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07 SEPTEMBER, 2011

New Philanthropy: End Malaria and Boost Your Own Creative Process

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Altruism by way of self-improvement, or what optimizing your workflow has to do with saving children.

This year, The Domino Project set out to change the future of publishing, and now it’s out to change the future of philanthropy. The project’s latest release, by author Michael Bungay Stanier of Box of Crayons fame, is out to tackle one of our civilization’s grimmest epidemics: malaria. (And if the gravity of the issue still hasn’t stopped you dead in your tracks — like, for instance, the fact that a child dies of malaria every 45 seconds — watch Bill Gates’ 2009 TED talk.)

End Malaria: Bold Innovation, Limitless Generosity, and the Opportunity to Save a Life, released on End Malaria Day today, is a fantastic anthology that will save lives — by helping you be better, smarter, more efficient at your job. The book features essays, tips and insights on great work by 62 leading writers and thinkers — including Brain Pickings favorites Sir Ken Robinson, Brené Brown, Kevin Kelly, Scott Belsky, Barry Schwartz, Daniel Pink, Derek Sivers and more — with $20 out of every $25 book sale (that’s 80%, for the mathematically challenged) going to Malaria No More to buy mosquito nets for Africa, still the most effective malaria prevention method. (For comparison purposes, most product-based charitable contributions are in the 5-10% range.)

Divided into eight key areas of insight — including creating freedom, disrupting “normal,” and taking small steps — the essays range from the pithy to the profound, equal parts actionable blueprint for optimizing your own work and fascinating peek into the workflow and creative process of some of today’s most admired thinkers and doers.

I don’t think there is a reliable twelve-step plan to being in your element that will guarantee the outcome. Human life isn’t like that. But it is possible to offer some navigational tools for those who are committed to the quest.” ~ Sir Ken Robinson

We seek to substitute rules for discretion, scripts for imagination.” ~ Barry Schwartz

Beta is an act of transparency and an admission of humility.” ~ Jeff Jarvis

Vulnerability is not weakness; it is our strongest connection to humanity and to each other. Choosing vulnerability means leaning into the full spectrum of emotions — the dark as well as the light — and examining how our feeling affect the way we think and behave. Vulnerability is equal parts courage, mindfulness, and understanding — it’s being ‘all in.’” ~ Brené Brown

End Malaria is an inspired effort to bridge the divide between selflessness and self-interest, inviting you to help eradicate both malaria and your own creative plateaus with something as humble yet potent as a book — what’s not to love?

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06 SEPTEMBER, 2011

Ray: A Life Underwater

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What antique cannon balls have to do with walking on the moon and life on the bottom of the world.

For 75-year-old Ray Ives, life is an endless treasure hunt. For the past half-century, he has been scouring the ocean floor for anything that glitters, bringing back to the surface everything from swords to bottles to real gold — in a diving suit from the early 1900s. Ray: A Life Underwater is a haunting and beatiful short film by Amanda Bluglass and Danny Cooke, a poetic portrait of the unusual man through his collection of unusual marine artifacts that captures his ceaseless curiosity and serene lens on the world.

For someone who hasn’t dived, I couldn’t explain, really. Well, it’s like when you’re on the moon, I suppose. I’ve never been on the moon, but when you’re down on the bottom, it’s sandy like the moon, you feel pressure on your body, especially the deeper you go, and I guess it just reminds you of space. You hold your breath, it’s absolutely perfect.”

The film is part Past Objects, part Things, part candidate for this omnibus of poetic short films about obsolete occupations, part perfect piece of weekday escapism.

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06 SEPTEMBER, 2011

Arguably: Essays by Christopher Hitchens, Possibly His Last

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From Ben Franklin to Qadafi, or what the Egyptian Revolution has to do with Harry Potter.

Christopher Hitchens — legendary self-described “antitheist”, tea master extraordinaire, one of the most opinionated and controversial journalists of our time and despite that, or precisely because of it, also one of the greatest. Last year, his prolific career — which spanned such iconic titles as Vanity Fair, The Nation and Slate — was derailed by a grim cancer diagnosis. (His Vanity Fair essay on losing his “writer’s voice” as cancer attacked his vocal chords is a must-read.)

This month marks the release of Arguably: Essays by Christopher Hitchens Hitchens’ first anthology since 2004 — and, as the author writes in the book’s introduction, possibly his last:

…About a year ago, I was informed by a doctor that I might have as little as another year to live. In consequence, some of these articles were written with the full consciousness that they might be my very last.”

The anthology collects some of Hitchens’ best recent work — including “America the Banana Republic,” “Why Women Aren’t Funny,” “Iran’s Waiting Game,” and “God of Our Fathers: The United States of Enlightenment” — imbued with his signature style of lucid nonfiction written with the passion and narrative enchantment of really, really good fiction. Unapologetically candid, wryly humorous and keenly insightful, the essays examines such cultural icons as Isaac Newton, Charles Dickens, Benjamin Franklin, Karl Marx, Thomas Jefferson, Ezra Pound, Abraham Lincoln, George Orwell, and even Harry Potter in the context of contemporary events, weaving history and present together in Hitchens’ web of timelessness and timeliness as he reflects on the most pressing political and social issues of our time.

From the book’s dedication and introduction:

To the memory of Mohemed Bouazizi, Abu-Abdel Monaam Hamedeh, and Ali Mehdi Zeu

The three names on the dedication page belonged to a Tunisian street vendor, and Egyptian restaurateur, and a Libyan husband and father. In the spring of 2011, the first of them set himself alight in the town of Sidi Bouzid, in protest at just one too many humiliations at the hands of petty officialdom. The second also took his own life as Egyptians began to rebel en masse at the stagnation and meaninglessness of Mubarak’s Egypt. The third, it might be said, gave his life as well as took it: loading up his modest car with petrol and explosives and blasting open the gate of the Katiba barracks in Benghazi — symbolic Bastille of the detested and demented Qadafi regime in Libya.”

Crisp and cunning, Arguably is bound to live on as material for the journalism curricula of the future and a priceless piece of the legacy of one of our era’s sharpest minds.

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