Brain Pickings

Live Now: Existential Affirmation by Design

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Publishing’s most positive tear sheets, or how a placemat can change your whole outlook on the day.

We were first moved by the contagious positivity behind the Live Now project more than a year ago, when it was a lovely website and growing community of designers and illustrators with a shared commitment to spreading messages of strength and hope. Today we’re thrilled that the movement has taken the form of a book, a kind of collector’s object of optimism.

Live Now gathers 85 of the project’s participants in print form, with a different page for each heartening design. Like the recently featured Everything Is Going To Be OK, Live Now‘s messages exhort the viewer to find the positive in the present moment – something much more attainable when you’re looking at such a beautiful reminder.

'Live Humbly' by Mikey Burton

'Harmony' by Eric Smith

'Friendship' by Emil Kozak

Eric Smith first founded Live Now following a diagnosis of cancer, and what started as a personal project of resilience grew organically into a “movement of happiness.” Today, Smith practices art direction, design, and illustration via his studio, IDRAWALLDAY, and continues to collaborate with a host of creative partners.

The basis of our message is that happiness is here for everyone—that there is a bigger picture for your life, and a will for each one of us. Do the people in your life “feel” your love? Do we inspire happiness in everyone around us? That’s our plan. ~ Eric Smith

'You're Going Places' by Ed Nacional

'Overflowing Optimism' by Chad Kouri

'Break Your Routine' by Mikey Burton

Rip out a life-affirming lesson from Live Now and share it with someone you love. Like the sentiments that inspired them, we guarantee that what you just gave away, you’ll more than gain in spirit.

Kirstin Butler is writing an adaptation of Gogol for the Google era called Dead SULs, but when not working spends far, far too much time on Twitter. She currently lives in Cambridge, MA.

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Happy Birthday, Dieter Rams: Revisiting Less & More

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What your favorite coffeemaker has to do with the cultural value of the unspectacular.

I love the elegant, minimalist yet eloquent visual language of iconic designer Dieter Rams (who doesn’t?), whose principles of good design I’ve previously covered, and I have a soft spot for the lavish design books of German publishing house Gestalten. (Previously: The Story of Eames Furniture and Papercraft 2: Design and Art With Paper).

Today, as Dieter Rams turns 79, there’s no better time to revisit Gestalten’s fantastic Less and More: The Design Ethos of Dieter Rams — an ambitious look at Rams’ seminal work at Braun, which established him as one of the most influential designers of the 20th century, shaping both the aesthetic norms of design for decades to come as well as society’s most fundamental understanding of what design is, does and should be. The lush bilingual volume explores the underbelly of Rams’ design philosophy in 800 pages of archival photos, original sketches and models, alongside thoughtful essays by international design experts that examine Rams’ work and legacy in a contemporary context.

Design should not dominate things, should not dominate people. It should help people. That’s its role.” ~ Dieter Rams

Not the spectacular things are the important things — the unspectacular things are the important things, especially in the future.” ~ Dieter Rams

Don’t miss last week’s The New York Times interview with Rams, in which he talks about everything from what an average day is like for him to why he started a foundation to help young designers get an education — an excellent companion read to Less and More.

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Vintage Ballet: Rare Photos of Dancers from the 1930s-1950s

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Drama, glamor and elegance converge in amazing archival images of ballet dancers from the early 20th century.

Since its origins in the Italian Renaissance courts of the 15th century, ballet has been considered one of humanity’s most graceful and beautiful forms of creative expression. These fantastic archival images from the State Library of New South Wales collection capture the elegance of ballet alongside the classic, dramatic glamor of vintage photography from the early 20th century.

Valentina Blinova in L'Oiseau de feu (The Firebird), Ballets Russes, Sydney, 1936-1937 / photographed by Max Dupain

Paul Petrov in L'Oiseau de feu (The Firebird), Ballets Russes, Sydney, 1936-1937 / photographed by Max Dupain

Tamara Toumanova & Serge Lifar, Swan Lake, Sydney, 1939-1940 / photographed by Max Dupain

Emmy Towsey (Taussig) and Evelyn Ippen, Bodenwieser Ballet in Centennial Park, Sydney, ca. 1939 / photographed by Max Dupain

Tatiana Riabouchinska and Roman Jasinsky in Les Dieux mendiants (The Gods go a-begging), between Nov 1938-Aug 1940 / photographed by Max Dupain

Tatiana Riabouchinska, ballerina, ca. 1938 / photographed by Maurice Seymour

Margaret Barr's 'Strange Children' (ballet), 1955 / photographer unknown

Valentina Blinova in L'Oiseau de feu (The Firebird), Ballets Russes, Sydney, 1936-1937 / photographed by Max Dupain

Unidentified dancer (Yura Lazovsky?) as Petrouchka, Sydney, March 1940 / photographed by Sam Hood

For more on this fascinating and endlessly inspiring piece of cultural history, I highly recommend Apollo’s Angels: A History of Ballet by New Republic dance critic Jennifer Homans, which offers not only breathtaking eye candy but also traces many of today’s cultural values back to ballet’s legacy of discipline and virtuosity.

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