25 JUNE, 2014
By: Maria Popova
“Towards the government I feel no scruples and would dodge paying the tax if I could. Yet I would give my life for England readily enough, if I thought it necessary.”
“It’s always good to have a motive to get you in the chair. If your motive is money,” Michael Lewis advised aspiring writers, “find another one.” More than a century earlier, Tolstoy had issued a similar admonition about money and motives. And yet no matter how much we read up on how to worry less about money, there is a baseline financial security necessary for writing, living, and remaining sane, whatever one’s occupation. When that’s missing, no amount of idealism can neutralize the anguishing practical reality.
From George Orwell: Diaries (public library) — which also gave us 33-year-old Orwell on gender equality in work and housework and his frugal dessert recipes — comes a short entry bemoaning the author’s money troubles. On August 9, 1940 — as World War II is reaching its menacing crescendo — 37-year-old Orwell writes in his diary:
The money situation is becoming completely unbearable… Wrote a long letter to the Income Tax people pointing out that the war had practically put an end to my livelihood while at the same time the government refused to give me any kind of job. The fact which is really relevant to a writer’s position, the impossibility of writing books with this nightmare going on, would have no weight officially… Towards the government I feel no scruples and would dodge paying the tax if I could. Yet I would give my life for England readily enough, if I thought it necessary. No one is patriotic about taxes.
As a footnote in the book points out, it’s odd that Orwell was being pursued for taxes so shortly after his state of near-poverty in the 1930s, and at a time when only 20% of the population paid taxes. One possible explanation is that because writers, artists, and others in the creative professions have a greater variability of income year over year, Orwell’s tax challenge may be due to higher earnings in a previous year, such as potential royalties for The Road to Wigan Pier, published in 1937. Another is that the earnings of his then-wife Eileen O’Shaughnessy, who had started working — rather ironically — at the Censorship Department of London’s Ministry of War at the onset of WWII, would have been considered his for tax purposes.
Whatever the case, one thing is of note — five years before Animal Farm saw light of day, Orwell is already contemplating the disconnect between the ideals of patriotism and the greed of the government.
Complement with Orwell on his motives for writing and the freedom of the press, his 11 golden rules for the perfect cup of tea, and Ralph Steadman’s gorgeous vintage illustrations for Animal Farm.
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