitrije Buzarovski
  151. Remembering the Future (public library) by Luciano Berio
  152. Repeated Takes: A Short History of Recording Music and Its Effect on Music (public library) by Michael Chanan
  153. Revolution in the Head: The Beatles Records and the Sixties (public library) by Ian Macdonald
  154. Rhythm & Blues in New Orleans (public library) by John Broven
  155. Rock ‘n’ Roll is Here to Pay: The History of Politics in the Music Industry (public library) by Steve Shapple & Reebee Garofalo
  156. Rock Archives (public library) by Michael Ochs
  157. Rock Images: 1970–1990 (public library) by Claude Gassian
  158. Rock Lives: Profiles and Interviews (public library) by Timothy White
  159. Salsa Guidebook for Piano & Ensemble (public library) by Rebeca Mauleon
  160. Salsa: The Rhythm of Latin Music (public library) by Gerard Sheller
  161. Salsiology: Afro-Cuban Music and the Evolution of Salsa in New York City (public library) by Vernon W. Boggs
  162. Samba (public library) by Alma Guillermoprieto
  163. Sonic Transports:New Frontiers in Our Music (public library) by Cole Gagne
  164. Sonic Warfare: Sound, Affect, and the Ecology of Fear (public library) by Steve Goodman
  165. Souled American: How Black Music Transformed White Culture (public library) by Kevin Phinney
  166. Sounding New Media: Immersion and Embodiment in the Arts and Culture (public library) by Frances Dyson
  167. Soundings (public library) by Neuberger Museum
  168. South to Louisiana: The Music of the Cajun Bayous (public library) by John Broven
  169. Spaces Speak, Are You Listening: Experiencing Aural Architecture (public library) by Barry Blesser & Linda-Ruth Salter
  170. Spirit Rising: My Life, My Music (public library) by Angelique Kidjo
  171. Starmaking Machinery: The Odyssey of an Album (public library) by Geoffrey Stokes
  172. Stockhausen: Conversations with the Composer (public library) by Jonathan Cott
  173. Stolen Moments: Conversations with Contemporary Musicians (public library) by Tom Schnabel
  174. Stomping the Blues (public library) by Albert Murray
  175. Tango: The Art History of Love (public library) by Robert Farris Thompson
  176. Text-Sound Texts (public library) by Richard Kostelanetz
  177. The ABCs of Rock (public library) by Melissa Duke Mooney
  178. The Agony of Modern Music (public library) by Henry Pleasants
  179. The Anthropology of Music (public library) by Alan P. Merriam
  180. The Art of Asking: How I Learned to Stop Worrying and Let People Help (public library) by Amanda Palmer
  181. The Beatles: Recording Sessions (public library) by Mark Lewisohn
  182. The Book of Drugs: A Memoir (public library) by Mike Dougherty
  183. The Brazilian Sounds: Samba, Bossa Nova, and the Popular Music of Brazil (public library) by Chris McGowan & Ricardo Pessanha
  184. The Faber Book of Pop (public library) by Hanif Kureishi & Jon Savage
  185. The Great Animal Orchestra: Finding the Origins of Music in the World’s Wild Places (public library) by Bernie Krause
  186. The Human Voice (public library) by Jean Cocteau
  187. The Kachamba Brothers’ Band: A Study of Neo-Traditional Music in Malawi (public library) by Gerhard Kubik
  188. The Last Holiday: A Memoir (public library) by Gil Scott-Heron
  189. The Latin Tinge: The Impact of Latin American Music on the United States (public library) by John Storm Roberts
  190. The Life and Times of Little Richard: The Quasar of Rock (public library) by Charles White
  191. The Merge Records Companion: A Visual Discography of the First Twenty Years (public library) by Merge Records
  192. The Music Instinct (public library) by Philip Ball
  193. The Music of Brazil (public library) by David P. Appleby
  194. The Mystery of Samba: Popular Music and the National Identity in Brazil (public library) by Hermano Vianna
  195. The New Woman Poems: A Tribute to Mercedes Sosa (public library) by Ne?stor Rodri?guez Lacore?n
  196. The Performer Prepares (public library) by Robert Caldwell
  197. The Rational and Social Foundations of Music (public library) by Max Weber
  198. The Record: Contemporary Art and Vinyl (public library) by Trevor Schoonmake
  199. The Recording Angel: Music, Records and Culture from Aristotle to Zappa (public library) by Evan Eisenberg
  200. The Rest is Noise: Listening to the Twentieth Century (public library) by Alex Ross
  201. The Rolling Stone Interviews: The 1980s (public library) by Various
  202. The Shape of Things to Come: Prophecy and the American Voice (public library) by Greil Marcus
  203. The Sound Book: The Science of the Sonic Wonders of the World (public library) by Trevor Cox
  204. The Sun and the Drum: African Roots in Jamaican Folk Tradition (public library) by Leonard Barrett
  205. The Thinking Ear (public library) by R. Murray Schafer
  206. The Traditional Music of Japan (public library) by Kishibe Shigeo
  207. The Triumph of Music: The Rise of Composers, Musicians and Their Art (public library) by Tim Blanning
  208. The Veil of Silence (public library) by Djura
  209. The Wilco Book (public library) by Dan Nadel
  210. This Business of Music: The Definitive Guide to the Music Industry (public library) by M. William Krasilovsky & Sidney Shemel
  211. This is Your Brain on Music: The Science of Human Obsession (public library) by Daniel J. Levitin
  212. Through Music to Self (public library) by Peter Michael Hamel
  213. West African Rhythms for Drumset (public library) by Royal Hartigan
  214. What Good are the Arts? (public library) by John Carey
  215. White Bicycles: Making Music in the 1960’s (public library) by Joe Boyd
  216. Who Shot Rock & Roll: A Photographic History 1955–Present (public library) by Gail Buckland
  217. (public library) by
  218. Whose Music? A Sociology of Musical Languages (public library) by John Shepard, Phil Virden, Graham Vulliamy, Trevor Wishart
  219. Why is This Country Dancing: A One-Man Samba to the Beat of Brazil (public library) by John Krich
  220. Woody Guthrie: A Life (public library) by Joe Klein
  221. The Rough Guide to World Music: Latin and North America, Caribbean, India, Asia, and Pacific: An A-Z of the Music, Musicians and Discs (public library) by Simon Broughton & Mark Ellingham
  222. The Rough Guide to World Music: Salsa to Soukous, Cajun to Calypso (public library) by Simon Broughton, Mark Ellingham, David Muddyman & Richard Trillo
  223. World: The Essential Album Guide (public library) by Adam McGovern
  224. Yakety Yak: The Midnight Confessions and Revelations of Thirty-Seven Rock Stars and Legends (public library) by Scott Cohen

Complement with Byrne on how music and creativity work, then revisit the reading lists of Gabriel García Márquez, Leo Tolstoy, Joan Didion, Susan Sontag, Carl Sagan, Alan Turing, and longtime Byrne collaborator Brian Eno.

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01 SEPTEMBER, 2015

Lucille Clifton Reads “Won’t You Celebrate With Me”


A glorious ode to claiming one’s belonging in that space between starshine and clay.

“One should wish to celebrate more than one wishes to be celebrated,” poet Lucille Clifton (June 27, 1936–February 13, 2010) told Poets & Writers Magazine in 1992. And celebrate she did — for more than half a century, Clifton was an unparalleled and unflinching celebrator of the African American experience, the female body, and the human spirit. A government clerk who became a self-taught poet, then the poet laureate of Maryland, she has influenced generations of writers and artists. Her work continues to envelop in radiance the hard edges of life.

In this recording from the Geraldine R. Dodge Poetry Festival, Clifton reads one of her most piercing poems, “won’t you celebrate with me,” found in the altogether magnificent Collected Poems of Lucille Clifton 1965–2010 (public library)

won’t you celebrate with me
what i have shaped into
a kind of life? i had no model.
born in babylon
both nonwhite and woman
what did i see to be except myself?
i made it up
here on this bridge between
starshine and clay,
my one hand holding tight
my other hand; come celebrate
with me that everyday
something has tried to kill me
and has failed.

Complement the wholly elevating Collected Poems of Lucille Clifton with a beautiful ode to what poetry does for the human spirit by Elizabeth Alexander, for whom Clifton has been a formative influence.

Donating = Loving

Bringing you (ad-free) Brain Pickings takes hundreds of hours each month. If you find any joy and stimulation here, please consider becoming a Supporting Member with a recurring monthly donation of your choosing, between a cup of tea and a good dinner.

You can also become a one-time patron with a single donation in any amount.

Brain Pickings has a free weekly newsletter. It comes out on Sundays and offers the week’s best articles. Here’s what to expect. Like? Sign up.