Brain Pickings

Posts Tagged ‘design’

23 OCTOBER, 2009

Vintage Album Covers

By:

Private collections, public perceptions, and all that jazz.

We love jazz. We love album cover art. And we love vintage design. So we’re incredibly excited to bring you three fantastic collections of vintage jazz album and LP cover artwork.

VINTAGE VANGUARD

Vintage Vanguard may be an obscure Japanese website, but it’s brimming with remarkable cover designs of classic and rare Western jazz albums from the iconic Blue Note record label.

LP COVER LOVER

LP Cover Lover is both an archive of “the weird and wonderful world of record covers from the golden age of LPs” and a social bookmarking platform where anyone can submit a cover and everyone votes on the artwork. And while we wish the collection were browsable by rating, it’s still an absolute treat for musicologists and vintage design junkies alike.

BIRKA JAZZ ARCHIVE

In 1938, Columbia Records hired designer Alex Steinweiss who, at the age of 23, invented the concept of the album cover. Until then, records came in plain brown paper wrappers. Steinweiss’ idea was not only a pivotal moment in packaging history, but also a monumental shift in the relationship between music and art which, through the introduction of illustration, typography, vivid color and bold graphics, completely revolutionized the record industry.

Columbia Records’ Birka Jazz Archive houses rare and beautiful album covers by Steinweiss and other iconic designers from the golden age of jazz — some from private collections not previously available to the world. Sorted by label and country, the artwork also features fascinating historical notes about the labels, designers, photographers, and the music itself.

Explore this incredible cultural gem and, if you find yourself fascinated by the history and heritage of jazz, we recommend the Jazz + Culture course on iTunes U, a free podcast from Arizona State University. While it may lack the charm and production value of a TED talk, the course is a densely informative and captivating journey through the evolution of a cultural movement much grander than its musical foundation.

Donating = Loving

Bringing you (ad-free) Brain Pickings takes hundreds of hours each month. If you find any joy and stimulation here, please consider becoming a Supporting Member with a recurring monthly donation of your choosing, between a cup of tea and a good dinner:





You can also become a one-time patron with a single donation in any amount:





Brain Pickings has a free weekly newsletter. It comes out on Sundays and offers the week’s best articles. Here’s what to expect. Like? Sign up.

21 OCTOBER, 2009

Art, Science, Food: Kevin Van Aelst

By:

The sweet side of the Periodic Table, or what kitty litter has to do with your DNA.

Jackson Pollock’s near-fractal paintings notwithstanding, science and art have always had a tortured Cold War of a relationship. But photographer Kevin Van Aelst is on a mission to change this — his series of food photography presents scientific and mathematical concepts through creative images of donuts, crackers, gummy bears and other such wildly unscientific snackables.

Cantor Set

Chromosomes

The images aim to examine the distance between the ‘big picture’ and the ‘little things’ in life — the banalities of our daily lives, and the sublime notions of identity and existence.

Cellular Mitosis

The Golden Mean

We’re also quite taken with his fingerprint series — a visceral reminder of how the physical environments we construct reflect the intimate realities of our personas.

Right Index Finger

Right Middle Finger

While the depictions of information — such as an EKG, fingerprint, map or anatomical model — are unconventional, the truth and accuracy to the illustrations are just as valid as more traditional depictions. This work is about creating order where we expect to find randomness, and also hints that the minutiae all around us is capable of communicating much larger ideas.

Left Pinky Finger

Right Ring Finger

via SEED Magazine

Donating = Loving

Bringing you (ad-free) Brain Pickings takes hundreds of hours each month. If you find any joy and stimulation here, please consider becoming a Supporting Member with a recurring monthly donation of your choosing, between a cup of tea and a good dinner:





You can also become a one-time patron with a single donation in any amount:





Brain Pickings has a free weekly newsletter. It comes out on Sundays and offers the week’s best articles. Here’s what to expect. Like? Sign up.

16 OCTOBER, 2009

Experimental Cartography: The Map as Art

By:

What tattoo art has to do with fashion, vintage atlases and Nazi concentration camps.

We’ve always been fascinated by maps — through various elements of design, from typography to color theory to data visualization, they brilliantly condense and capture complex notions about space, scale, topography, politics and more. But where things get most interesting is that elusive intersection of the traditional and the experimental, where artists explore the map medium as a conceptual tool of abstract representation. And that’s exactly what The Map of the Art, a fantastic Morning News piece by Katharine Harmon, examines.

Matthew Cusick, 'Fiona’s Wave,' 2005

Cusick's oversized collages are painted with fragments of vintage atlases and school geography books from the golden era of cartography, 1872-1945.

Corriette Schoenaerts, 'Europe,' 2005

Schoenaerts, a conceptual photographer living in Amsterdam, constructs countries and continents out of clothing.

(You may recall Schoenaerts from our Geography, Topography, and Everythingography issue.)

Arie A. Galles, 'Station One: Auschwitz-Birkenau,' 1998

A grim allusion to Nazi concentration camps, these drawings, based on Luftwaffe and Allied aerial reconnaissance film, were made over the course of a decade.


Qin Ga, 'Site 22: Mao Zedong Temple,' 2005

In 2002, China's Long March Project embarked upon a 'Walking Visual Display' along the route of the 1934-1936 historic 6000-mile Long March, and Beijing-based artist Qin kept tracked the group’s route in a tattooed map on his back. Three years later, Qin continued the trek where the original marchers had left off, accompanied by a camera crew and a tattoo artist, who continually updated the map on Qin’s back.


Paula Scher: The World, 1998

Paula Scher: Africa, 2003

These maps come from Harmon’s The Map As Art: Contemporary Artists Explore Cartography — a remarkable collection of 360 colorful, map-related visions of experimental cartography by well-known artists and design thinkers like Olafur Eliasson (remember him?), Maira Kalman (another TEDster), Paula Scher (and yet another), and Julian Schnabel, as well as more underground creatives whose art is greatly inspired by maps. The book also features essays by Gayle Clemans, introducing a richer layer of insight into the work of some of these map artists.

Be sure to read Harmon’s excellent essay below the Morning News images, which offers a fascinating look at the historical relationship between maps and the art movement, both products of the shifting political and aesthetic influences of the time.

via Coudal

Brain Pickings has a free weekly newsletter and people say it’s cool. It comes out on Sundays and offers the week’s best articles. Here’s an example. Like? Sign up.