Brain Pickings

Posts Tagged ‘art’

27 MARCH, 2013

The It-Doesn’t-Matter Suit: Sylvia Plath’s Lovely, Little-Known Vintage Children’s Book

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A charming cautionary tale about the perils of self-consciousness.

Sylvia Plath — celebrated poet, little-known artist, lover of the world, repressed “addict of experience”, steamy romancer … and children’s book author? Given my soft spot for lesser-known vintage children’s books by famous literary icons, I was delighted to discover The It-Doesn’t-Matter Suit (public library) — a charming children’s story Plath penned shortly before having her first child. Though her journals indicate it was written on or immediately before September 26, 1959, it wasn’t until March of 1996 that the tale saw light of day with its first — and only — publication, featuring wonderful illustrations by German graphic designer and artist Rotraut Susanne Berner.

It tells the story of seven-year-old Maximilian “Max” Nix, one of seven brothers, who sees people in various suits everywhere he looks and dreams of the perfect attire for any and all occasions — an “it-doesn’t-matter suit.”

One day, a mysterious package arrives at the Nix house and inside it is a “wonderful, woolly, whiskery, brand-new, mustard-yellow It-Doesn’t-Matter Suit.”

All the Nix brothers proceed to try the suit on, but each finds it ill-fitted, worrying about how the townspeople might judge this unusual mustard-yellow suit.

When Max tries it on, it fits him “as if it were made-to-order.” Once he puts the suit on, Max never takes it off — he goes to school in it, goes fishing, rides his bicycle, takes to the slopes, milks the cow, goes hunting and all along earns the admiration of his fellow citizens.

It’s inescapable to consider how the moral of the story — an admonition against the perilous preoccupation with other people’s opinions — reflects Plath’s own daily struggle with self-consciousness.

The It-Doesn’t-Matter Suit is currently out of print, but used copies can still be tracked down.

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26 MARCH, 2013

Tender Buttons: Gertrude Stein’s Vintage Verses About Objects, Illustrated by Lisa Congdon

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A book is a book is a book. Or is it?

Given my affinity for all things Gertrude Stein and my enduring admiration for the art of my frequent collaborator and talented friend Lisa Congdon, I was instantly enamored with Tender Buttons: Objects (public library) — Stein’s 1914 collection of avant-garde verses celebrating everyday objects in her signature style of semantic somersaults, brought to fresh life with Lisa’s vibrant illustrations of birds, boxes, cups, clocks, umbrellas, and other ordinary objects made extraordinary.

A FEATHER.

A feather is trimmed, it is trimmed by the light and the bug and the post, it is trimmed by little leaning and by all sorts of mounted reserves and loud volumes. It is surely cohesive.

I asked Lisa about the project’s particular mesmerism:

Every now and again an illustration project comes your way that feels like sheer kismet. I’ve had an infatuation with the life of Gertrude Stein since I was in my early 20s, and I’ve always been intrigued by her bizarre poetry. Chronicle Books gave me an extreme amount of creative freedom to illustrate Tender Buttons — which was at the same time both glorious and extremely challenging.

Hope in gates, hope in spoons, hope in doors, hope in tables, no hope in daintiness and determination. Hope in dates.

In the morning there is meaning, in the evening there is feeling.

Tender Buttons, which comes on the heels of Lisa’s equally but very differently delightful A Collection a Day, is an absolute joy from cover to cover. Some of the artwork from it is available in Lisa’s shop.

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22 MARCH, 2013

Iconic Painter Agnes Martin on Art, Solitude, and the Secret of Happiness

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“Doing what you were born to do … That’s the way to be happy.”

Agnes Martin (1912-2004) — legendary abstract painter, revered minimalist, celebrated reconstructionist — would have celebrated her 101st on March 22nd. She has arguably done for modern art what John Cage has for music. In this short 1997 interview, an 85-year-old Martin shares her wisdom on art, solitude, and the secret of happiness. Highlights below.

Martin makes a case for finding your purpose and doing what you love:

There are so many people who don’t know what they want. And I think that, in this world, that’s the only thing you have to know — exactly what you want. … Doing what you were born to do … That’s the way to be happy.

Adding to history’s famous definitions of art and echoing Susan Sontag on music, Martin observes:

Art is responded to with emotion … and the best art is music — that’s the highest form of art. It’s completely abstract, and we make about eight times as much response to music than any of the other arts.

She admonishes against the egocentricity of the artist:

The worst thing you can think about when you’re working is yourself.

Seconding Maira Kalman on the value of the empty brain, Martin professes:

I’m an empty mind. When something comes into it, you can see it.

She echoes Hemingway’s insistence on solitude:

The best things in life happen to you when you’re alone.

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