Brain Pickings

Posts Tagged ‘design’

07 MAY, 2013

The Designer Says: The Collected Quips and Wisdom of Famous Graphic Designers

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“Everything hangs on something else.”

On the heels of last year’s tiny gem The Architect Says comes The Designer Says: Quotes, Quips, and Words of Wisdom (public library) — a charming, similarly-spirited compendium of more than one hundred beautifully typeset remarks by some of today’s and yesteryear’s most celebrated graphic design minds, including favorites like Saul Bass, Charles Eames, Debbie Millman, Milton Glaser, Louise Fili, Paula Scher, and Maira Kalman.

Saul Bass, revered by many as the greatest graphic designer of all time and little-known children’s book artist, captures the essence of intrinsic motivation blind to extrinsic reinforcement:

I want to make beautiful things, even if nobody cares.

Charles and Ray Eames (Image via Bo Bedre)

Reconstructionist Ray Eames acknowledges the inextricable chain of influence in art and the combinatorial nature of creativity:

Everything hangs on something else.

Charles Eames, man of ample quotable wisdom, reminds us of the usefulness of useless knowledge:

My dream is to have people working on useless projects. These have the germ of new concepts.

Seymour Chwast shares a valuable distinction:

I read once about the concepts of the lateral idea and the vertical idea. If you dig a hole and it’s in the wrong place, digging it deeper isn’t going to help. The lateral idea is when you skip over and dig someplace else.

Legendary curmudgeon and wit Paul Rand, who worked closely with Steve Jobs and who too illustrated some delightful vintage children’s books, echoes Anaïs Nin’s case for making by hand:

It is important to use your hands. This is what distinguishes you from a cow or a computer operator.

Paul Rand (Image via Irish Times)

Celebrated Italian designer Bruno Munari, oracle of Neapolitan hand-gestures, argues that in the mind of the graphic designer, like that of the inventor, creation and curation go hand in hand:

A graphic designer usually makes hundreds of small drawings and then picks one of them.

Information visualization godfather Edward Tufte reminds us of the weight of function over form, integrity over vanity:

If your words aren’t truthful, the finest optically letter-spaced typography won’t help.

Edward Tufte (Image: Sadalit)

Erik Spiekermann echoes Dr. Seuss’s advice to children:

Read.
Travel.
Read.
Ask.
Read.
Learn.
Read.
Connect.
Read.

But perhaps most heartening of all are the words of Alan Fletcher, who eloquently articulates the joy of fulfilling work that comes from having found your purpose:

I’d sooner do the same on Monday or Wednesday as I do on a Saturday or Sunday. I don’t divide my life between labor and pleasure.

Pair The Designer Says with the collected wisdom of famous writers on their craft.

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07 MAY, 2013

Massimo Vignelli on the Secret of Great Book Design

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“The grid is the underwear of the book.”

Massimo Vignelli, mastermind of the iconic New York City subway map, is one of today’s most celebrated graphic designers and a fierce champion of intellectual elegance. My friends at Pentagram have put together this lovely short documentary, which takes us inside Vignelli’s book-design process with equal measures practical insight and witty inspiration:

The grid is an integral part of the book design. It’s not something that you see, physically. It’s just like underwear: You wear it, but it’s not to be exposed. So the grid is the underwear of the book.

Pair with this fantastic, wide-ranging interview with Vignelli.

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18 APRIL, 2013

The First Book of Space Travel: How a Female Author & Illustrator Got Kids Into Science in 1953

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“If I were a fairy godmother, my gift to every child would be curiosity.”

Vintage science illustrations hold a special charm, and illustrated children’s science books by women are a (heartening) rarity even today, so a woman who got kids excited about science half a century ago is nothing short of a cultural hero. Such is the case of Jeanne Bendick, who authored and illustrated more than one hundred mid-century children’s books about science and technology. An advocate of questions over answers as the key to the scientific mind and a champion of combinatorial creativity who recognized that all ideas build on those that came before, she articulated her ethos with inspiring eloquence:

One part of the job I set for myself is to make those young readers see that everything is connected to everything — that science isn’t something apart. It’s a part of everyday life. It has been that way since the beginning. The things the earliest scientists learned were the building blocks for those who came after. Sometimes they accepted earlier ideas. Sometimes they questioned them and challenged them. I want to involve readers directly in the text so they will ask themselves questions and try to answer them. If they can’t answer, that’s not really important… Questions are more important than answers… If I were a fairy godmother, my gift to every child would be curiosity.

In 1953, half a decade before the dawn of the Space Race and cosmic optimism, sixteen years before the first human on the moon, and more than half a century before space exploration took a tragic nosedive to the bottom of government priorities, Bendick penned and illustrated The First Book of Space Travel (public library) — a whimsical and illuminating primer on astro-exploration and the known universe. From the physics of how rockets work to the scale of the solar system to the essentials of astronaut lingo, her charming illustrations and rigorously researched yet clear text live at the intersection of curiosity and wonder.

Decades before Sally Ride, the first American woman in space and the youngest astronaut to ever launch into the cosmos, shared her first-hand account of what it’s like to launch on a space shuttle, Bendick illustrated the experience:

A quarter century before Carl Sagan, Arthur C. Clarke and Ray Bradbury pondered the possibility of life on Mars, Bendick envisioned extraterrestrial life:

And because every budding astronaut should know how to space-talk, she broke down the essentials:

Fifteen years before the birth of the revolutionary Apollo space suit, Bendick presented a surprisingly accurate design anatomy:

The First Book of Space Travel is sadly long out of print, but used copies are not yet impossible to find. Complement it with this wonderful modern-day, vintage-inspired illustrated chronicle of the Space Race and Diane Ackerman’s vintage verses for the planets.

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