Archive for the ‘music’ Category
07
Jan
2009
Coming to a Best-of-2009 List Near You
What an Anglo-Irish bard has to do with one of 2009’s yet-to-be-declared greatest albums.
After a roundup of last year’s music best-of’s, it’s time to start filling our 2009 list with hidden gems and discovery goodies. First up, Chicago-based alt-rock getup Company of Thieves.
Full of raw rock power, socially conscious, and brimming with fascination over history’s misunderstood heroes, the trio nails every box on the hipster checklist. Not to mention they’re not too shabby looking, either.
Their sound is distinct yet familiar — Evanescence meets The Cranberries meet an angrier Ingrid Michaelson, with a twist all their own.
Company of Thieves is vocalist Genevieve Schatz, guitarist Marc Walloch and drummer Mike Ortiz.
Check out their Ordinary Riches album and grab “Oscar Wilde,” one of the strongest tracks on it, as a free download on iTunes.
These guys will hit the Big Time in ‘09, mark our words – SXSW, primetime drama soundtracks and TV commercial scores, here they come.
Hey there! If you're new around here, grab our RSS feed for the freshest pickings.
30
Dec
2008
A Library of Human Imagination
Human imagination, cataloged and numbered, or what James Bond and King James have in common besides the James.
If VH1 did a Fabulous Lives Of episode about the geektelligencia — today’s literati — it would no doubt include a grand tour of über-geek and web entrepreneur Jay Walker’s private library. Because Jay Walker’s library is no ordinary lavish and gratuitous showcase of knowledge porn. (Although, OK, it is that too.)
It is a Library of Human Imagination.
Fascinated by the breadth intellectual property, the infamous entrepreneur (of Walker Digital and Priceline.com fame) decided to build and curate a “library”of humanity’s intellectual and creative progress with all its artifacts — from an authentic Gutenberg Bible to an original Sputnik 1 satellite to the chandelier from Bond flick Die Another Day — hosting over 5,000 years of human imagination.
The library’s design, spearheaded by Walker’s wife, is a creative and intellectual feat of its own. The 3-story-high building, computer-controlled and brilliantly lit to change colors, is like the set of Charlie and the Chocolate Factory, only concerned with something much sweeter and more addictive than chocolate — pure imagination in all its scientific, artistic, technological and undefinable forms. A glass bridge, suspended in space, stretches across the library — so you can literally take a leap of human imagination as you marvel at the world-changing artifacts surrounding you. Even the floor layout is designed like an Escher print. Before the grand window lies a custom-commissioned, internally lit, 2.5-ton Clyde Lynds book sculpture with the mind on the right page and the universe on the left — the embodiment of the library’s spirit.
And by “you,” of course, we mean Jay Walker himself an a small set of guests selected even more carefully than the objects in the library themselves — because the private library has remained just that. It was only unveiled to the world earlier this year through Jay Walker’s inspired TED talk, where the conference organizers somehow talked him into decorating the TED stage with objects from the library. A few months later, a Wired reporter became the first press member to enter the library while writing a must-read exposè on the cultural hallmark.
Ultimately, the library is Jay Walker’s attempt to answer the simple yet profoundly difficult question, “How do we create?” His stab at the answer:
We create by surrounding ourselves with stimuli, with history, with human achievement, with the things that drive us an make us human — the passionate discovery, the bones of dinosaurs long gone, the maps of space that we’ve experienced, and ultimately the hallways that stimulate our mind and our imagination.
While we love the idea of a centralized collection of human intelligence and imagination, we’re torn between loving what the library stands for and wondering whether or not it “stands” in all the right ways, being privately owned and pretty much the artifact antithesis of a Creative Commons license.
Doesn’t “human imagination” belong to everybody, the Ukrainian schoolchild as much as the TED elite? And isn’t the greatest gift of imagination the boundary-spanning, all-inclusive propagation of brilliant ideas?
Subscribe
Connect
Categories
Web Pickings