Brain Pickings

Posts Tagged ‘design’

22 SEPTEMBER, 2009

New Traditional: Japanese Figurines

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From folk craft to art toys, or what Sumo has to do with sustainability.

The Japanese seem to have a knack for gracefully incorporating tradition with modernity. These three contemporary examples of doll-making based on traditional forms or values celebrate the familiar while reinventing in a way that is relevant to today’s aesthetic, and even environmental, concerns.

KOKESHI

As part of a collaboration with the Los Angeles Toy, Doll & Amusements Museum, the Japanese American National Museum is exhibiting a large collection of Kokeshi dolls.

Divided into three parts, the exhibition contains examples of traditional dolls made by farmers in the Tohoku region of northern Japan.

The early versions consist of a simple wooden trunk and a round head with a few lines for eyes and a smile. The second section is comprised of versions by contemporary artists who, based on the simple Koseshi form, have produced everything from Krokeshi (crocheted Kokeshi) to works that explore the artists’ childhood memories of the dolls.

Travis Louis

For the “Custom” section, a reprise of a 2007 show in San Diego, over 100 artists, including David Horvath of Ugly Dolls fame and Amy Sol, were given an unpainted Kokeshi doll.

The result is a surprising array of painted and sometimes resculpted dolls. If you’ve got cash to spend, a number of these are for sale here.

Allison Sommers

The exhibition runs through October 4th.

BLAINE FONTANA

While based on a painting done by the artist himself rather than on any specific traditional form, Fontana’s nestkeeper dolls are cast from the same silicon form and, like the Kokeshi, represent variations on a theme.

Though the mold is the same, the appearance and mood of the dolls range from benignly serene to menacing — depending both on how they are painted and for how long you stare at them.

The remaining dolls from the run of 30 are for sale on Fontana’s website.

MIMUSHI

The creation of conceptual artist blattke, the “dauntless gatekeepers” are the latest generation of Mumishi dolls. The dolls are incarnations of the many personalities of Mimushi, a Japanese Sumo kid with multiple personalities, adopted by American parents.

Though previous personalities, ranging from geisha to rasta, were made from vinyl, the dauntless gatekeepers series is hand-crafted from wood harvested from government regulated Amazon plantations.

The dauntless gatekeepers are said to guard Mimushi’s mind from his ever-multiplying and warring personalities. These dolls, dressed in an endless variety of wheat straw “diapers,” as opposed to the traditional sumo belt, are not only eco-friendly and whimsically storied, but also well-designed and beautifully crafted.

Because of the work that goes into each doll, only 80 are produced per month. The first series of 119 Mumishi dolls is still available, with the second series currently in production.

Meghan Walsh has a degree in Anglo-Irish Literature from Trinity College, Dublin and is finishing her thesis on J.P. Donleavy at NYU. She is currently working on two art exhibitions in New York City. For more of her writing check out her cooking blog.

21 SEPTEMBER, 2009

Art Meets Science: They Might Be Giants’ Creative Education

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What paleontology has to do with stop-motion animation and kindergartners.

They Might Be Giants are among the most iconic and revolutionary alt-rock bands of our time. They’ve founded one of the first artist-owned online music stores, stunned critics with an unorthodox children’s project, performed at TED, and consistently challenged the conventions of the music industry. Oh, and they’ve won a few Grammys along the way.

This month, TMBG have released the latest installment in their critically acclaimed Here Comes children’s series. The Here Comes Science 2-disc CD/DVD album is a bundle of creativity and entertainment, tied with a ribbon of education. Although aimed at the K-5 set, the playful lyrics and brilliantly animated videos are an absolute treat for musicologists and design junkies alike — we can attest.

From the charming illustration in this Amazon-exclusive video, to the wonderful paper-cutout stop-motion animation in Electric Car, to the infographic ode to the periodic table in Meet The Elements, the album is a testament to the transformational power of a fresh approach to a stale subject.

What makes us particularly enamored with this project is that it addresses of the sore need for creativity in education, the lack of which is often a dealbreaker in kids’ engagement in the learning process. As Sir Ken Robinson so bluntly yet fairly pointed out in his TED talk, today’s schools may well be killing creativity.

Check out Here Comes Science for 19 unexpected takes on paleontology, evolution, astronomy, photosynthesis, anatomy and other delightfully geeky curiosities that you probably slept through in school.

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16 SEPTEMBER, 2009

The Art of Pixar Short Films

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Birds, toys, or what the history of computing has to do with the creative legacy of our time.

After the wild popularity of The Ancient Book of Sex & Science a couple of weeks ago, we thought we’d explore the wondrous world of Pixar art a bit further.

Today, we bring you The Art of Pixar Short Films from animation art historian Amid Amidi — a fantastic book that takes us behind the scenes of what we consider to be Pixar’s true gems: Their beautifully animated short films, told with utter brilliance and elegance of visual narrative.

These shorts, brimming with contagious energy and subtle humor, set the stage for Pixar’s award-winning features that followed — from the earliest animated short, The Adventures of André & Wally B, which proved computer animation possible, to Tin Toy, which later evolved into the feature-length smash hit Toy Story.

As for the authors, they bring their own magic to the mix. New-York-based animation journalist Amid Amidi has numerous books to his credit, and is it’s almost embarrassing to “introduce” a creative culture legend like John Lasseter, the chief creative officer of Pixar.

The Art of Pixar Short Films illuminates the Emeryville studio’s extraordinary history, artistry and unique creative process through essays and interviews with the animators, directors, producers and artists who created the iconic For The Birds, Luxo Jr., and eleven more short films. With more than 250 full-color pastels pencil sketches, photographs, storyboards and final rendered frames, it offers a glimpse of Pixar’s incredible brand of storytelling, which creates powerful narrative not through traditional dialogue but through character emotion, music, and perfectly timed humor.

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