In 1985, shortly after being fired from Apple, Steve Jobs founded NeXT, the somewhat short-lived but revolutionary company focused on higher education and business services. It was there that Jobs honed his visionary approach to computing and design, and crystalized his lens of priorities — the very qualities that made him not only a cultural icon but also a personal hero.

This fascinating PBS documentary, titled The Entrepreneurs and filmed in 1986, offers a rare glimpse of Jobs’ original vision with NeXT, from his aspirations for higher education and simulated learning environments to his decision-making process on price point and product features to his approach to company culture and motivational morale.

Whether NeXT can be a viable business is something only time will tell. But Steve Jobs’ passionate commitment to his vision is clear, and his certainty that it can be achieved — and is worth achieving — is a conviction to be observed in all successful entrepreneurs.”

Some of my favorite parts:

• 1:20 Iconic designer and notorious curmudgeon Paul Rand reveals the NeXT logo. (See also this fantastic old favorite, in which Jobs reminisces about what it was like to work with a man of such genius and such temper.)

Rand doesn’t usually work for infant companies, even if they can afford him. But NeXT isn’t an ordinary startup.”

• 3:50 Jobs talks about how affordable, accessible technology can make a real difference in the learning environment — a vision also articulated by beloved science fiction writer Isaac Asimov in this 1988 Bill Moyers interview
• 4:35 On planting the seeds of a new corporate culture:

More important than building a product, we are in the process of architecting a company that will hopefully be much more incredible, the total will be much more incredible than the sum of its parts, and the cumulative effort of approximately 20,000 decisions that we’re all gonna make over the next two years are gonna define what our company is. And one of the things that made Apple great was that, in the early days, it was built from the heart.”

• 10:31 Joanna Hoffman, also known as Apple employee #5, confronts Jobs about the double-edged sword of “reality distortion,” on the one hand a powerful motivator and on the other false prophet for design decisions
• 13:54 A startup sentiment sandwich of sorts — celebrating the initial idea-high of entrepreneurship, getting grounded into and concerned about the realities of day-to-day operations, then bringing back those big-picture entrepreneurial ideals as a guiding light in overcoming the mundane obstacles.

I don’t see that startup hustle… If we zoom out of the big picture, it would be a shame to have lost the war because we won a few battles.”

Merely 48 months later, Jobs stood up in front of a riveted audience at San Francisco’s Davies Symphony Hall and introduced four fully crystalized, groundbreaking NeXT products, including “some of the neatest apps that have ever been created for any desktop platform,” “the best color that’s ever been,” and “the most important new application area in the 1990s…interpersonal computing.”

For more on the genius of Jobs, don’t miss the excellent I, Steve: Steve Jobs in His Own Words, which curates 200 of his most timeless and powerful quotes, and of course the celebrated Walter Isaacson biography of Jobs.

HT TUAW

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What, exactly, makes an iconic image? You know, the kind that permeates pop culture to become imprinted on our collective conscience, achieving a status of instant recognition and near-universal appeal? That’s exactly what Oxford Trinity College professor Martin Kemp explores in Christ to Coke: How Image Becomes Icon — a fascinating journey into the heart of modern iconography, veering across art, architecture, advertising, religion, science, and a wealth more. From the Mona Lisa to Che Guevara to Einstein’s E=mc² to Milton Glaser’s I♥NY, Kemp uses 11 such iconic images to examine the 11 key categories he identifies, lavishly illustrated in 165 color images. Beneath them all runs a common undercurrent of elements that hold the secret to all icons — among them, simplicity of message, robustness, and openness of interpretation.

Some types of images are specific — like Lisa and Che — while some are generic, such as the heart shape. The generic ones tend to seep gradually into general consciousness. The heart shape appeared on playing cards and became the religious symbol of the sacred heart, before becoming the ubiquitous symbol of love. It takes a designer of genius, like Milton Glaser, to refresh its power in the service of a specific cause. We all know I♥NY. But New York largely surrendered the ‘Big Apple’ to Steve Jobs.” ~ Martin Kemp

Mona Lisa, digitally restored. Photo courtesy of Pascal Cotte

Enrique Avila Gonzalez, Che Guevara. Ministry of the Interior, Havana, Cuba

Felix de Weldon, Marines Raising the Flag at Iwo Jima, Virginia, Marine Corps War Memorial, Arlington National Cemetery

BFF Architects and Izé, DNA door handles, London, Royal Society.

Kemp has an excellent piece in The Wall Street Journal offering five lessons on successful iconography based on the case studies explored in the book.

Kemp also observes that even the icons of modern science, like DNA and E=mc², have taken on a quasi-religious dimension — which, of course, we already knew, even just by looking at the many geek-rebels who inked themselves with science. But, in fact, much of this iconography is based on pop culture mythology that isn’t necessarily rooted in truth. Kemp notes:

I assumed that Einstein’s famous formula for the equivalence of mass and energy, E=mc² had appeared in his renowned set of papers published in 1905. Einstein scholars insisted it was there. But it was not. In that precise form, the equation seems to have been visited on Einstein as a simplification of his ideas, cemented in the public mind by its association with the atomic bombs dropped on Japan in 1945. The well-known tends not to be true in such cases.”

Part Iron Fists, part The Myth of Pop Culture, part The Century of the Self, Christ to Coke: How Image Becomes Icon is an essential effort to understand who we came to worship what we worship and why the iconography of consumerism has such an enduring hold on us, whether or not we want to admit it. And though the book was written partly as a blueprint for branding, a subversive reading of it also offers a blueprint to the opposite — how to loosen the grip of commercial culture by better understanding the engineered mesmerism by which it transfixes us.

Images courtesy of Oxford University Press

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Why is it that we caress our iPhones so tenderly? What is it about putting on a pair of Nikes that makes us run faster and jump higher? How come merely seeing Facebook’s blue logo gives us a rush of connectedness and belonging? Business guru Guy Kawasaki may be equally celebrated and reviled for his unique brand of media entrepreneurship, but one thing is certain: The former Chief Evangelist at Apple knows a thing or two about stirring passion and building cults around it. That’s precisely what he captures in his new book, Enchantment: The Art of Changing Hearts, Minds, and Actions — an essential handbook for making ideas resonate, sitting at the intersection of business, creativity and persuasion.

It causes voluntary change of hearts and minds and therefore actions. It is more than manipulating people to help you get your way. It transforms situations and relationships. It converts hostility into civility. It reshapes civility into affinity. It changes skeptics and cynics into believers.” ~ Guy Kawasaki

Kawasaki offers a thoughtful guide to transforming both personal and professional interactions from transactional what’s-in-it-for-me’s into lasting, trusting, meaningful connections. Ultimately, he makes a case for what we all intuitively believe — that success is the product of, above all, being a good person — but wraps this ethos in grounded case studies and examples from some of the world’s most passion-driven brands.

Enchantment of others, or yourself, is a process, not an event. It’s like fitness: you don’t stay fit without continuous effort. Maybe it’s an Asian thing: simple to learn but a lifetime to master. The best way to keep yourself enchanted is to enjoy the process. We had a saying in the Macintosh Division: “The journey is the reward.” If you can embrace this attitude, you’ll be enchanted and enchant others for a long, long time.” ~ Guy Kawasaki

We couldn’t help but find Kawasaki’s thinking remarkably similar to the ethos of Polaroid inventor Edwin Land circa 1942, perhaps bespeaking an essential ingredient of entrepreneurship.

The 99% has an excellent interview with Kawasaki. Still not convinced you actually need to read it? Take Guy’s Realistic Enchantment Aptitude Test — a 23-question self-exam that tests just how masterful your enchantment skills are and where you may need help.

The pillars of enchantment are likeability, trustworthiness, and greatness. Greatness refers to the quality of your product, service, idea — in other words, your cause. Sharing your dream is a key part of enchantment.” ~ Guy Kawasaki

Enchantment is out this month and is already shortlisted for our selection of the best business books of 2011.

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They Were There by legendary documentary director Errol Morris spotlights the pioneers who “changed the way the world works,” quite literally, with music by none other than Philip Glass.

100 X 100 chronicles a century of technological achievements, presented by 100 people, each recounting the IBM achievement recorded in the year he or she was born, moving from the oldest to the youngest — a refreshingly innovative storytelling device, layered on top of some fascinating historical trivia.

For more on the history of IBM, one of the most wide-reaching innovators of our time, we highly recommend The Maverick and His Machine: Thomas Watson, Sr. and the Making of IBM — the remarkable story of America’s first celebrity CEO told through rare, never-before-explored documents and riveting tales of optimism amidst chaos.

HT Coudal

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Two years ago, iconic Scottish whisky brand The Macallan recruited celebrity photographer Rankin in an ambitious project — to capture The Macallan story in 1,000 black-and-white Polaroids over the course of six days, which were to be turned into 1,000 limited-edition bottle labels. Dubbed Masters of Photography, the effort turned the whiskey bottles into prized collector’s items around the world, each of which came with the original Rankin Polaroid and set the owner back by $1,695.

This year, The Macallan is back with Masters of Photography 2, this time enlisting world-famous photographer Albert Watson (yes, he of Kate Moss nudes fame) to create artful storytelling inspired by the wood The Macallan uses to make the precious casks in which the Scottish Single Malt is matured.

There needs to be some art of photography here. And that’s…that’s what you need to look for. It’s like finding a needle in a haystack. It’s the art of photography that you’re looking for and that’s always a mystery. It’s always under a leaf somewhere.” ~ Albert Watson

The casks originate in Spain, so Watson is following their journey from tree to distillery over the course of ten days, from the South of Spain to the North of Scotland, documenting the people and landscapes behind the elaborate production process.

You can catch the full journey on The Macallan YouTube channel. The images from Masters of Photography 2 are to once again be turned into a limited-edition bottle series at the end of this year.

The project offers a fascinating behind-the-scenes glimpse of the creative craftsmanship of a brand’s story, a captivating marriage of art and commerce in the age of transmedia storytelling.

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Despite the recession, the global economy is a massive force of commerce, shuffling billions of dollars around its ecosystem of goods and services. By comparison, the nonprofit sector — and humanitarian aid in particular — is microscopic. So what if could take a fraction of that fat commmercial mega-budget and allocate it to underfunded good causes? That’s what Robin of Shoreditch, a group of anonymous creative outlaws, is doing with The 100 Brands Project — an effort to take from the rich and give to the poor, or in this case, to the people of Haiti.

It’s a simple, brilliant idea — the team, composed of various ad industry creatives, do what they do best: They offer each company on BrandZ’s 100 brands index a creative idea that could help their business and, in return, they ask for 1/10000000 — that’s one ten-millionth — of the value of that brand as a fee, 100% of which goes to relief efforts in Haiti.

Every Monday morning, the crew released a new idea for one of these A-list brands, including FedEx, Nike and American Express. They then send the brand an actual invoice and hope for the best.

Why go anonymous?

The truth is we’d rather keep our identities secret so not to compromise our ‘normal life’ jobs at various advertising and marketing agencies. We’re creating ideas for the top 100 brands and some of these bring us into conflict with the brands we work on day-in, day-out through our jobs.” ~ “Little John”

None of the 12 companies approached so far have actually paid up, but we think this is a brilliantly innovative take on “corporate social responsibility” and any brand that embraces its incredible potential — to do good but also, perhaps cynically, to generate some solid buzz — would be deserving of an epic hat tip.

You can follow the project’s progress on the team’s blog and keep an eye on Vimeo channel for fresh videos every Monday.

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Universal love for the iPhone aside, when it comes to the creative exploration of a gadget’s cultural context, Apple has nothing on Nokia. To promote the Nokia’s E71 smartphone, Wieden + Kennedy London came up with Beautiful Connections — a multimedia homage to the art of conversation.

From text art to a mobile app to short films inspired by the beauty of everyday conversation, the microsite is pure visual indulgence.

It also invites visitors to create their own audiovisual art piece, using their computer’s webcam, microphone or keyboard to explore how text, sound, color and motion influence your message. Here’s ours:

The winner of the film contest, Ewan Watson, used rotoscoping to create S I G N A L S — a colorful play on communication signals.

You can see the other 4 film finalists here, here, here, and — our uncontested favorite — here.

Which brings us to our only gripe with the project: The inherent unshareability of Flash content — the medium blatantly contradicts the message if none of the work can be shared in “everyday conversation” via individual permalinks or… gasp… embed code.

How did the W+K team miss the irony here?

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There’s no question National Geographic is a photographic force to be reckoned with. And now they’re on a mission to inspire people to care about the planet through a gigantic collaborative photo-mosaic of the Earth.

Infinite Photograph is a global project building a portrait of Earth seen through the eyes of ordinary people, a promotional effort for NG’s MyShot initiative. Think of it as crowdsourcing meets collage meets environmental sensibility.

Currently, the mosaic is composed of over 300,000 photos of the natural world, pulled from archived images by MyShot users. But the project is also an ongoing invitation for new submissions — the more images are indexed, the richer the the color sampling will be and the closer to infinity the mosaic can get.

The team at National Geographic envisions various future extensions of the project as the image catalog grows, breaking it down into mosaic representations of sub-categories like water, trees, and animals.

Besides being the socially-smartest marketing effort we’ve seen in a while, we have to respect NG’s fierce editorial curation — even user-submitted images have to live up to the same editorial standards as those in the actual publication in order to make it to MyShot, which ensures all the photographs that do make the cut for Infinite Photograph are absolutely stunning.

But be not discouraged — go ahead and submit some of your own nature-loving shots. It’s not every day you get a chance to feel closer to the planet and to your global cohabitants at the same time.

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We’re going constitutional today — Brain Pickings is after the pursuit of happiness. And we’ve uncovered three gems that attempt to unravel the quintessential human mystery: What is happiness, and how the hell do we get our little hands on it?

COCA-COLA “ENCOUNTER”

Generally — and perhaps cynically — speaking, the goal of marketing is to show us all the ways in which we fall short, stealing happiness away from us only to sell it back to us at the price of the product. So when it comes to branding, there’s no greater feat of identity than owning the construct of happiness itself. Which is exactly the branding platform Coke has been building for the past decade.

But cynicism aside, Encounter, Coke’s latest spot from Madrid agency McCann-Erickson and director Andy Fogwill, is a delightful bag of mush, the kind that makes you feel all warm and fuzzy inside despite your every instinct to cringe at the underlying marketing ploy.

You may not be any more inclined to drink Coke now, but maybe you’re just a little bit more likely to, you know, go live the happy life. And isn’t that daily little bit all it comes down to?

via Creativity Online

AUTHENTIC HAPPINESS

Back in 2006, we were fortunate enough to study under Dr. Martin Seligman, not only a renowned TEDster but also former chairman of the American Psychological Association elected by the largest margin in history. More importantly, Dr. Seligman is the founder of the Positive Psychology movement, a nascent branch of psychology concerned with the empirical study of positive emotions, strengths-based character, and healthy institutions.

The Authentic Happiness program is Dr. Seligman’s primary brainchild, a research-driven cluster of positive interventions aimed at increasing our level of happiness — our ability to feel more satisfied, to find more meaning in life, to be more engaged and present in the moment — regardless of our circumstances.

We couldn’t recommend the program enough — it’s free to join and easily the best thing you’ll do for yourself all year or, perhaps, ever. So go ahead and head over to the Questionnaires Center for an accurate assessment of where you fall on the happiness spectrum right now, what your greatest psychological strengths are, what you need to work on and how.

There may not be a blueprint for happiness, but these are the most powerful drawing tools and the widest canvas you’ll ever find.

TED ON HAPPINESS

What’s a Wednesday without some shameless chest-beating? Yep, we have a new episode on TEDify, a TED-based quest for the most sought-after piece of existential human truth, that most fundamental question: What makes us happy?

See the full list of speakers and catch up on the TED talks sampled here — take it from a cynic, happiness can be synthesized, but it requires that you unearth all the right elements to ignite the reaction. And we happen to think TED is the proverbial periodic table.

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We love illustration. We love innovation. And we love these 5 incredibly innovative illustrators.

TAD CARPENTER

Kansas City designer Tad Carpenter‘s character illustrations are what one would call “unique” — the bold colors, crisp lines and subtle 2D texture, combined with the expressive minimalism of the characters’ faces, make for a signature style you couldn’t mistake for another.

Tad’s work spans across posters, identity, installations, packaging, painting, and more. Between his day job at Design Ranch and his personal work, Tad also co-runs Vahalla Studios, a top-notch screen-printing shop.

Tad recently collaborated with a few other artists on a philanthropic project — after visiting 9 orphanages in Vietnam to help paint some murals, they got inspired by the kids’ drawings and paired each kid with one of the artists, who later did his own version of the kid’s drawing. (Remember Child Art for Grown-Ups?)

They then set up an auction for the work, benefiting, of course, the orphanages.

Check out Tad’s blog for more about his work, his inspiration, and his rather exciting artist life.

via grain edit

CHRISTOPHER LEE

Designer and motion graphics artist Christopher Lee, a.k.a. “The Best Is Back,” has some pretty impressive commercial gigs to his credit: Lucas Arts, TBWA, Disney Consumer Products, Vodafone and Honda, to name but a few.

In 2004, Christopher started a conceptual pet project dubbed The Urbanites — a friendly bunch of characters that are almost like the rest of us:

Populated together in that tight knit community you’ve grown to love and hate. Filled with best friends, mortal enemies, summer popsicles, freshly cut lawn, gossip, laughs and the obligatory robot factory.

Except they’re monsters.

Eventually, Christopher developed The Urbanites into lovable characters, each with a unique personality and back story.

In 2006, Christopher moved to Southern California to look for new inspiration. And we think he’s more than found it.

Christopher now lives in Sacramento and works as an Art Director at motion graphics get-up Buck.

MATTHEW WOODSON

Chicago-based artist Matthew Woodson is the kind of illustrator who doesn’t fall for the latest grunge or “2.0″ or magna fad. His minimalistic traditionalism of simple, meticulous pen and brush work somehow creates rather powerfl, almost haunting images.

Something about his ghostly illustration seems to strike a chord with the cultural and commercial A-listers — from nonprofits like UNICEF, to for-as-much-as-possible-profits like American Express, to an impressive lineup of media powerhouses: BusinessWeek, ESPN Magazine, Glamour, Randomhouse, and Wired (which, as you probably know by now, we’re completely obsessed with.)

Check out Matthew’s blog for a glimpse into his creative process.

ALBERTO CERRITEÑO

Designer Alberto Cerriteño is an enviable master of texture, shape and color, whatever medium they dwell in.

His artwork creates nothing short of a whimsical alternate reality, sucking you in one lovable monster at a time.

Born in Mexico City, Alberto is now a Senior Art Director at a Portland-based design shop. His work spans nearly every frontier of design imaginable, from print to motion graphics to apparel and more.

Follow Alberto’s global adventures on his blog for some insight into the fuel of that incredibly imaginative mind.

WILMER MURILLO

Honduras-based freelance illustrator Wilmer Murillo‘s artwork is brimming with that rare blend of the bizarre, the delightful and the introspective, all tied with a bow of fantastic aesthetic execution.

His latest collection, The Messenger of Love Is Old and Tired, juxtaposes the endearing, almost cartoonish nature of the characters with the profound sadness of the conceptual message.

Wilmer is only 21, which absolutely floors us. Keep your eyes peeled for this guy as he takes the design world by storm in the next couple of years.

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