The cat listicle goes pop art half a century before cat listicles existed.
In the 1950s, long before he had invented himself as pop art’s pioneer, Andy Warhol was making ends meet by working as a freelance children’s book illustrator for Doubleday. Still, he was unable to escape poverty. When his mother, Julia Warhola — an artist herself and one of history’s unsung champions behind creative icons — found out about her son’s destitute conditions in 1952, she boarded a bus from Pittsburgh to New York and moved into Andy’s tiny apartment on East 75th Street, intent on taking care of him and helping him get by. The two shared a love of cats so strong that their squalid home was populated by a multitude of felines, all but one named Sam; the sole outlier, Julia’s most beloved companion, was named Hester. But in addition to cat-rearing, the mother-son cohabitation inevitably led to a series of creative collaborations and an adventure of self-publishing.
In 1954, Andy and Julia released a limited-edition artist’s book ungrammatically titled 25 Cats Name Sam and One Blue Pussy (public library), featuring Andy’s signature blotted-line watercolor drawings in vibrant pop-art colors and calligraphy by Julia. Oddly enough, there were only sixteen rather than twenty-five cats portrayed and Julia had accidentally missed the letter “d” from “Named,” but Andy decided to keep the title and fold the idiosyncratic wording into the already quirky yet strangely contemporary concept — not only was it a book solely about cats half a century before the cat meme of the modern web, but it was also practically an illustrated listicle.
The book was conceived as an edition of 190 signed and numbered copies, most of which Warhol gave away to friends and clients as gifts.
But perhaps even more intriguing was the sequel, another self-published book unambiguously titled Holy Cats by Andy Warhol’s Mother (public library) — a playful and irreverent eulogy for Julia’s beloved Hester, which she wrote and illustrated herself.
Warhol would later remark of his mother’s peculiar labor-of-love project: “It featured what she loved to draw most, angels and cats.”
The two books were eventually reproduced and published as a boxed set a few months after Warhol’s death in 1987.
The two books were followed by the duo’s final collaboration, the little-known cookbook Wild Strawberries. Shortly after that, Warhol underwent what Lou Reed called the “PHOOM!” moment when he stopped being Andy Warhol and became Andy Warhol.
Complement this illustrated love letter to felines with a similar concept from Indian folklore and Gay Talese’s field guide to the social order of New York City cats, then revisit Warhol’s graphic biography and his musings on the joys of virtual relationships.