Brain Pickings

Posts Tagged ‘art’

10 JANUARY, 2014

Edith Windsor on Love and the Truth about Equality, Illustrated

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“If you really care about the quality of somebody’s life as much as you care about the quality of your own…”

The question of what love is endures as one of our deepest inquiries, as individuals and as a culture. Among the greatest love stories in modern history — in individual human terms, but perhaps most importantly in political terms — is that of Edith Windsor and Thea Spier.

After TIME magazine nominated Edith Windsor for Person of the Year 2013, they produced an impossibly moving short documentary (below) about Edie and Thea and what their story reveals about the meaning of love and marriage. Edie’s powerful words at the end of the film inspired the latest installment in the Brain Pickings Artist Series — another collaboration with Debbie Millman, who previously brought her signature hand-lettering to Edie’s historic phone call with President Obama.

Painstakingly made by hand with gold leaf and felt letters on hand-quilted felt, the artwork is available on Society6 as a print, tote, stretched canvas, and (yes, really) pillow, with 100% of the proceeds benefiting SAGE, a nonprofit providing support and care for LGBTQ senior citizens.

Watch the documentary below, and try not to sob:

See more of the Brain Pickings Artist Series here, and don’t miss Debbie Millman’s Self-Portrait as Your Traitor, one of the best art and design books of 2013.

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08 JANUARY, 2014

How Art Can Save Your Soul

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“Art can be a source of help with our problems — our innermost problems — the problems of the soul.”

“Art holds out the promise of inner wholeness,” British philosopher Alain de Botton wrote in Art as Therapy (public library), one of the best art books of 2013. He expounds the premise of the book in this fantastic “Sunday sermon” from The School of Life — the lecture series de Botton founded in 2008, premised on the idea that secular thought can learn a lot from the formats of religion, which went on to reimagine the self-help genre. De Botton argues that in the 19th century, culture replaced scripture as our culture’s object of worship, but we are no longer allowed to bring our fears and anxieties to this modern cathedral. “It is simply not acceptable to bring the aches and pains of our souls to the guardians of culture,” he laments. He goes on to explore how we can reclaim this core soul-soothing function of art from the grip of empty elitism and sterile snobbery, focusing on the the seven psychological functions of art. Enjoy:

We are very vulnerable, fragile creatures in desperate need of support and we generally don’t get it. … Art [can be] a source of help with our problems — our innermost problems — the problems of the soul. . . . Art can be a form of self-help and there is nothing demeaning about the concept of self-help — only the way in which some of self-help has been done so far, but there is nothing wrong with it as a concept. . . .

There is nothing wrong with [art today]. It’s not the art that’s the problem — it’s the frame around the art. We are simply not encouraged to bring ourselves to works of art. . . . The impact of art is often not what it should be because the frame is wrong.

[…]

I believe that art should be propaganda of something [other than the Christian church] — not theology, but psychology. I believe that art should serve the needs of our psyche as efficiently and as clearly as it served the needs of theology for hundreds of years.

Art as Therapy is an excellent read in its entirety. Take a closer look at de Botton’s argument and his seven psychological functions of art here.

Open Culture

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07 JANUARY, 2014

French Artist Benjamin Lacombe’s Haunting Illustrations for Poe’s Tales of the Macabre

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“Either the memory of past bliss is the anguish of to-day, or the agonies which are, have their origin in the ecstasies which might have been.”

Certain types of literature readily invite gorgeous complementary artwork. Classic fairy tales, for instance, have attracted some magnificent illustrations over the centuries. But arguably the most haunting art for literary-literature is that accompanying the stories of Edgar Allan Poe. Nearly a century after Harry Clarke’s remarkable 1919 illustrations and shortly after the stunning graphic novel for Lou Reed’s adaptation of The Raven, French artist Benjamin Lacombe illustrated Poe’s Tales of the Macabre (public library) in his signature style of gentle, eerie, endlessly evocative large-eyed creatures.

The result is nothing short of bewitching.

The Lacombe-illustrated Tales of the Macabre is an absolute treat. Complement it with Italian graphic artist Lorenzo Mattotti’s take on The Raven.

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Brain Pickings has a free weekly newsletter. It comes out on Sundays and offers the week’s best articles. Here’s what to expect. Like? Sign up.