Beyond the Dunbar Number: Picking Dunbar’s Brain

Kinship vs. friendship, the cognitive demands of monogamy, or why 400 Facebook friends may be a health hazard.

In 1992, anthropologist and evolutionary biologist Robin Dunbar proposed Dunbar’s Number — a theoretical cognitive limit on the number of people with whom we can maintain viable social relationships. He pinned that number at 148, or roughly 150. But how does this translate to today’s social media environment of 400-friend Facebook profiles — does it help us beat Dunbar’s number?

We asked the iconic British social anthropologist himself, who addresses the issue further in his new book, How Many Friends Does One Person Need? — we highly recommend it.

The amount of time we invest in a relationship is proportionate to its quality. Face-to-face relationships are simply unmatched by online ones. “A touch is worth a 1000 words any day,” says Dunbar. But what online relationships are good for is to stall the decay of a relationship.

If you don’t go to the pub sooner or later, it will die.” ~ Dunbar

But what of all those huge numbers of online friends, aren’t they worth something? Perhaps kinship. The difference between friendship and kinship is that kin won’t fall apart with time and distance, “you can abuse your kin and they’ll still come,” says Dunbar.

Dunbar argues that having lots of kin means having fewer friends. Imagine your time-budget devoted to relationships as a pie. When you start handing out slices of your time to your friends, if too many people crowd around, no one gets a proper slice. Kinship is more about similar social groups, interests, geographical locations, whereas a friend, defined by Dunbar, is a person you can have a personal reciprocated relationship where you are willing to do each other favors.

Have humans always been able to handle 150 personal relationships? Dunbar explains that our brains have grown over time to handle our more complex relationships. The most taxing on our brain is the romantic kind (monogamous). Pair-bonded species have unusually big brains to do all the work.

Romance is very hard work and extremely costing to maintain.” ~ Dunbar

Will our brains continue to evolve to accommodate this hyper-connectivity? The brain accounts for only 2 percent of your total body weight, but uses 20 percent of your daily energy.

Hold on, someone just tweeted me…

Filip Matous hosts a pop-philosophy video show at standstrong.tv. He currently lives in London and is always seeking to find the next interesting person to interview.

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Beyond Burton: Art Inspired by Alice In Wonderland

Floating children, the rabbit hole of the social web, and what Dali has to do with manga.

We’re all about the cross-pollination of disciplines and creative domains. So we love seeing one kind of art inspire another inspire another. Take Tim Burton’s Alice In Wonderland, on the lips — and eyeballs — of the world with this week’s much- anticipated release. The film was, of course, inspired by Lewis Carroll’s 1865 children’s classic of the same name (which also sprouted two other excellent films, one in 1933, starring a trippy Cary Grant, and one in 1966 for the BBC), and has in turn inspired a variety of artwork in its own right. Today, we focus on three such examples of art inspired by Alice.

NAOTO HATTORI

Japanese-born, New-York-based artist Naoto Hattori has a very distinct, Salvador-Dali-meets-manga aesthetic. This illustration inspired by Alice In Wonderland is one of the most stunning pieces of digital artwork we’ve seen in months.

Hattori’s work is part of the Curiouser and Curiouser exhibition at Gallery Nucleus, which opened this weekend and features interpretations of the iconic story by artists who worked on Burton’s feature film and beyond.

via Wicked Halo

ELENA KALIS

From Moscow-born, Bahamas-based artist-turned-underwater-photographer Elena Kalis comes Alice In Waterland, a surreal and whimsical underwater series that blends the alternate-reality feel of Carroll’s world with a wink at the wicked innocence of Burton’s representations.

We love Kalis’ incredible play of light and color, amplified by the water’s reflective properties in a way that combines softness with intensity to a stunning effect.

CHRISTINA TSEVIS

You may recall Greek illustrator Christina Tsevis, whom we interviewed a few months ago. Much to our delight, Christina recently got in touch with us to let us know that Glamour Greece discovered her via our interview and asked her to create a series of Alice In Wonderland illustrations for the magazine, some of which were reprinted as t-shirts.

Brimming with Christina’s signature style of 2D/3D haunting innocence, the work is a beautiful journey into texture, color and pure whimsy.

Here’s to the power of the social web, the ultimate ride down the rabbit hole.

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Animation Spotlight: I AM

Deconstructing bears, or what mechanization has to do with access to language.

Today’s short-and-sweet is an abstract, poetic reflection on the dissolution of our relationship with nature amidst the man-made landscape of our urban space, courtesy of animation studio Tronic.

We find the robotic, monotonous voiceover to be a fitting vehicle for conveying the detached mechanization that has gradually replaced the organic cadence of the natural environment.

The title comes from the animals’ declaration of who they are. Each animal says, “I AM the elephant” and “I AM the horse” and it’s through language that they are reinforcing their physicality and their place in the world. And the irony, of course, is that animals don’t have access to our language, they have their own languages, but we privilege ours. And so with this piece, the idea was that by giving them access to language, it was giving them agency, giving them power, giving them the ability to be heard. ~ Vivian Rosenthal, Tronic

Read the full interview with Rosenthal on Vimeo for further insight into some of the thinking behind this beautifully executed statement piece.

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