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07 JUNE, 2013

Philosopher Judith Butler on the Value of Reading & the Humanities: McGill Commencement Address

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“We lose ourselves in what we read, only to return to ourselves, transformed and part of a more expansive world.”

Joining the year’s crop of notable graduation speeches — including Debbie Millman on courage and the creative life, Greil Marcus on “high” and “low” culture, Arianna Huffington on success, Joss Whedon on embracing our inner contradictions, and Oprah Winfrey on failure and finding your purpose — is philosopher and author Judith Butler, who received an honorary degree from McGill University and delivered the commencement address.

Butler opens with a case for literature as a tool of empathy:

[The humanities allow us] to learn to read carefully, with appreciation and a critical eye; to find ourselves, unexpectedly, in the middle of the ancient texts we read, but also to find ways of living, thinking, acting, and reflecting that belong to times and spaces we have never known. The humanities give us a chance to read across languages and cultural differences in order to understand the vast range of perspectives in and on this world. How else can we imagine living together without this ability to see beyond where we are, to find ourselves linked with others we have never directly known, and to understand that, in some abiding and urgent sense, we share a world?

Echoing Virginia Woolf, she offers a meditation on the ideals of reading:

Ideally, we lose ourselves in what we read, only to return to ourselves, transformed and part of a more expansive world — in short, we become more critical and more capacious in our thinking and our acting.

Reverberating Ray Bradbury’s faith in reading as a prerequisite for democracy, Butler argues:

An active and sensate democracy requires that we learn how to read well, not just texts but images and sounds, to translate across languages, across media, ways of performing, listening, acting, making art and theory.

Much like ignorance drives science, Butler suggests, the willingness to not know also propels the humanities:

We have to continue to shake off what we sometimes think we know in order to lend our imaginations to vibrant and sometimes agonistic spectrums of experience.

In reflecting on how a humanities education has prepared these young people to take on the world for which they are about to assume “a rather awesome and exciting responsibility,” Butler makes a beautiful case for critical thinking as the foundation of nonviolence:

You will need all of those skills to move forward, affirming this earth, our ethical obligations to live among those who are invariably different from ourselves, to demand recognition for our histories and our struggles at the same time that we lend that to others, to live our passions without causing harm to others, and to know the difference between raw prejudice and distortion, and sound critical judgment.

The first step towards nonviolence, which is surely an absolute obligation we all bear, is to begin to think critically, and to ask others to do the same.

Pair with Butler on doubting love, then complement with some of history’s finest commencement addresses, including recently revisited gems like David Foster Wallace on the meaning of life, Neil Gaiman on making good art, Bill Watterson on creative integrity, and older favorites by Ellen DeGeneres, Aaron Sorkin, Barack Obama, Ray Bradbury, J. K. Rowling, Steve Jobs, Robert Krulwich, Meryl Streep, and Jeff Bezos.

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07 JUNE, 2013

The Lives of 10 Famous Painters, Visualized as Minimalist Infographic Biographies

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Pollock, Dalí, Matisse, Klimt, Picasso, Mondrian, Klee, Boccioni, Kandinsky, and Miro, visually distilled.

For their latest masterpiece, my friend Giorgia Lupi and her team at Accurat — who have previously given us such gems as a timeline of the future based on famous fiction, a visualization of global brain drain, and visual histories of the Nobel Prize and the 100 geniuses of language — have teamed up with illustrator Michela Buttignol to visualize the lives of ten famous painters, using the visual metaphors of painting and the specific stylistic preferences — shapes, colors, proportions — of each artist.

The artists include Jackson Pollock (whose meditation on art and life is a must-read and who had a pretty amazing dad), Salvador Dalí (whose little-known Alice in Wonderland illustrations never cease to delight), Gustav Klimt (who was a key figure in sparking the cross-pollination of art and science that shaped modern culture), Henri Matisse (who, unbeknownst to many, once illustrated Joyce’s Ulysses) and Piet Mondrian (who has even inspired artisanal cake), and each painter is represented by a cleverly designed pictogram reflective of his signature style:

Each visual biography depicts key biographical moments — births, deaths, love affairs, marriages, birth of children, travel — as well as notable and curious features like handedness (mostly righties, with the exception of Klee), astrological sign, and connections.

For a closer look, click each image to view the full-size version:

The visualizations are available as art prints on Society6.

You can see more of Giorgia’s wonderful work on her site and follow her on Twitter.

For an even more minimalist distillation of famous lives, see the delightful, if much less scholarly, Life In Five Seconds.

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06 JUNE, 2013

Taschen’s Jazz: An Illustrated Portrait of New York in the Roaring Twenties

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Band battles, brass classics, Cotton Club etiquette, and how to do the “double roll” like a pro.

“Jazz is the music of the body,” Anaïs Nin wrote in her diary, “…and the mystery of the withheld theme, known to jazz musicians alone, is like the mystery of our secret life.” From the fine folks of Taschen () — who have given us such visual gems as the world’s best infographics, the best illustrations from 130 years of Brothers Grimm, Harry Benson’s luminous photos of The Beatles, and the history of menu design — comes Jazz. New York in the Roaring Twenties (public library), a remarkable time-capsule of Gotham’s swinging golden age by music journalist Hans-Jürgen Schaal, edited and gloriously illustrated by German graphic designer, illustrator, and book artist Robert Nippoldt. The lavish large-format volume, which comes with a CD compilation of the era’s most celebrated songs, covers iconic venues like the Cotton Club and the Roseland Ballroom, legendary recording sessions, and the epic “band battles” that dominated the club scene, among other curious and lesser-known facets of the Roaring Twenties.

Also included are illustrated micro-biographies of twenty-four of the era’s greatest icons, alongside little-known and often amusing anecdotes.

But perhaps most delightful of all are the infographic-inspired maps and morphologies of the jazz scene and its geography, technology, and human topography:

Complement Jazz. New York in the Roaring Twenties with Herman Leonard’s rare portraits of jazz icons, W. Eugene Smith’s ambitious Jazz Loft Project, and William Gottlieb’s magnificent photos of jazz greats.

Images courtesy Taschen

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