How eBay uncovered a buried literary treasure, or what a Massachusetts dentist has to do with vintage magazines.
It must be the season for posthumous anthologies of treats by beloved children’s authors. After Shel Silverstein’s Every Thing Thing On It comes The Bippolo Seed and Other Lost Stories — a fantastic new collection of seven rarely seen stories written and illustrated by Dr. Seuss, published in magazines between 1948 and 1959. But what’s even more remarkable than the book itself is the story of how it came to be.
In 2001, “dentist by profession and Seussologist by obsession” Charles Cohen, discovered the first of these lost stories in vintage magazines on eBay and set out to find the rest, eventually acquiring multiple copies of some. He then started listing these extra copies on eBay, noting the lost Seuss stories they contained. The listings caught the eye of Random House art director Cathy Goldsmith, who had worked on books with Seuss himself. The rest was history.
In the 50s, and in the 40s before that, this was the place where Fitzgerald and Hemingway tried out stuff in short stories in magazines. And Ted was among them. This is the point at which Dr. Seuss is becoming Dr. Seuss.”
More than just a literary gem, which it certainly is, The Bippolo Seed is also a wonderful embodiment of two of today’s most beautiful phenomena: the notion that anyone with a passion and an vision can leave an imprint on culture, as Cohen did in discovering these buried treasures, and the power of a great, curious curator in bringing that vision to the forefront of culture, as Goldsmith did in discovering Cohen.
Images courtesy of Random House
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From Voltaire’s status updates to Edison’s viral videos, or what Diderot has to do with data visualization.
We’ve previously madethecase that everything builds on what came before, yet our human tendency is to inflate and overestimate the novelty of our ideas. Today, we turn to five concepts from the centuries of yore remarkably similar to the central premises of five of today’s social web darlings, in the hope of illustrating that, indeed, creativity is combinatorial and innovation incremental.
TWITTER
In November of 1906, artist, anarchist and literary entrepreneur Félix Fénéon wrote 1,220 succinct three-line reports in the Paris newspaper Le Matin, serving to inform of everything from notable deaths to petty theft to naval expedition disasters. He became the one-man Twitter of early-twentieth-century Paris. In Illustrated Three-Line Novels: Félix Fénéon, artist Joanna Neborsky captures the best of these enigmatic vignettes in stunning illustrations and collages. Sometimes profound, often perplexing, and always prepossessing, these visual snapshots of historical micro-narratives offer a bizarre and beautiful glimpse of a long-gone French era and a man of rare creative genius.
Catch our full review, with many more illustrated “tweets,” here.
FACEBOOK
Long before there was Facebook, there was the Republic of Letters — a vast and intricate network of intellectuals, linking the finest “philosophes” of the Enlightenment across national borders and language barriers. This self-defined community of writers, scholars, philosophers and other thinkers included greats like Voltaire, Leibniz, Rousseau, Linnaeus, Franklin, Newton, Diderot and many others we’ve come to see as linchpins of cultural history. Mapping the Republic of Letters is a fascinating project by a team of students and professors at Stanford, visualizing the famous intellectual correspondence of the Enlightenment, how they traveled, and how the network evolved over time.
Published in London between 1690 and 1697, The Athenian Mercury supplied answers to readers’ questions on love, literature, science, religion and a variety of utilitarian concerns and personal matters. The answers came from The Athenian Society, consisting of publisher John Dunton and three of his close friends.
If you thought drawing large audiences around silly cat videos is a phenomenon of the YouTube era, you’d be wrong. The man to whom we largely owe the very existence of YouTube — Thomas Edison, who invented the first motion picture camera and made film both a mass communication medium and a creative craft — also invented the cats-engaging-in-silly-acts viral meme…in 1894:
Edison was also no stranger to the selling power of some girl-on-girl action, as evidenced by this antique viral of boxing women:
Thomas of Ireland authored the most famous florilegium of all time. Florilegia were compilations of excerpts from other writings, mashing up selected passages and connecting dots from existing texts to better illustrate a specific topic, doctrine or idea. The word comes from the Latin for “flower” and “gather.” The florilegium is one of the earliest recorded examples of remix culture — a Medieval textual Tumblr.
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What a woman in a gorilla suit has to do with the future of work and education in the digital age.
Much has been said about how the Internet is changing our brains and what this new culture of learning means for the future of education. While much of the dialogue has been doused in techno-dystopian alarmism, from Alvin Toffler’s Future Shock, narrated by Orson Welles in the 1970s, to Nicholas Carr’s reductionist claims about attention in today’ digital age. But the truth about attention, as it relates to the intersection of technology and education, seems to be a lot more layered and complex — and, if Cathy Davidson, founder of Duke University’s Center for Cognitive Neuroscience, is right, a lot less worrisome. That’s precisely what Davidson illustrates in her new book, Now You See It: How the Brain Science of Attention Will Transform the Way We Live, Work, and Learn — a fascinating meditation on how “attention blindness,” the peculiar phenomenon illustrated by Harvard’s famous invisible gorilla experiment, has produced one of our culture’s greatest disconnects, the inability to reconcile the remarkable changes induced by the digital age with the conventions of yesteryear’s schools and workplaces.
As long as we focus on the object we know, we will miss the new one we need to see. The process of unlearning in order to relearn demands a new concept of knowledge not as thing but as a process, not as a noun but as a verb.” ~ Cathy Davidson
In another famous experiment, Davidson, then provost at Duke, gave the entire 2003 freshman class iPods as part of their academic curriculum. Though the pilot project was at first widely derided, it quickly silenced the critics as students found intelligent and innovative ways to employ their iPods in the classroom and the lab in everything from collaborating on group project to podcasting a conference on Shakespeare around the world.
Davidson uses the insights from these experiments as a lens through which to examine the nature and evolution of attention, noting that the educational system is driven by very rigid expectations of what “attention” is and how it reflects “intelligence,” a system in which students who fail to meet these expectations and pay attention differently are pigeonholed somehow deficient of aberrant, square pegs in round holes. Yet neuroscience is increasingly indicating that our minds pay attention in a myriad different ways, often non-linear and simultaneous, which means that the academy and the workplace will have to evolve in parallel and transcend the 20th-century linear assembly-line model for eduction and work. (The assembly and the factory are in fact a familiar metaphor from Sir Ken Robinson’s insightful thoughts on changing educational paradigms.)
Refreshingly constructive and glimmering with much-needed optimism about the future of education in the digital age, Now You See It makes a fine new addition to these 7 essential books on education and offers a well-argued antidote to the media’s incessant clamor about the deadly erosion of our attention.
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Brain Pickings has a free weekly newsletter and people say it's cool. It comes out on Sundays and offers the week's best articles. Here's an example. Like? Sign up.