Brain Pickings

Posts Tagged ‘design’

11 APRIL, 2013

T. S. Eliot’s Iconic Vintage Verses About Cats, Illustrated and Signed by Edward Gorey

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Two grand masters of delight, together.

Until the wonderful Lost Cat: A True Story of Love, Desperation, and GPS Technology came out, the great Edward Gorey had the corner on feline art with his timeless illustrations for the 1982 edition of Old Possum’s Book of Practical Cats (public library) by T. S. Eliot, a documented cat-lover, who penned these whimsical verses about feline psychology and social order in a series of letters to his godchildren in the 1930s. The poems were first collected and published in 1939, adding Eliot to the ranks of other famous “adult” authors who wrote for children, and eventually became the basis for the famed Broadway musical Cats.

Some time ago, I had the good fortune of tracking down an original edition of this tiny treasure, signed by Gorey himself — please enjoy:

THE NAMING OF CATS

The Naming of Cats is a difficult matter,
It isn’t just one of your holiday games;
You may think at first I’m as mad as a hatter
When I tell you, a cat must have THREE DIFFERENT NAMES.
First of all, there’s the name that the family use daily,
Such as Peter, Augustus, Alonzo or James,
Such as Victor or Jonathan, George or Bill Bailey –
All of them sensible everyday names.
There are fancier names if you think they sound sweeter,
Some for the gentlemen, some for the dames:
Such as Plato, Admetus, Electra, Demeter –
But all of them sensible everyday names.
But I tell you, a cat needs a name that’s particular,
A name that’s peculiar, and more dignified,
Else how can he keep up his tail perpendicular,
Or spread out his whiskers, or cherish his pride?
Of names of this kind, I can give you a quorum,
Such as Munkustrap, Quaxo, or Coricopat,
Such as Bombalurina, or else Jellylorum –
Names that never belong to more than one cat.
But above and beyond there’s still one name left over,
And that is the name that you never will guess;
The name that no human research can discover –
But THE CAT HIMSELF KNOWS, and will never confess.
When you notice a cat in profound meditation,
The reason, I tell you, is always the same:
His mind is engaged in a rapt contemplation
Of the thought, of the thought, of the thought of his name:
His ineffable effable
Effanineffable
Deep and inscrutable singular Name.

THE SONG OF THE JELLICLES

Jellicle Cats come out to-night
Jellicle Cats come one come all:
The Jellicle Moon is shining bright -
Jellicles come to the Jellicle Ball.

Jellicle Cats are black and white,
Jellicle Cats are rather small;
Jellicle Cats are merry and bright,
And pleasant to hear when they caterwaul.
Jellicle Cats have cheerful faces,
Jellicle Cats have bright black eyes;
They like to practise their airs and graces
And wait for the Jellicle Moon to rise.

Jellicle Cats develop slowly,
Jellicle Cats are not too big;
Jellicle Cats are roly-poly,
They know how to dance a gavotte and a jig.
Until the Jellicle Moon appears
They make their toilette and take their repose:
Jellicle Cats wash behind their ears,
Jellicle dry between their toes.

Jellicle Cats are white and black,
Jellicle Cats are of moderate size;
Jellicle Cats jump like a jumping-jack,
Jellicle Cats have moonlit eyes.
They’re quitet enough in the morning hours,
They’re quitet enough in the afternoon,
Reserving their terpsichorean powers
To dance by the light of the Jellicle Moon.

Jellicle Cats are black and white,
Jellicle Cats (as I said) are small;
If it happends to be a stormy night
They will practise a caper or two in the hall.
If it happens the sun is shining bright
You would say they had nothing to do at all:
They are resting and saving themselves to be right
For the Jellicle Moon and the Jellicle Ball.

BUSTOPHER JONES: THE CAT ABOUT TOWN

Bustopher Jones is not skin and bones –
In fact, he’s remarkably fat.
He doesn’t haunt pubs — he has eight or nine clubs,
For he’s the St. James’s Street Cat!
He’s the Cat we all greet as he walks down the street
In his coat of fastidious black:
No commonplace mousers have such well-cut trousers
Or such an impeccable back.
In the whole of St. James’s the smartest of names is
The name of this Brummell of Cats;
And we’re all of us proud to be nodded or bowed to
By Bustopher Jones in white spats!
His visits are occasional to the Senior Educational
and it is against the rules
For any one cat to belong both to that
And the Joint Superior Schools.
For a similar reason, when game is in season
He is found, not at Fox’s, but Blimp’s;
But he’s frequently seen at the gay Stage and Screen
Which is famous for winkles and shrimps.
In the season of venison he gives his ben’son
To the Pothunter’s succulent bones;
And just before noon’s not a moment too soon
To drop in for a drink at the Drones.
When he’s seen in a hurry there’s probably curry
At the Siamese — or at the Glutton;
If he looks full of gloom then he’s lunched at the Tomb
On cabbage, rice pudding and mutton.
So, much in this way, passes Bustopher’s day –
At one club or another he’s found.
It can cause no surprise that under our eyes
He has grown unmistakably round.
He’s a twenty-five pounder, or I am a bounder,
And he’s putting on weight every day:
But he’s so well preserved because he’s observed
All his life a routine, so he’ll say.
And (to put it in rhyme) `I shall last out my time’
Is the word of this stoutest of Cats.
It must and it shall be Spring in Pall Mall
While Bustopher Jones wears white spats!

Complement Old Possum’s Book of Practical Cats with Lost Cat and Gay Talese on the social order of New York’s cats, and consider supporting Gorey’s legacy with a donation to the Edward Gorey Charitable Trust.

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08 APRIL, 2013

The Wonderful Wizard of Oz, Made More Wonderful by Graphic Artist Michael Sieben

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“Hearts will never be practical until they can be made unbreakable.”

As a lover of beautifully illustrated children’s books, especially fresh takes on works by literary legends, I was thrilled to come across a brand new edition of The Wonderful Wizard of Oz (public library), L. Frank Baum’s indispensable addition to the best children’s books with timeless philosophy for grown-ups, featuring gorgeous illustrations by skateboard graphic artist Michael Sieben, co-owner and head deck designer of Roger Skateboards.

Sieben’s singular style — at once grotesque and charming, eerie and endearing, a refreshingly odd cross between Edward Gorey, anime, and Lynd Ward’s vintage woodcuts — comes through once again here as it did in his 2009 fine art monograph, There’s Nothing Wrong With You (Hopefully).

Thanks, Anique; images courtesy Michael Sieben

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27 MARCH, 2013

History’s 100 Geniuses of Language and Literature, Visualized

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“Genius, in its writings, is our best path for reaching wisdom … the true use of literature for life.”

“Genius is nothing more nor less than doing well what anyone can do badly,” Victorian novelist Amelia E. Barr reflected in her 9 rules for success. But what, exactly, is genius? In their latest project, Italian visualization wizard Giorgia Lupi and her team at Accurat — who have previously given us a timeline of the future based on famous fiction, a visual history of the Nobel Prize, and a visualization of global brain drain inspired by Mondrian — explore the anatomy of genius, based on Genius: A Mosaic of One Hundred Exemplary Creative Minds (public library) by literary titan Harold Bloom.

Playing off Bloom’s use of the Sefirot image — the ten emanations of the Kabbalah — to organize the taxonomy of the one hundred geniuses of language he identifies, from Shakespeare to Stendhal to Lewis Carroll to Ralph Ellison, the visualization depicts the geographic origin, time period, and field of each “genius,” correlated with visits to the respective Wikipedia page and connection to related historical figures.

Bloom writes:

All genius, in my judgment, is idiosyncratic and grandly arbitrary, and ultimately stands alone. … My placement of the hundred geniuses is hardly one that fixes them in place, since all the Sefirot are images constantly in motion, and any creative spirit must move through all of them, in many labyrinths and transformations. … Since the ten Sefirot form a system in constant motion, all of my hundred persons could be illuminated almost equally well by the other nine Sefirot, beyond the one where I group them, and I intend this book to be a kind of mosaic-in-perpetual-movement.

Appearing here is an exclusive English-language version of a forthcoming spread in Italian literary supplement La Lettura.

{Click image to enlarge)

At the heart of Bloom’s ambitious taxonomy is a concern with the very nature of genius:

What is the relationship of fresh genius to a founding authority? At this time, starting the twenty-first century, I would say: ‘Why, none, none at all.’ Our confusions about canonical standards for genius are now institutionalized confusions, so that all judgments as to the distinction between talent and genius are at the mercy of the media, and obey cultural politics and its vagaries.

Echoing Virginia Woolf’s counsel on the art of reading, Bloom argues for cultivating an individual sensibility of genius-appreciation:

Literary genius, difficult to define, depends upon deep reading for its verification. The reader learns to identify with what she or he feels is a greatness that can be joined to the self, without violating the self’s integrity…. Genius, in its writings, is our best path for reaching wisdom, which I believe to be the true use of literature for life.

More than a decade after Genius: A Mosaic of One Hundred Exemplary Creative Minds, Bloom followed up with The Anatomy of Influence: Literature as a Way of Life, further exploring the interwoven mesh of genius.

See more of Giorgia’s wonderful work on her site and pair it with some visualization lessons from the world’s top information designers and data artists.

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