Brain Pickings

Posts Tagged ‘children’s books’

27 AUGUST, 2012

Kay Nielsen’s Stunning 1914 Scandinavian Fairy Tale Illustrations

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Haunting whimsy from the Golden Age of illustration.

As a lover of illustrated fairy tales and having just returned from Sweden, I was delighted to discover, thanks to the relentlessly wonderful 50 Watts, East of the Sun and West of the Moon: Old Tales from the North (public library; public domain) — a collection of Scandinavian fairy tales, illustrated by Danish artist Kay Rasmus Nielsen (1886-1957), whose work you might recall from the all-time greatest illustrations of Brothers Grimm and the fantastic visual history of Arabian Nights. Originally published in 1914, this magnificent tome of 15 stories was recently reissued by Calla Editions, the same Dover imprint that revived Harry Clarke’s magnificent illustrations for Edgar Allan Poe, and features 25 color illustrations, along with a slew of black-and-white ones, in Nielsen’s singular style of haunting whimsy.

'And this time she whisked off the wig; and there lay the lad, so lovely, and white and red, just as the Princess had seen him in the morning sun.'

'She could not help setting the door a little ajar, just to peep in, when—Pop! out flew the Moon.'

'At Rest in the Dark Wood'

'The Troll was quite willing, and before long he fell asleep and began snoring.'

'As Far Away from the Castle'

'Tell me the Way, she said, And I'll Search You Out'

'Just as they bent down to take the rose a big dense snow-drift came and carried them away.'

'He Saw Her Reflection in the Water'

'She Held Tight to the White Bear'

'Then He Took Her Home'

'The Wolf Was Waiting for Him'

'I am the Virgin Mary'

'The Queen Did Not Know Him'

'The North Wind Went Over the Sea'

'The Man Gave Him a Pair of Snowshoes'

'The Lad in the Bear's Skin, and the King of Arabia’s daughter.'

'She saw the Lindworm for the first time as he came in and stood by her side.'

For the ultimate illustrated fairy tale treat, complement East of the Sun and West of the Moon: Old Tales from the North with Taschen’s recent The Fairy Tales of the Brothers Grimm, one of the 11 best children’s and picture books of 2011.

50 Watts

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02 AUGUST, 2012

Edward Gorey Illustrates Little Red Riding Hood and Other Classic Children’s Stories

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An irreverent take on some of history’s most beloved storytelling.

After exploring classic children’s stories through the lenses of architecture and minimalist graphic design, Three Classic Children’s Stories (public library) brings the unmistakable Edward Gorey aesthetic of the irreverent fancy to Little Red Riding Hood, Jack the Giant-Killer, and Rumpelstiltskin, charmingly retold by James Donnelly. The result is a gem that lives somewhere between the best of the Brothers Grimm, early Arabian Nights illustrations, and Harry Clarke’s haunting artwork for Edgar Allan Poe, with the distinct Gorey flair.

From Little Red Riding Hood:

WHUMP and a minor cloud of dust! Something leapt into the path. Little Red Riding Hood hastily arose, and her eyes met the curious gaze of a great gray wolf.

From Jack the Giant-Killer:

Bu he took one step, and the ground fell away beneath him, and he tumbled, OOF, into Jack’s giant-trap. Jack stepped up smartly and swung his shovel: WHANG.

From Rumpelstiltskin:

Away down a hole, away Down Below,
Never sorrow over milk that’s spilt! Spin
Around, go to ground, take a baby,
leave a crown,
Just a job o’ work to Rumpelstiltskin!

Whimsical and just the right amount of hair-raising, Three Classic Children’s Stories will make you look at these timeless storytelling treasures with new eyes, eyes that glimmer with Gorey’s signature inspired idiosyncrasy.

Illustrations © The Edward Gorey Charitable Trust, courtesy Pomegranate. All rights reserved.

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23 JULY, 2012

The Great Race: An Exquisite Tale of Forest Creatures Illustrated in the Style of Indian Folk Art

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“I’m the fastest animal in the forest! And I challenge any animal to race me!”

If you read Brain Pickings regularly, you’re intimately familiar with the wonderful work of Indian indie publisher Tara Books, who for the past 17 years has been giving voice to marginalized art and literature through a commune of artists, writers, and designers collaborating on beautifully crafted books that honor the legacy and diverse styles of Indian folk art. Now comes The Great Race (public library) — an adaptation of an Indonesian folktale featuring Kanchil the trickster mouse deer, illustrated in the stunning Mata-ni-Pachedi style of ritual textile painting from the Gujarat region by artist Jagdish Chitara and written by Nathan Kumar Scott — a first-of-its-kind use of this traditional folk art in children’s storytelling.

The Great Race is the third in Scott’s Kanchil series, a follow-up to The Sacred Banana Leaf and Mangoes and Bananas, each equally exquisite in its own right and illustrated by a different Indian artist.

Images courtesy of Tara Books

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