Brain Pickings

Partitura: Mesmerizing Music Visualization Software

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What neurological phenomena have to do with software and the future of live performance experiences.

Music visualization deeply fascinates and inspires me, from how it’s manifested in outlier phenomena like synesthesia to how it’s codified in the visual language of music notation to how it’s leveraged in artistic expression. Partitura explores this topic from a software standpoint with spellbinding generative real-time graphics that visualize sound. A collaboration between London-based visual artist Quayola and music visualization artists Pedro Mari and Natan Sinigaglia, the software churns out endless, mesmerizing, ever-evolving abstract shapes that can respond both the structure of recorded music and manual gestural inputs.

Partitura aims to create a new system for translating sound into visual forms. Inspired by the studies of artists such as Kandinsky, Paul Klee, Oscar Fischinger and Norman McLaren, the images generated by Partitura are based on a precise and coherent system of relationships between various types of geometries.” ~ Quayola

Partitura feels like a three-dimensional version of the wonderful Soy Tu Aire, equal parts fluid and vibrant, with incredible potential for live performances and multisensory ambient experiences.

via Create Digital Motion via ArtsTech News

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Field Notes: A Glimpse Inside Great Explorers’ Notebooks

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On the singular joys of observing nature firsthand, or the best way to draw a bilaterally symmetrical sphinx moth.

In our age of screens, pencil and paper have lost some of their cultural status, but a new publication wants to remind us of their value in recording and understanding our world.

Just out from Harvard University Press, Field Notes on Science and Nature is as much a scientific travelogue as a celebration of traditional methodologies for making sense of our natural environment. Full of beautiful reproductions of original journal pages, Field Notes takes us from Baja, California with eminent ornithologist Kenn Kaufman to the Serengeti with renowned mammalogist George Schaller.

In the words of the book’s editor, Michael Canfield (himself a biologist at Harvard), we can all “peer over the shoulders of outstanding field scientists and naturalists” through their brilliant annotations and illustrations.

'Meriwether Lewis's journal notes of the Eulachon fish (Thaleichthys pacificus), made on February 24, 1806, while Lewis was near Fort Clatsop, Oregon.'

Image courtesy of the American Philosophical Society

'A typical notebook page detailing the thoughts and events of a day doing fieldwork at Olorgesailie, Kenya, with a personal note near the end of the page about the joy of being alone with rocks.'

Anna K. Behrensmeyer, Paleontologist, in the essay 'Linking Researchers Across Generations'

'Page from a field notebook made in New Guinea on the food webs of aquatic animals known as phytotelmata that live in plant containers, such as tree hollows and bromeliad tanks.'

Roger Kitching, Ecologist, in 'A Reflection of the Truth'

The twelve essays in Field Notes were written by professional naturalists from such diverse disciplines as anthropology, botany, ecology, entomology, and paleontology, and their enthusiasm and experience are contagious. For the amateur naturalists among us, the compilation also contains essays on “Note-Taking for Pencilophobes” and basic instructions on color theory and sketching.

'Ink and watercolor drawing of a red sea fan (Swiftia sp.)'

Jenny Keller, in the essay 'Why Sketch?'

The simple satisfactions of mindfully documenting our surroundings are probably best summed up by E.O. Wilson, who penned the book’s introduction:

If there is a heaven, and I am allowed entrance, I will ask for no more than an endless living world to walk through and explore. I will carry with me an inexhaustible supply of notebooks, from which I can send back reports to the more sedentary spirits (mostly molecular and cell biologists). Along the way I would expect to meet kindred spirits among whom would be the authors of the essays in this book.”

Let Field Notes be your guide to seeing both the wonders of biology and your own backyard with new eyes.

Kirstin Butler is writing an adaptation of Gogol for the Google era called Dead SULs, but when not working spends far, far too much time on Twitter. She currently lives in Cambridge, MA.

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A Design Ethnography of South African Barbershops & Salons

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What the history of Apartheid has to do with signage design and communal storytelling.

In his fantastic 2009 TED Talk, Steven Johnson explores how the English coffeehouse of the Enlightenment was crucial to the development and spread of one of the great intellectual flowerings of the last 500 years. This tendency for physical places to transcend their mere utilitarian function and serve as hubs of (sub)cultural development is evident throughout history, from the cave fire pit that sparked the dawn of communal storytelling to today’s coworking spaces that offer fertile ground for innovation through collaboration.

In South African Township Barbershops & Salons, photographer Simon Weller explores the peculiar cultural and social hubs of South African townships, salons and barbershop, which too transcend their mere function as places to get your hair cut and serve as pivotal places for the local community to gather, gossip and exchange ideas. Weller contextualizes the rich and vibrant photographs of the shops and portraits of their patrons with fascinating essays that expound on the aesthetics of these hubs and their signage though interviews with the owners, customers and sign designers.

In many was, South African Township Barbershops & Salons is both a parallel and opposite of last month’s Store Front: The Disappearing Face of New York, the vernacular design of the barbershops’ signage standing in stark contrast to the overdesigned vintage type of New York’s storefronts and yet just as evocative of its community’s spirit, the social norms and function of its physical place, and the cultural traditions of its location.

Out of — of courseMark Batty, my favorite indie publisher.

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