Spike Jonze’s Handmade Stop-Motion Love Story for Bibliophiles

How to punch a whale, or what Dracula has to do with Faulkner and Macbeth.

When beloved director Spike Jonze, he of Being John Malkovic and Where The Wild Things Are fame, met handbag designer Olympia Le-Tan, he fell in love with her intricate embroidery and asked for an embroidered cover of Catcher in the Rye to put on his wall. Le-Tan agreed, but asked for a film in return. The result was Mourir Auprès de Toi (To Die By Your Side) — an absolutely beautiful stop-motion animation for book-lovers that’s part This Is Where We Live, part Going West, part creative magic only Spike Jonze can bring.

Set inside iconic Parisian bookstore Shakespeare and Company, the film tells the story of the skeleton from the cover of Macbeth, voiced by Jonze himself, who falls in love with Mina Harker on the cover of Dracula. He sets out to meet her, but loses his head to a French version of The Big Clock on the way, trips and falls into Faulkner’s Sartoris, and is then swallowed by Moby-Dick. Harker, voiced by French singer Soko, springs to his rescue, punching the legendary whale in the face with a mischievous smirk. The happily-ever-after ending comes only after an appropriately dark and grim twist.

(We also seem to have a running theme of whales this month, first with the stunning Moby-Dick in Pictures, then the poetic animation about the afterlife of a whale, and now this embroidered stop-motion goodness.)

You just start with what the feeling is. For this one the feeling definitely started with the handmade aesthetic and charm of Olympia’s work. Instantly I had the idea of doing it in a bookstore after-hours, imagining the lights coming down and these guys off their books. Me and Olympia both wanted to make a love story, and it was fun to do it with these characters. It evolved naturally and it all just started with the feeling. From there you entertain yourself with ideas that excite you.” ~ Spike Jonze

Here’s Jonze on the inspired making of the film:

via Slate

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Six Famous Thought Experiments, Animated in 60 Seconds Each

From Ancient Greece to quantum mechanics, or what a Chinese room and a cat have to do with infinity.

From the fine folks at the Open University comes 60-Second Adventures in Thought, a fascinating and delightfully animated series exploring six famous thought experiments.

The Paradox of the Tortoise and Achilles comes from Ancient Greece and explores motion as an illusion:

The Grandfather Paradox grapples with time travel:

Chinese Room comes from the work of John Searle, originally published in 1980, and deals with artificial intelligence:

Hilbert’s paradox of the Grand Hotel, proposed by German mathematician David Hilbert, tackles the gargantuan issue of infinity:

The Twin Paradox, first explained by Paul Langevin in 1911, examines special relativity:

Schrödinger’s Cat, devised by Austrian physicist Erwin Schrödinger in 1935, is a quantum mechanics mind-bender:

For more such fascination and cognitive calisthenics, you won’t go wrong with Peg Tittle’s What If….Collected Thought Experiments in Philosophy .

via Open Culture

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Whale Fall: Poetic Cut-Paper Animation about the Afterlife of a Whale, Inspired by Radiolab

75 years of existential generosity, or what the ocean floor can teach us about existence, ego and impermanence.

If you aren’t listening to WNYC’s fantastic Radiolab, you’re missing out on some of the finest science journalism and curiosity-curation of our time. (The folks at the MacArthur Foundation seem to concur, having just awarded Radiolab producer Jad Abumrad (♥) the wildly prestigious “genius” grant.) In an homage to a fascinating recent Radiolab episode about loops, which features an almost-aside about how when a whale dies, its body can sustain an entire microcosm of an ecosystem for up to seven years in a poetic death-life loop, director-animator duo Sharon Shattuk and Flora Lichtman, better known as Sweet Fern Productions, collaborated with Radiolab’s own Lynn Levy on Whale Fall — an equally poetic and absolutely stunning paper-cutout stop-motion animation about the afterlife of a whale.

More than a mere feat of visual storytelling or a nod to nature’s meticulously orchestrated interdependences, the film is also a lyrical reflection on impermanence and our existence as nodes in something larger, richer, and more complex than our individual lives and egos.

Join me in supporting Radiolab’s wonderful work, which continues to inspire and illuminate with equal parts passion and rigor.

via MetaFilter

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