Brain Pickings

Posts Tagged ‘TED’

09 JULY, 2014

Visionary Neurologist Oliver Sacks on What Hallucinations Reveal about How the Mind Works

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“We see with the eyes, but we see with the brain as well.”

While our delusions may keep us sane, hallucinations — defined as perceptions that arise independently of external reality, as when we see, hear, or sense things that aren’t really there — are an entirely different beast, a cognitive phenomenon that mimics mysticism and has no doubt inspired mystical tales over the millennia. In the 18th century, Swiss lawyer-turned-naturalist Charles Bonnet, the first scientist to use the term evolution in a biological context, turned to philosophy after deteriorating vision rendered him unable to perform the necessary observations of science. Blindness eventually gave him a special form of complex visual hallucinations, known today as Charles Bonnet syndrome, but he was otherwise fully lucid and marveled, as a cognitive scientist might, at “how the theater of the mind could be generated by the machinery of the brain.”

Some 250 years later, pioneering neurologist Oliver Sacks (b. July 9, 1933) — who has previously explored the necessary forgettings of creativity and how music impacts the mind — picked up Bonnet’s inquiry in his immeasurably fascinating book Hallucinations (public library). In this TED talk based on the book, Sacks draws on his extensive clinical experience of working with patients, illuminating that astounding “theater of the mind” to shed light on what hallucinations reveal about how the mind works.

We see with the eyes, but we see with the brain as well. And seeing with the brain is often called imagination. And we are familiar with the landscapes of our own imagination, our inscapes. We’ve lived with them all our lives. But there are also hallucinations as well, and hallucinations are completely different. They don’t seem to be of our creation. They don’t seem to be under our control. They seem to come from the outside, and to mimic perception.

In the book, Sacks offers a detailed definition of hallucinations, contrasting them with regular perception and peering into their promise for better understanding the brain and the human mind:

When the word “hallucination” first came into use, in the early sixteenth century, it denoted only “a wandering mind.” It was not until the 1830s that Jean-Étienne Esquirol, a French psychiatrist, gave the term its present meaning — prior to that, what we now call hallucinations were referred to simply as “apparitions.” Precise definitions of the word “hallucination” still vary considerably, considerably, chiefly because it is not always easy to discern where the boundary lies between hallucination, misperception, and illusion. But generally, hallucinations are defined as percepts arising in the absence of any external reality— seeing things or hearing things that are not there.

Perceptions are, to some extent, shareable — you and I can agree that there is a tree; but if I say, “I see a tree there,” and you see nothing of the sort, you will regard my “tree” as a hallucination, something concocted by my brain or mind, and imperceptible to you or anyone else. To the hallucinator, though, hallucinations seem very real; they can mimic perception in every respect, starting with the way they are projected into the external world.

[…]

When you conjure up ordinary images— of a rectangle, or a friend’s face, or the Eiffel Tower —the images stay in your head. They are not projected into external space like a hallucination, and they lack the detailed quality of a percept or a hallucination. You actively create such voluntary images and can revise them as you please. In contrast, you are passive and helpless in the face of hallucinations: they happen to you, autonomously — they appear and disappear when they please, not when you please.

[…]

Hallucinations are “positive” phenomena, as opposed to the negative symptoms, the deficits or losses caused by accident or disease, which neurology is classically based on. The phenomenology of hallucinations often points to the brain structures and mechanisms involved and can therefore, potentially, provide more direct insight into the workings of the brain.

Hallucinations, which goes on to explore how advances in neuroimagining in the last few decades have greatly enhanced our understanding of hallucinations and the brain, is a mind-bending read in its entirety. Complement it with Sacks on the psychology of plagiarism.

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18 JUNE, 2014

The Psychology of Your Future Self and How Your Present Illusions Hinder Your Future Happiness

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“Human beings are works in progress that mistakenly think they’re finished.”

Philosopher Joshua Knobe recently posed a perplexing question in contemplating the nature of the self: If the person you will be in 30 years — the person for whom you plan your life now by working toward career goals and putting money aside in retirements plans — is invariably different from the person you are today, what makes that future person “you”? What makes them worthy of your present self’s sacrifices and considerations? That’s precisely what Harvard psychologist Daniel Gilbert explores in this short and pause-giving TED talk on the psychology of your future self and how to avoid the mistakes you’re likely to make in trying to satisfy that future self with your present choices. Picking up from his now-classic 2006 book Stumbling on Happiness (public library), Gilbert argues that we’re bedeviled by a “fundamental misconception about the power of time” and a dangerous misconception known as “the end of history illusion” — at any point along our personal journey, we tend to believe that who we are at that moment is the final destination of our becoming. Which, of course, is not only wrong but a source of much of our unhappiness.

Human beings are works in progress that mistakenly think they’re finished. The person you are right now is as transient, as fleeting and as temporary as all the people you’re ever been. The one constant in our lives is change.

Gilbert explores this paradox in greater, pleasantly uncomfortable-making, strangely reassuring detail in Stumbling on Happiness — one of these essential books on the art-science of happiness. He writes:

What would you do right now if you learned that you were going to die in ten minutes? Would you race upstairs and light that Marlboro you’ve been hiding in your sock drawer since the Ford administration? Would you waltz into your boss’s office and present him with a detailed description of his personal defects? Would you drive out to that steakhouse near the new mall and order a T-bone, medium rare, with an extra side of the really bad cholesterol?

The things we do when we expect our lives to continue are naturally and properly different than the things we might do if we expected them to end abruptly. We go easy on the lard and tobacco, smile dutifully at yet another of our supervisor’s witless jokes, read books like this one when we could be wearing paper hats and eating pistachio macaroons in the bathtub, and we do each of these things in the charitable service of the people we will soon become. We treat our future selves as though they were our children, spending most of the hours of most of our days constructing tomorrows that we hope will make them happy. Rather than indulging in whatever strikes our momentary fancy, we take responsibility for the welfare of our future selves, squirreling away portions of our paychecks each month so they can enjoy their retirements on a putting green, jogging and flossing with some regularity so they can avoid coronaries and gum grafts, enduring dirty diapers and mind-numbing repetitions of The Cat in the Hat so that someday they will have fat-cheeked grandchildren to bounce on their laps. Even plunking down a dollar at the convenience store is an act of charity intended to ensure that the person we are about to become will enjoy the Twinkie we are paying for now. In fact, just about any time we want something — a promotion, a marriage, an automobile, a cheeseburger — we are expecting that if we get it, then the person who has our fingerprints a second, minute, day, or decade from now will enjoy the world they inherit from us, honoring our sacrifices as they reap the harvest of our shrewd investment decisions and dietary forbearance.

[But] our temporal progeny are often thankless. We toil and sweat to give them just what we think they will like, and they quit their jobs, grow their hair, move to or from San Francisco, and wonder how we could ever have been stupid enough to think they’d like that. We fail to achieve the accolades and rewards that we consider crucial to their well-being, and they end up thanking God that things didn’t work out according to our shortsighted, misguided plan. Even that person who takes a bite of the Twinkie we purchased a few minutes earlier may make a sour face and accuse us of having bought the wrong snack.

This gives another layer of meaning to Albert Camus’s assertion that “those who prefer their principles over their happiness, they refuse to be happy outside the conditions they seem to have attached to their happiness.” Our in-the-moment principles and attachments, after all, may be of no concern to our future selves in their pursuit of happiness.

In the remainder of Stumbling on Happiness, Gilbert, who argues that “the mistakes we make when we try to imagine our personal futures are also lawful, regular, and systematic,” explores the sometimes subtle, sometimes radical changes we can make in our everyday cognitive strategies in order to avoid ending up unhappy and disappointed by unlearning because we set goals for the people we are when we set them rather than the people we become when we reach them.

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04 JUNE, 2014

Maira Kalman at TEDxMet

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What teenage Vladimir Nabokov has to do with the spiritual power of shoes.

There are few artists today whom I admire more wholeheartedly than Maira Kalman. In addition to her magnificent books and projects — including the especially glorious The Principles of Uncertainty and Various Illuminations (Of a Crazy World) — she is also a bottomless well of wisdom on life, with a penchant for the endearingly quirky and a special gift for children’s books.

In this wonderful short talk from TEDxMet, Kalman traces the timeline of her life as an artist, delivered with a hearty helping of her immeasurably gladdening sense of humor.

Walking is the antidote to a lot of misery and boredom. Whatever you do, you should always try to walk somewhere before you do it.

Complement with Kalman on the power of not thinking and the two keys to a full life, then revisit her recent collaboration with Daniel Handler and MoMA, the charming Girls Standing on Lawns.

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Bringing you (ad-free) Brain Pickings takes hundreds of hours each month. If you find any joy and stimulation here, please consider becoming a Supporting Member with a recurring monthly donation of your choosing, between a cup of tea and a good dinner.





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