Playful, quirky and delightful, the book is a cover-to-cover treat for parents, kids and eternal children of all ages, tickling our fancy as we imagine a whimsical alternate reality behind our worn mundanity.
From early maps-printing techniques to beautiful vintage travel advertising ephemera to the latest digital real-time maps for mobile devices, Ovenden scours rare archives and architectural dreams alike, from the Liverpool and Manchester Railway of 1830 to China’s proposed 2020 high-speed train networks, to explore the evolution of cartography and the social role of train travel. Besides the lust-worthy design candy, the book also offers fascinating historical context and tells the story of how railroads became the vehicle for cultural change, bridging nations, driving economic growth, changing our diets by putting previously unavailable foods on the table, and even giving us standardized time zones.
With over 500 images and maps representing more than 120 countries from Algeria to Zimbabwe, Railway Maps of the World is a beautiful treasure chest of fascination for map lovers, design aficionados and history geeks alike, a rare record of a civilization in perpetual motion.
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What the last rose of England has to do with war photography and The Velvet Underground.
English singer-songwriter PJ Harvey is among the most prolific yet ceaselessly innovative musicians of the past 20 years, reinventing herself completley, almost unrecognizably, with each new album. But release of her latest record, Let England Shake, goes beyond merely redefining her own sound, reinventing the very definition of what an album or a music video is as well.
For the project, PJ Harvey partnered with award-winning photojournalist Seamus Murphy, whose work in Afghanistan and The Middle East has garnered him international acclaim, to create short films for each of the album’s twelve tracks.
Ranging from the bizarre to the breathtakingly beautiful, the films — gathered in the below video playlist for your viewing pleasure — are some of the most creatively exquisite “music videos” we’ve seen in a long time, though calling them that feels somewhat pejorative in the face of how innovative the project’s entire approach is. (Our favorite has to be The Last Living Rose.)
Written over a period of two-and-a-half years and recorded over five weeks in an old Dorset church, Let England Shake is a florilegium of inspirations, ranging from the poetry of Harold Pinter and T.S. Eliot to the art of Salvador Dalí and Francisco de Goya to the music of The Doors, The Pogues, and The Velvet Underground — easily the most interesting and layered dark horse of an album to come by this year.
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