Brain Pickings

Cement Eclipses: Tiny Street Art Sculptures by Isaac Cordal

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What tiny people have to do with the sleepwalking hypnotism of urban routine.

I love the work of London-based street artist Isaac Cordal, whose makes big social commentary by way of street art sculptures with tiny human figurines. Since 2006, Cordal has been placing minuscule cement pieces on streets, sidewalks, walls and other corners of the city across Europe, exploring “the voluntary isolation of human beings” from nature. Cement Eclipses is a beautiful new 256-page anthology of images from the project, many never-before-seen, offering a thoughtful look at his tiny-big gifts to the public and inviting an exploration of their meaning in a sociocultural context.

Cement eclipses is a research project of urban space that runs between the fields of sculpture and photography. The sculpture is used as a starting point and photography as a witness to the execution of installations for later viewing or exhibition.” ~ Isaac Cordal

My favorite has to be this piece titled Sleepwalker, which adds to the come-hither allure of the tiny scale the ephemeral mystery of playing on shadow:

Vulnerable and expressive, the vignettes in Cement Eclipses are as much a conversation about solitude as they are an invitation to examine our role as citizens and fellow human beings in a shared urban reality.

via Colossal

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Egypt in the Early 1900s: Rare Vintage Lantern Slides

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What sunset on the Nile has to do with landmark innovation in photographic imaging.

The lantern slide — a transparent image on glass that was magnified and projected onto a surface using a sciopticon “magic lantern” — came of age shortly after it was first introduced by Philadelphia daguerreotypists William and Frederick Langenheim in 1849. The lantern slide greatly broadened the audience for photography, then still a young art, introducing it into academia and the cultural institutions of the day by allowing teachers and museum curators to illustrate their lectures and presentations with projected images.

We’ve seen an heard a lot about Egypt this year, in light of the recent political turmoil. We’ve even had some remix fun with it. (In a no-laughing-matter kind of way, of course.) But beneath what has turned into a highly politicized media talking point lies a remarkable, dignified country full of beauty and tradition. Much like last week’s rare and fascinating look at vintage Japan aimed to rekindle the respect for and fascination with a culture consumed by the recent tragedy and subsequent media coverage, today’s look at these breathtaking vintage lantern slides from Egypt is very much an invitation to take a look beyond the veil of immediacy and revel in the inherent beauty of this land, courtesy of Brooklyn Museum’s fantastic archival lantern slide collection.

Egypt: Partly submerged palms above Nile dam, Upper Egypt

Copyright, 1908, by Stereo-Travel Co. Brooklyn Museum Archives

Egypt: Arab water-carrier girls

Brooklyn Museum Archives

Egypt: Policeman, Cairo

Brooklyn Museum Archives, Goodyear Archival Collection

Egypt: Camels, desert.

Brooklyn Museum Archives

Egypt: Donkey and Cart, Kasr-en-Nil

T. H. McAllister, Manufacturing Optician. 49 Nassau Street, New York. Brooklyn Museum Archives

Egypt: Arab porters, Alexandria

Brooklyn Museum Archives

Egypt: Donkey Boy, Cairo

This slide colored by Joseph Hawkes. Brooklyn Museum Archives

Egypt: Buffalo Market, Gizeh

T. H. McAllister, Manufacturing Optician. 49 Nassau Street, New York. Brooklyn Museum Archives

Egypt: Arabian Horse and Sais, Cairo

This slide colored by Joseph Hawkes. Hooper. Brooklyn Museum Archives

Egypt: Pyramids of Dashur from Sakkara

T. H. McAllister, Manufacturing Optician. 49 Nassau Street. Hooper. Brooklyn Museum Archives

Egypt: Arabic Window and Native Bazaar, Cair

T. H. McAllister, Manufacturing Optician. 49 Nassau Street. Brooklyn Museum Archives

Egypt: Pompey's Pillar, Alexandria

T. H. McAllister, Manufacturing Optician. 49 Nassau Street. Brooklyn Museum Archives

Egypt: Sunset on the Nile

Brooklyn Museum Archives

For another perspective-shift on this fascinating culture, don’t forget last week’s Cultural Connectives — an inspired effort to better understand Arab culture through typography.

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The Medium Is Not The Message: 3 Handwritten Newspapers

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What Indian calligraphers have to do with disaster relief in Japan and free media in Liberia.

Since their invention in the early 17th century, newspapers have remained one of society’s most important sources of what their name promises — news. Today, we hear various tonal cries of the “print is dying” chorus daily and it’s easy to get caught up in the Marshall McLuhanism that “the medium is the message. Today, let’s consider the possibility that maybe, just maybe, the medium is not the message, that “print” can mean many different things, and that in the end, the oldest of technologies can be the most innovative. Case in point: Handwritten newspapers.

THE MUSALMAN

Since 1927, The Musalman has been quietly churning out its evening edition of four pages, all of which hand-written by Indian calligraphers in the shadow of the Wallajah Mosque in the city of Chennai. According to Wired, it might just be the last remaining hand-written newspaper in the world. It’s also India’s oldest daily newspaper in Urdu, the Hindustani language typically spoken by Muslims in South Asia. The Musalman: Preservation of a Dream is wonderful short film by Ishani K. Dutta, telling the story of the unusual publication and its writers’ dedication to the ancient art of Urdu calligraphy.

Thanks, GMSV

ISHINOMAKI HIBI SHIMBUN

Last month, I mentioned a fascinating reversal of the-medium-is-the-message as one Japanese newspaper reverted to hand-written editions once the earthquake-and-tsunami disaster destroyed all power in the city of Ishinomaki in Miyagi Prefecture. For the next six days, the editors of the Ishinomaki Hibi Shimbun “printed” the daily newspaper’s disaster coverage the only way possible: By hand, in pen and paper. Using flashlights and marker pens, the reporters wrote the stories on poster-size paper and pinned the dailies to the entrance doors of relief centers around the city. Six staffers collected stories, which another three digested, spending an hour and a half per day composing the newspapers by hand.

This handwritten newspaper joins a running log of historical instances in which journalists have adapted to disaster situations. During the Civil War’s Union siege of 1863, a scarcity of newsprint in Vicksburg, Miss., led editors of The Daily Citizen to print on wallpaper. Its final issue, now part of the News Corporation News History Gallery, declared: “This is the last wall-paper edition. It will be valuable hereafter as a curiosity.”

Japan’s incidental project has since been acquired by Newseum, the museum of journalism in Washington, D.C.

THE DAILY TALK

Minuscule literacy rates and prevailing poverty may not be conditions particularly conducive to publishing entrepreneurship, but they were no hindrance for Monrovia’s The Daily Talk, a clever concept by Alfred Sirleaf that reaches thousands of Liberians every day by printing just once copy. That copy just happens to reside on a large blackboard on the side of one of the capital’s busiest roads. Sirleaf started the project in 2000, at the peak of Liberia’s civil war, but its cultural resonance and open access sustained it long after the war was over. To this day, he runs this remarkable one-man show as the editor, reporter, production manager, designer, fact-checker and publicist of The Daily Talk. For an added layer of thoughtfulness and sophistication, Sirleaf uses symbols to indicate specific topics for those who struggle to read.

The common man in society can’t afford a newspaper, can’t afford to buy a generator to get on the internet — you know, power shortage — and people are caught up in a city where they have no access to information. And all of these things motivated me to come up with a kind of free media system for people to get informed.” ~ Alfred Sirleaf

Thanks, @kirstinbutler

In related news, don’t forget the fantastic Newspaper Map, which I raved about the other day — an amazing tool for exploring and translating over 10,000 of the world’s newspapers.

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