Brain Pickings

Nathalie Miebach’s Sculptural Soundtracks for Storms

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What stormy weather has to do with Stormy Weather and the cross-pollination of poetry and precision.

Visualizations of music, creative takes on notation and physical data art are all running fixations here at Brain Pickings. Naturally, the work of Boston-based artist Nathalie Miebach, one of this year’s crop of extraordinary TED Global Fellows, is an instant favorite. Miebach translates weather and climate change data from cities into musical scores, which she then translates into vibrant, whimsical sculptures and uses them as the basis for collaboration with musicians across a wide spectrum of styles and genres.

Musical notation allows me a more nuanced way of translating information without compromising it.” She uses these scores to collaborate with musicians across a wide spectrum of styles and genres.” ~ Nathalie Miebach

External Weather, Internal Storms

Reed, metal, wood, data | 2009

Musical Buoy in Search Towards a New Shore (Dedicated to Melvin Maddocks)

Wood, data, reed | 2009

Hurricane Noel

3D Musical Score of the passing of Hurricane Noel through the Gulf of Maine, Nov 6-8, 2007. Meteorological data comes from two weather stations in Hyannis, MA and Natashquan, Quebec as well as an off-shore buoy anchored on George's Bank in the Gulf of Maine. Data translated includes wind, air temperature, barometric pressure, wave height, cloud cover, historical hurricane data and solar azimuth.

Each sculpture not only maps the meteorological landscape of a specific time and place, but is also a fully functional musical score to be played and interpreted by musicans on instruments as varied as piano, French horn and electrican guitar. You can hear and download the resulting tracks on Miebach’s site.

She's Coming on Strong

9'x9'x1', paper, wood, data, 2011

This piece is a musical score that tracks the paths of both Hurricane Grace and the Halloween Storm, which together created the 'Perfect Storm'.

Miebach uses basket-weaving techniques and materials to interpret the data in three-dimensional space, using the lens of art and craft to look at scientific with new eyes and glean new understanding.

Urban Weather Prairies - Symphonic Studies in D

16’x15’x15’, reed, wood, data, 2009

Urban Weather Prairies is based on data collected in Omaha, Nebraska, during a 2-month period (May /June 2008), while I was an Artist in Residence at the Bemis Center for Contemporary Arts. I chose to translate the data I collected in the format of an orchestra as a way to more truthfully articulate the somewhat idiosyncratic way I was making sense of my daily weather observations. Just like each instrument in a symphony plays part of the score, each sculpture and wall piece tells part of the story, with the entirety of the piece coming together through the larger behavioral patterns that slowly emerge over time. The wall space uses the rectangle as varies maps of Nebraska or urban centers of Nebraska.

What I like about this work is that it challenges our assumption about what kind of visual vocabulary belongs in art versus science.” ~ Nathalie Miebach

Together, Miebach’s sculptures explore the fascinating intersection of art and science — another recurring theme here — with equal parts poetry and precision, making science more accessible and art more cerebral — a pinnacle of the cross-pollination of disciplines at the heart of Brain Pickings.

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Albertus Seba’s Amazing Cabinet of Natural Curiosities

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Getting a private viewing of the King Bird of Paradise, or how to set the exchange rate for flying squid.

Lying at the intersection of art and science, the practice of natural illustration has long been the recipient of Brain Pickings adoration. So we swooned over the recent release of Cabinet of Natural Curiosities, a reproduction of the unequalled collection of Amsterdam apothecary Albertus Seba. Born in the mid-17th century, Seba spent decades gathering a wunderkammer of birds, insects, reptiles, and exotic plants for use in his drug preparations.

One hundred years before the eminent German naturalist Ernst Haeckel was even born, Seba had published two volumes of engravings of his compendia; the last two wouldn’t be finished until after his death in 1736. Seba’s internationally famous cabinet of animals, insects, and plants was coveted by prominent collectors, but eventually purchased by Czar Peter the Great for display in Russia.

Seba’s fantastic assortment no longer exists as a whole — its parts scattered throughout the globe, and some of its individual specimens extinct — but, happily, the images do. The professional pharmacist and amateur zoologist commissioned illustrations of every single item in his collection. In gorgeous reproductions of the original color plates, we get to see detailed drawings of Phasmatodea (or Walking Stick, as the insect is colloquially known), three-banded armadillo, and snakes from Suriname. And while a complete edition of Seba’s visual thesaurus was sold at auction for nearly half a million dollars, we can happily enjoy it for far less.

A spectacular exhibition of 18th-century natural history, Cabinet of Natural Curiosities will enchant the curious cross-disciplinarian and bring a bygone era of scientific study back to life.

Kirstin Butler is writing an adaptation of Gogol for the Google era called Dead SULs, but when not working spends far, far too much time on Twitter. She currently lives in Cambridge, MA.

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Of Lamb: A Children’s Classic Retold for Contrarians

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What baseball player Manny Ramirez has to do with the fourth-best-selling poetry book in America.

If you combined a game of Exquisite Corpse, textual erasure, and the fantastic coloration of outsider art, you might come somewhat close to the gorgeous new book Of Lamb. Out this month from McSweeney’s, Of Lamb is a collaboration between poet Matthea Harvey and artist/illustrator Amy Jean Porter, and the sum of its parts is unlike anything we’ve seen before.

The project’s original text was a biography of the 19th-century British essayist Charles Lamb, which Harvey proceeded to white-out until only fragments and phrases remained. She then turned the much-reduced manuscript over to artist Porter, who created 106 gouache-and-ink images to illustrate Harvey’s melancholy, dreamlike poem.

Of Lamb is a work of such subtle, haunting, spellbinding beauty it is virtually impossible to describe it. Fantastical and yet, so strangely, achingly ‘real’ in its tracking of love, loss, grief, and again love” ~ Joyce Carol Oates

The titular lamb travels from Mary’s yard to a mental facility and beyond, coming into contact with former Red-Soxer Manny Ramirez, newscaster Brian Williams, and Oprah. Like the bizarre but beautiful outcome of a genetic mutation, he turns shades of bright orange, neon green, and deep blue, all the while going through a range of totally familiar human emotions.

A totally tweaked retelling of the classic nursery rhyme, Of Lamb is a singular experience that will entrance any age. And if you hunger for more children’s books for grown-ups, don’t miss our all-time favorites, in two installments.

Kirstin Butler is writing an adaptation of Gogol for the Google era called Dead SULs, but when not working spends far, far too much time on Twitter. She currently lives in Cambridge, MA.

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