What people-watching and the love of cereal have to do with fostering visual literacy.
Short and sweet, from Brooklyn-based designer and filmmaker Joe Hollier and in line with today’s medium/message theme, My Visual Diary — a lovely stop-motion film that captures a month in Joe’s life. The beautiful visual narrative is both intimately personal and sprinkled with simple yet profound human truth.
The film was made for an assignment in Richard Wilde’s Visual Literacy SVA class.
What 10,000 sheep have to do with Johnny Cash, Marshall McLuhan and the evolution of storytelling.
I was thrilled to see my friend Aaron Koblin, presently of Google Creative Labs, take the TED stage earlier this year. I’m an enormous data viz geek, I’m deeply interested in the evolution of storytelling, and have been a longtime supporter of Aaron’s work. This talk is an excellent primer to both the discipline itself and Aaron’s stellar projects within it, but also an insight-packed treasure chest even for those already immersed in the world of data visualization. Perhaps most interestingly, Aaron revises iconic media theorist Marshall McLuhan‘s revered catchphrase, “The medium is the message,” to a thought-proviking, culture-appropriate modernization: “The interface is the message.”
An interface can be a powerful narrative device, and as we collect more and more personally and socially relevant data, we have an opportunity and maybe even an obligation to maintain the humanity and tell some amazing stories as we explore and collaborate together.” ~ Aaron Koblin
What tiny people have to do with the sleepwalking hypnotism of urban routine.
I love the work of London-based street artist Isaac Cordal, whose makes big social commentary by way of street art sculptures with tiny human figurines. Since 2006, Cordal has been placing minuscule cement pieces on streets, sidewalks, walls and other corners of the city across Europe, exploring “the voluntary isolation of human beings” from nature. Cement Eclipses is a beautiful new 256-page anthology of images from the project, many never-before-seen, offering a thoughtful look at his tiny-big gifts to the public and inviting an exploration of their meaning in a sociocultural context.
Cement eclipses is a research project of urban space that runs between the fields of sculpture and photography. The sculpture is used as a starting point and photography as a witness to the execution of installations for later viewing or exhibition.” ~ Isaac Cordal
My favorite has to be this piece titled Sleepwalker, which adds to the come-hither allure of the tiny scale the ephemeral mystery of playing on shadow:
Vulnerable and expressive, the vignettes in Cement Eclipses are as much a conversation about solitude as they are an invitation to examine our role as citizens and fellow human beings in a shared urban reality.
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