How the Dutch Do Title Sequences

What steampunk, broccoli and an electrocuted apple have to do with celebrating indiscriminate curiosity.

We love clever title sequences. And we love a great stop-frame animation. So we’re all over today’s short-and-sweet, the brilliant opening sequence and end titles animation for Dutch science show Het Klokhuis (The Apple Core).

Het Klokhuis is Holland’s oldest and most indiscriminately curious youth TV show, covering everything from how to grow broccoli to dinosaur history to the inner workings of the iPhone. So it’s only fitting the title sequence would embody that techno-curious spirit, partnering with London-based experimental sculptor and designer Jethro Haynes and using the latest 3D printing technology to build the apple core models.

We love the fusion of steampunkish retro-funk and bleeding-edge modern slickness.

Out of Amsterdam’s irreverent KesselsKramer ad agency (try refreshing that head-scratcher of a homepage a few times to see what we mean) and production studio Nexus.

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The Century of the Self

How smoking became cool, or why politicians want your brain for breakfast.

Written and produced by legendary British documentarian Adam Curtis in 2002 for the BBC, The Century of the Self offers an utterly fascinating four-part probe into the depths of consumerism and democracy. Though it focuses primarily on how those in power have used Freud’s theories to manipulate public opinion and perception, the series delves into the richest and most profound layers of 20th century culture, from the hidden mechanisms of advertising to the civil rights movement to the inner workings of political belief systems — all whilst managing to avoid the trap of conspiracy-theorism with incredible elegance and dexterity.

Mixed throughout the documentary footage are exclusive interviews with cultural influencers, ranging from Edward Bernays, the mastermind of modern Public Relations, to Bill Clinton and Tony Blair, by way of Philip Gould and Freud’s infamous daughter, Anna.

The Century of the Self is reminiscent of Naomi Klein’s No Logo in its relentless investigation of the crafting of consumer culture, with all its whims and whimsy, only layered on top of the complex political, psychological and sociocultural forces that shaped it.

The series consists of four parts — The Happiness Machine, The Engineering of Consent, There is a Policeman Inside All Our Heads: He Must Be Destroyed, and Eight People Sipping Wine in Kettering — each an hour long but well-worth the time and thought.

And though Google has kindly made all the parts available to stream for free, we suggest you do your personal collection and cultural savvy a favor, and grab a copy of the DVD — settling for flimsy footage and pixelated politicians is no way to take a stance against consumerism.

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Mythical Beasts & Modern Monsters

Beastly bullies, meek monsters, and why Donald Duck is finally proven totally useless.

Mythology is such a rich source of creativity and storytelling genius, full of wildly imaginative creatures — from the Minotaur to unicorns to Big Foot. Today, we’re turning to this age-old treasure chest and looking at three curious, quirky dissections of the mythical monsters ecosystem.

A FIELD GUIDE TO TALKING BEASTS

From the Bible to Tim Burton films to Budweiser commercials, anthropomorphic creatures and talking bests abound. And they’re predictably consistent — so it’s always handy to know what you’re dealing with. That way, you can come prepared for your next encounter with a large talking bird or an opinionated lizard.

Thanks to lunchbreath, one of our favorite irreverent illustrators, now you can — enter the Field Guide to Talking Beasts.

We always knew Donald Duck was a useless, pantless sucker.

MYTHICAL CREATURES MIXOLOGY CHART

It’s hard to outcool the brilliant simplicity of a good Venn diagram, with its uncanny power of illuminating and clarifying. Which is why we love this fabulous Mythical Creatures Mixology Chart, inspired by the Victoria & Albert Museum’s collection of guardian beasts.

With names as hilarious as Harpy and Cockatrice, we bet some of these beasts were given countless wedgies and stuffed in the beast school lockers by the Big Bad Minotaur and his posse of, erm, bullies.

THE HIERARCHY OF MONSTERS

Speaking of hierarchy of powers, that’s no small matter in beast world. So blogger Chris Braak has done the dirty work of an elaborate who-would-win pitting and produced this simple yet not-to-be-contested Hierarchy of Monsters, based on how dangerous the monsters are against each other and to all the other monsters on the list.

So there you have it, a who’s-who, who’s-better-than-whom, my-monster-is-cooler-than-your-monster of the beast world.

And should you ever run out of mythical beings to marvel at, we can never get enough of Stefan G. Bucher’s Daily Monster, which is so good it got a book deal.

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