Archive for the ‘art’ Category
10
Mar
2010
Crowdfunding for Creativity
Success via strangers, or what Transylvania has to do with an 8-bit tribute to Miles Davis.
One of the most exciting things about the social web is its tendency to democratize the creative industry, allowing creators — artists, musicians, publishers, filmmakers, writers, entrepreneurs — to bypass the traditional industry distribution model and self-publish their creative output by crowdfunding it through platforms that connect them with their audience. Today, we look at three brilliant platforms for funding creative projects, plus a few more options specific to narrower creative fields.
KICKSTARTER
We’ve already featured Kickstarter extensively, but suffice it to say this brilliantly simple yet remarkably slick platform makes it as easy for creators to bring their visions to life by collecting pledges — promised donation amounts — from supporters. Creators set a donation period for each project posted for funding, then people begin pledging money, committing to donate the promised amount if the project reaches or exceeds its funding goal before time expires. If it doesn’t, no money is collected at all and the pledges simply don’t materialize. If the project does get funded, Kickstarter only takes a 5% fee* and project owners keep 100% of creative ownership.
Kickstarter has funded anything from the brilliant 8-bit map of NYC, which we raved about on Twitter, to the The Obama Timecapsule project, which we featured in our curated gift guide to books last year, to a grassroots effort to save 10,000 Polyvinyl records from destruction, a project that resonated so much with the community that it was overfunded by 1563%, raising over $15,000 after an initial goal of just $1,000.
The only drawback: Kickstarter, still in Beta, is currently invite-only and requires a US bank account and mailing address. But we suspect the platform will open up significantly as it reaches Alpha.
ROCKETHUB
While we don’t generally support replica projects — which RocketHub seems to be of Kickstarter — this relative newcomer in grassroots crowdfunding does have a couple of advantages. Projects aren’t limited to the US — so long as you have a verified PayPal account, you can live anywhere and fuel your project with RocketHub. The platform is also open to anyone, no invitation needed.
But this extra liberty comes at a price — at 8%, RocketHub’s fee is significantly higher than Kickstarter’s, partly due to PayPal fees, which account for 3.5%.*
*Correction: Kickstarter charges a flat fee of 5%, but also passes along the Amazon Payments transactional fees (3%-5%) to the artists who use the platform, for a total fee anywhere between 8% and 10%. RocketHub charges a flat total fee of 8%. We apologize for the mix-up.
INDIE GOGO
Though limited to film only, IndieGoGo offers a promising platform for filmmakers, animators and web video entrepreneurs to fund their projects. The online social marketplace connect filmmakers and fans to make more independed film happen, giving filmmakers the necessary tools to make the elevator pitch for their porjects and allowing fans to contridubute directly to the films and causes they believe in.
IndieGogo is free to sign up and open to anyone. Unlike on Kickstarter, projects don’t have an expiration date and funding is ongoing until the goal is reached.
One of IndieGogo’s winning points is that it’s not US-only — it’s available in 90 countries and counting. And though it’s designed for film, anyone can use it — musicians, app developers, miscellaneous entrepreneurs.
The downside: It takes a 9% fee, almost double that of Kickstarter.
BONUS
Here are a few more options for funding projects in specific creative disciplines:
- Society6 matches visual artists — designers, painters, illustrators, photographers — with grant-givers. We interviewed founder Justin Wills about the platform last year, and have been delighted to see it blossom into something quite substantial.
- SellABand allows fans to microfund the recording and distribution of their favorite artists’ albums.
- Kopernik, which we featured last week, offers a microfunding platform for product design with a humanitarian focus.
- Spot.Us is a nonprofit experiment in communitiy-funded journalism, where freelance journalists can pitch story ideas and readers can pitch in money to bring them to life.
- Authonomy is an effort from publisher Harper Collins, using the wisdom of the crowd to spot — and sign — the next big bestseller.
- BuskerLabel, another crowdfunding venue for musicians.
- microPledge helps developers fund software projects.
- DonorsChoose offers microfunding for public schools by matching donors with specific classroom needs.
01
Mar
2010
Beyond Burton: Art Inspired by Alice In Wonderland
Floating children, the rabbit hole of the social web, and what Dali has to do with manga.
We’re all about the cross-pollination of disciplines and creative domains. So we love seeing one kind of art inspire another inspire another. Take Tim Burton’s Alice In Wonderland, on the lips — and eyeballs — of the world with this week’s much- anticipated release. The film was, of course, inspired by Lewis Carroll’s 1865 children’s classic of the same name (which also sprouted two other excellent films, one in 1933, starring a trippy Cary Grant, and one in 1966 for the BBC), and has in turn inspired a variety of artwork in its own right. Today, we focus on three such examples of art inspired by Alice.
NAOTO HATTORI
Japanese-born, New-York-based artist Naoto Hattori has a very distinct, Salvador-Dali-meets-manga aesthetic. This illustration inspired by Alice In Wonderland is one of the most stunning pieces of digital artwork we’ve seen in months.

Hattori’s work is part of the Curiouser and Curiouser exhibition at Gallery Nucleus, which opened this weekend and features interpretations of the iconic story by artists who worked on Burton’s feature film and beyond.
ELENA KALIS
From Moscow-born, Bahamas-based artist-turned-underwater-photographer Elena Kalis comes Alice In Waterland, a surreal and whimsical underwater series that blends the alternate-reality feel of Carroll’s world with a wink at the wicked innocence of Burton’s representations.

We love Kalis’ incredible play of light and color, amplified by the water’s reflective properties in a way that combines softness with intensity to a stunning effect.


CHRISTINA TSEVIS
You may recall Greek illustrator Christina Tsevis, whom we interviewed a few months ago. Much to our delight, Christina recently got in touch with us to let us know that Glamour Greece discovered her via our interview and asked her to create a series of Alice In Wonderland illustrations for the magazine, some of which were reprinted as t-shirts.

Brimming with Christina’s signature style of 2D/3D haunting innocence, the work is a beautiful journey into texture, color and pure whimsy.

Here’s to the power of the social web, the ultimate ride down the rabbit hole.












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