Brain Pickings

Posts Tagged ‘Carl Sagan’

30 APRIL, 2013

Cosmic Apprentice: Dorion Sagan on Why Science and Philosophy Need Each Other

By:

“A good scientific theory shines its light, revealing the world’s fearful symmetry. And its failure is also a success, as it shows us where to look next.”

As if to define what science is and what philosophy is weren’t hard enough, to delineate how the two fit together appears a formidable task, one that has spurred rather intense opinions. But that’s precisely what Dorion Sagan, who has previously examined the prehistoric history of sex, braves in the introduction to Cosmic Apprentice: Dispatches from the Edges of Science (public library) as he sets out to explore the intricate ways in which the two fields hang “in a kind of odd balance, watching each other, holding hands”:

The difference between science and philosophy is that the scientist learns more and more about less and less until she knows everything about nothing, whereas a philosopher learns less and less about more and more until he knows nothing about everything. There is truth in this clever crack, but, as Niels Bohr impressed, while the opposite of a trivial truth is false, the opposite of a great truth is another great truth.

I would say that applies to the flip side of the above flip takedown: Science’s eye for detail, buttressed by philosophy’s broad view, makes for a kind of alembic, an antidote to both. This intellectual electrum cuts the cloying taste of idealist and propositional philosophy with the sharp nectar of fact yet softens the edges of a technoscience that has arguably lost both its moral and its epistemological compass, the result in part of its being funded by governments and corporations whose relationship to the search for truth and its open dissemination can be considered problematic at best.

Sagan refutes the popular perception of science as rationally objective, a vessel of capital-T Truth, reminding us that every scientific concept and theory was birthed by a subjective, fallible human mind:

All observations are made from distinct places and times, and in science no less than art or philosophy by particular individuals. … Although philosophy isn’t fiction, it can be more personal, creative and open, a kind of counterbalance for science even as it argues that science, with its emphasis on a kind of impersonal materialism, provides a crucial reality check for philosophy and a tendency to overtheorize that [is] inimical to the scientific spirit. Ideally, in the search for truth, science and philosophy, the impersonal and autobiographical, can “keep each other honest,” in a kind of open circuit. Philosophy as the underdog even may have an advantage, because it’s not supposed to be as advanced as science, nor does it enjoy science’s level of institutional support — or the commensurate heightened risks of being beholden to one’s benefactors.

Like Richard Feynman, who argued tirelessly for the scientist’s responsibility to remain unsure, Sagan echoes the idea that willful ignorance is what drives science and the fear of being wrong is one of its greatest hindrances:

Science’s spirit is philosophical. It is the spirit of questioning, of curiosity, of critical inquiry combined with fact-checking. It is the spirit of being able to admit you’re wrong, of appealing to data, not authority, which does not like to admit it is wrong.

In noting that a scientific theory must transcend the purely epistemological and reflect both pragmatic and aesthetic sensibilities, Sagan observes:

Some perspectives, some theories lead to many new questions, new devices, and enriched worldviews. They must be counted not just as true and productive but beautiful and stimulating, like poems or paintings, except that their medium is not pigments or words but our perception and intellection.

Sagan reflects on his father’s conviction that “the effort to popularize science is a crucial one for society,” one he shared with Richard Feynman, and what made Carl’s words echo as profoundly and timelessly as they do:

Science and philosophy both had a reputation for being dry, but my father helped inject life into the former, partly by speaking in plain English and partly by focusing on the science fiction fantasy of discovering extraterrestrial life.

In that respect, science could learn from philosophy’s intellectual disposition:

Philosophy today, not taught in grade school in the United States, is too often merely an academic pursuit, a handmaiden or apologetics of science, or else a kind of existential protest, a trendy avocation of grad students and the dark-clad coffeehouse set. But philosophy, although it historically gives rise to experimental science, sometimes preserves a distinct mode of sustained questioning that sharply distinguishes it from modern science, which can be too quick to provide answers.

[…]

Philosophy is less cocksure, less already-knowing, or should be, than the pundits’ diatribes that relieve us of the difficulties of not knowing, of carefully weighing, of looking at the other side, of having to think things through for ourselves. Dwell in possibility, wrote Emily Dickinson: Philosophy at its best seems a kind of poetry, not an informational delivery but a dwelling, an opening of our thoughts to the world.

Like Buckminster Fuller, who vehemently opposed specialization, Sagan attests to the synergetic value of intellectual cross-pollination, attesting to the idea that true breakthroughs in science require cross-disciplinary connections and originality consists of linking up ideas whose connection was not previously suspected:

It is true that science requires analysis and that it has fractured into microdisciplines. But because of this, more than ever, it requires synthesis. Science is about connections. Nature no more obeys the territorial divisions of scientific academic disciplines than do continents appear from space to be colored to reflect the national divisions of their human inhabitants. For me, the great scientific satoris, epiphanies, eurekas, and aha! moments are characterized by their ability to connect.

“In disputes upon moral or scientific points,” advised Martine in his wonderful 1866 guide to the art of conversation, “ever let your aim be to come at truth, not to conquer your opponent. So you never shall be at a loss in losing the argument, and gaining a new discovery.” Science, Sagan suggests — at least at its most elegant — is a conversation of constant revision, where each dead end brings to life a new fruitful question:

Theories are not only practical, and wielded like intellectual swords to the death … but beautiful. A good one is worth more than all the ill-gotten hedge fund scraps in the world. A good scientific theory shines its light, revealing the world’s fearful symmetry. And its failure is also a success, as it shows us where to look next.

Supporting Neil deGrasse Tyson’s contention that intelligent design is a philosophy of ignorance, Sagan applies this very paradigm of connection-making to the crux of the age-old science vs. religion debate, painting evolution not as a tool of certitude but as a reminder of our connectedness to everything else:

Connecting humanity with other species in a single process was Darwin’s great natural historical accomplishment. It showed that some of the issues relegated to religion really come under the purview of science. More than just a research program for technoscience, it provides a eureka moment, a subject of contemplation open in principle to all thinking minds. Beyond the squabbles over its mechanisms and modes, evolution’s epiphany derives from its widening of vistas, its showing of the depths of our connections to others from whom we’d thought we were separate. Philosophy, too … in its ancient, scientifico-genic spirit of inquiry so different from a mere, let alone peevish, recounting of facts, needs to be reconnected to science for the latter to fulfill its potential not just as something useful but as a source of numinous moments, deep understanding, and indeed, religious-like epiphanies of cosmic comprehension and aesthetic contemplation.

The essays in Cosmic Apprentice go on to explore such inevitably captivating subjects as our sense of identity, the nonlinearity of time, and the ethical dilemmas of biopolitics.

Public domain images via Flickr Commons

Donating = Loving

Bringing you (ad-free) Brain Pickings takes hundreds of hours each month. If you find any joy and stimulation here, please consider becoming a Supporting Member with a recurring monthly donation of your choosing, between a cup of tea and a good dinner:





You can also become a one-time patron with a single donation in any amount:





Brain Pickings has a free weekly newsletter. It comes out on Sundays and offers the week’s best articles. Here’s what to expect. Like? Sign up.

19 FEBRUARY, 2013

Cosmic Pastoral: Diane Ackerman’s Poems for the Planets, Which Carl Sagan Sent Timothy Leary in Prison

By:

“I’m stricken by the ricochet wonder of it all: the plain everythingness of everything, in cahoots with the everythingness of everything else.”

On February 19, 1974, shortly before visiting Timothy Leary in prison, Carl Sagan sent the psychedelic pioneer a letter discussing evolution, the possibility of extraterrestrial life, and the details of the upcoming visit. The postscript read:

P.S. The enclosed poem, ‘The Other Night’ by Dianne Ackermann [sic] of Cornell, is something I think we both resonate to. It’s unfinished so it shouldn’t yet be quoted publically.

But the poem was eventually finished and, along with fourteen others, included in Diane Ackerman’s 1976 poetry anthology The Planets: A Cosmic Pastoral (public library) — a whimsical and wonderful ode to the universe, celebrating its phenomena and featuring a poem for each planet in the Solar System, as well as one specifically dedicated to Carl Sagan.

From “Venus”:

Low-keyed and perpetual,
a whirling sylph
whose white robe stripes
around her; taffeta
wimpled like a nun’s headcloth;
a buxom floozy with a pink boa;
mummy, whose black
sediment desiccates within; wasp-star
to Mayan Galileos;
an outpatient
wrapped in post-operative gauze;
Cleopatra in high August–
her flesh curling
in a heat mirage
lightyears
from Alexandria;
tacky white pulp
spigoted
through the belly of a larva;
the perfect courtesan:
obliging, thick-skinned,
and pleated with riddles,

Venus quietly mutates
in her ivory tower.

Deep within that
libidinous albedo
temperatures are hot enough
to boil lead,
pressures
90 times more unyielding
than Earth’s.
And though layered cloud-decks
and haze strata
seem to breathe
like a giant bellows,
heaving and sighing
every 4 days,
the Venerean cocoon
is no cheery chrysalis
brewing a damselfly
or coaxing life
into a reticent grub,
but a sniffling atmosphere
40 miles thick
of sulphuric, hydrochloric,
and hydrofluoric acids
all sweating
like a global terrarium,
cutthroat, tart, and self-absorbed.
No sphagnum moss
or polypody fern here,
where blistering vapors
and rosy bile
hint at the arson
with which the Universe began.

Hubble Space Telescope photograph taken within minutes of Mars' closest approach to Earth in 60,000 years, on Aug. 27, 2003. Click images for more

From “Mars”:

The quickest route
from Candor to Chaos
follows Coprates
(the much-travelled
Shit River), through
da Vinci and Galileo
bypassing Bliss,
many moons from Tranquility.
But, Romantics, take heart:
you can breakfast
in Syria, lunch in Sinai,
track the Nile
to its source (Nilokeras)
before dinner, and there,
making ablutions to Osiris,
win a boon to Eden,
where all four rivers
of Paradise converge,
then spend the night
in Pandora, or with Ulysses,
Proteus, or even Noah,
in the Land of Gold (Chryse)
or by the Leek-green Sea.

From “The Other Night (Comet Kohoutek)”:

Last night, while
cabbage stuffed with
brown sugar, meat and
raisins was baking in the
oven, and my potted holly,
dying leafmeal from red-spider,
basked in its antidote malathion,
I stepped outside to watch Kohoutek
passing its dromedary core through the
eye of a galaxy. But only found a white
blur cat-napping under Venus: gauzy, dis-
solute, and bobtailed as a Manx.

Pent-up in that endless coliseum of stars,
the moon was fuller than any Protestant
had a right to be. And I said: Moon,
if you’ve got any pull up there, bring me
a sun-grazing comet, its long hair swept
back by the solar wind, in its mouth a dollop
of primordial sputum. A dozing iceberg,
in whose coma ur-elements collide. Bring me
a mojo that’s both relict and reliquary.
Give me a thrill from that petrified seed.

Mars was a stoplight in the north sky,
the only real meat on the night’s black
bones. And I said: Mars, why be parsimonious?
You’ve got a million tricks stashed
in your orbital backhills: chicory suns
bobbing in viridian lagoons; quasars dwindling
near the speed of light; pinwheel, dumbbell,
and impacted galaxies; epileptic nuclei
a mile long; vampiric moons; dicotyledon suns;
whorling dustbowls of umbilical snow; milky ways
that, on the slant, look like freshly fed pythons.

From “Diffraction (for Carl Sagan)”:

When Carl tells me it’s Rayleigh scattering
that makes blue light, canting off molecular

grit, go slowgait through the airy jell, subdued,
and outlying mountains look swarthy, or wheat

blaze tawny-rose in the 8:00 sun, how I envy
his light touch on Earth’s magnetic bridle.

Knee-deep in the cosmic overwhelm, I’m stricken
by the ricochet wonder of it all: the plain

everythingness of everything, in cahoots
with the everythingness of everything else.

Echoing Richard Feynman’s views on science and mystery, Ackerman writes of her poetry:

I’ve always been baffled by people who write about nature only in terms of, say, junipers and cornfields, eschewing all things so-called ‘scientific,’ as if science were, per se, the spoil-sport of feeling. So wonderless a view of nature really doesn’t appeal to me; I don’t see the Universe divided up that way, into ‘The Junipers’ on the one hand and ‘The Amino Acids’ on the other.

So how did Sagan know of Ackerman? Most likely, through his second wife — the author photograph on the back of The Planets: A Cosmic Pastoral was taken by artist and writer Linda Salzman Sagan, whom Carl married in 1968. The two divorced in 1981, after Sir Sagan fell in love with Annie Druyan in the course of creating the Voyager Golden Record, which Linda co-produced. Cosmic love, it seems, is always a little more complicated than the poets might wish us to believe.

Complement with the first poem published in a scientific journal, which actually turned out not to be the first.

Donating = Loving

Bringing you (ad-free) Brain Pickings takes hundreds of hours each month. If you find any joy and stimulation here, please consider becoming a Supporting Member with a recurring monthly donation of your choosing, between a cup of tea and a good dinner:





You can also become a one-time patron with a single donation in any amount:





Brain Pickings has a free weekly newsletter and people say it’s cool. It comes out on Sundays and offers the week’s best articles. Here’s what to expect. Like? Sign up.

12 FEBRUARY, 2013

The Math of Love: Calculating the Odds of Finding Your Soulmate

By:

The science of why there are roughly 871 special someones for you out there.

Since the dawn of recorded history, poets and philosophers have pondered the nature of love and, in recent times, so have scientists. But can the concrete lens of science really be applied to something as seemingly abstract and amorphous as amore? Joe Hanson, mastermind of the wonderful science-plus compendium It’s Okay To Be Smart, has a new online show in partnership with PBS and the latest episode explores what the search for extraterrestrial life can teach us about our odds of finding that much-romanticized human soulmate, using the Fermi paradox, the Drake equation, and a lesson in love from Carl Sagan — who, with his timelessly magnificent Golden Record love story, should know a thing or two about the wisdom of the heart.

Joe ends with a beautiful quote from Sagan’s 1985 debut novel, Contact:

For small creatures such as we the vastness is bearable only through love.

Donating = Loving

Bringing you (ad-free) Brain Pickings takes hundreds of hours each month. If you find any joy and stimulation here, please consider becoming a Supporting Member with a recurring monthly donation of your choosing, between a cup of tea and a good dinner:





You can also become a one-time patron with a single donation in any amount:





Brain Pickings has a free weekly newsletter and people say it’s cool. It comes out on Sundays and offers the week’s best articles. Here’s what to expect. Like? Sign up.