In researching last week’s piece on how the Dutch got their bike paths, I came across this fantastic archival photograph from The Netherlands’ Nationaal Archief, depicting the Dutch queen Juliana riding a bicycle during her 1967 visit to the island Terschelling.
Not only is she most certainly not cultivating bicycle face, she is in fact cultivating a national culture of cycling by bestowing upon it the highest degree of institutional approval — something that remains a pipe dream in America half a century later.
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What The Netherlands can teach us about child safety and mass protests as effective policy-benders.
We’ve come a long way since the time of Victorian don’ts for women on bicycles as the humble bike has become an agent of economic and cultural change. This fascinating short documentary traces the rise of The Netherlands’ famous bicycle paths and examines the sociocultural factors that enabled it, from mass protests to government policy. A living testament to the “build it and they will come” ethos, these safe cycling paths not only vastly improved the city’s traffic system efficiency, but they also helped address an oil and economic crisis, lower carbon emissions, and reduce child casualties by 350%, all thanks to intelligent and focused policy decisions — something to think about as we head into an election year in the tragically car-centric U.S.
The solution was found in the political will on a national and municipal level, with both decision-makers and planners, to deal with this situation by turning away from car-centric policies and making way for alternative transport like cycling.”
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A two-wheel canvas for creativity, or what pedals have to do with pedestals.
We’ve already seen how the humble bicycle can emancipate women (and keep them patriarchy-bound), rein in incredible design innovation, be a manifesto for the creative life, and serve as a metaphor for computers, courtesy of Steve Jobs. But, it turns out, the bike can also be an incredible canvas for art. Bike Art: Bicycles in Art Around the World presents a voyeuristic tour of the lesser-known intersections of art and bike culture, spanning design, performing arts, steampunk, street art, and more through works created on walls, canvases, paper, pedestals, bikeframes, skin and clothing by a range of international artists.
And, of course, what’s a declaration of obsession if not signed by ink? If science geeks can do it, bike geeks can do it:
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