Brain Pickings

Posts Tagged ‘art’

23 JUNE, 2011

The Open Day Book: Perpetual Calendar by 365 Leading Artists

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How to fill your days with art and your art with days.

This week’s summer solstice offered an invitation to revisit our civilization’s cult of the calendar. Stepping outside its conventions, The Open Daybook by LA-based writer and artist David P. Earle offers an interactive perpetual calendar with artwork by 365 of today’s most exciting visual artists, one for each day of the year. Each dated page allows you to fill in your schedule or jot down a creative response to the artwork, turning it into a weird and wonderful hybrid of datebook, sketchbook and daily art journal. (And we know sketchbooks hold a special place in the Brain Pickings heart.)

Featured in the book are favorite artists like Chuck Jones, Miranda July, Dallas Clayton (), Stefanie Posavec ( ), and Christoph Niemann ( ).

Christoph Niemann

Dallas Clayton

Miranda July

Chuck Jones

Chris Scarborough

Deb Sokolow

Starlee Kine

Mark Alan Stamaty

Stefanie Posavec

Luke Ramsey

The Open Daybook comes from Mark Batty Publisher, who also brought us Shapes for sounds, Notations 21, Cultural Connectives, Drawing Autism and many more gems.

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20 JUNE, 2011

Everything is a Remix, Part 3: The Elements of Creativity

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What Gutenberg has to do with Thomas Edison and the secret sauce of Apple.

Kirby Ferguson’s excellent Everything is a Remix project is, as I’ve previously written, one of the most important efforts to illuminate the mechanisms, paradoxes and central principles of creative culture in modern history — an ambitious four-part documentary on the history and cultural significance of sampling and collaborative creation, reflecting my own deep held belief that creativity is combinatorial. Today, Kirby releases the highly anticipated third installment in the series, titled The Elements of Creativity.

Enjoy — this is a cultural treasure:

The most dramatic results can happen when ideas are combined. By connecting ideas together, creative leaps can be made, producing some of history’s biggest breakthroughs.” ~ Kirby Ferguson

From derivative work in art to incremental innovation in technology, Kirby tells the lesser-known stories of history’s greatest innovators to illustrate the point that creativity builds on what came before rather than crystallizing from thin air under the touch of a mythical muse.

Thomas Edison did not invent the light bulb — his first patent was “Improvement in Electric Lamps,” but he did conduct trials with 6,000 materials for the filament until he created the first commercially viable bulb. Apple didn’t invent the first desktop computer — it copied Xerox (oh, the irony…), but was the first to combine the computer with the household appliance, sparking the personal computing revolution.

What started it all was the graphical interface merged with the idea of the computer as household appliance. The Mac is a demonstration of the explosive potential of combinations.” ~ Kirby Ferguson

Creativity isn’t magic: it happens by applying ordinary tools of thought to existing materials. And the soil from which we grow our creations is something we scorn and misunderstand even though it gives us so much — and that’s… copying.” ~ Kirby Ferguson

The fourth and final episode, coming this fall, will tackle the most complex question of all: How our legal, ethical and artistic burdens are hindering our collective ability to embrace technology as a true enabler of creativity. You can support the project here — I happily did.

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20 JUNE, 2011

The Medium is the Massage: Shepard Fairey + Marshall McLuhan

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Presaging the digital revolution by a half century, or what Telstar has to do with global wisdom.

I have a longstanding obsession with iconic media theorist Marshall McLuhan, and I love equally iconic graffiti artist Shepard Fairy, so I was instantly in love with The Medium is the Massage — a phenomenal little book by McLuhan and designer Quentin Fiore, synthesizing McLuhan’s meatiest ideas in a powerful combination of words and images, with a stunning new cover by Shepard Fairey. The original book was published in 1967, but the remarkable art direction and distinct style are equal parts timeless and timely — so much so, some say, that Wired appropriated stylistic elements from the book in its acclaimed editorial design.

When information is brushed against information… the results are startling and effective. The perennial quest for involvement, fill-in, takes many forms.

The book is divided into several sections, each exploring a different facet of how “electric media” are changing everyday life, from self to family to education to government.

your family

The family circle has widened. The worldpool of information fathered by electric media — movies, Telstar, flight — far surpasses any possible influence mom and dad can now bring to bear. Character no longer is shaped by only two earnest, fumbling experts. Now all the world’s a sage.

McLuhan explores the big-picture significance of worldwide connectivity, best articulated in his concept of the global village, presages today’s discussions about the death of books by a half-century, and blends information theory and existential philosophy with such poetic grace it’s hard not to surrender to his words with full transcendence.

The stars are so big,

The Earth is so small,

Stay as you are.

Perhaps most notably, reading McLuhan’s observations from 1967 feels eerily like reading the latest intellectual debate on media theory today, bespeaking our culture’s chronic and patterned conditioned response to new technology: resistance, subversion and, eventually, surrender.

These are difficult times because we are witnessing a clash of cataclysmic proportions between two great technologies. We approach the new with the psychological conditioning and sensory responses to the old. This clash naturally occurs in transitional periods. In late medieval art, for in stance, we saw the fear of the new print technology expressed in the theme The Dance of Death. Today, similar fears are expressed in the Theater of the Absurd. Both represent a common failure: the attempt to do a job demanded by the new environment with the tools of the old.

The Medium is the Massage is a pocket-sized cultural treasure, the kind you’d want to share with all your friends and keep by your side at all times as a timeless lens on the evolution of contemporary culture.

via @kirstinbutler

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