Brain Pickings

Posts Tagged ‘design’

03 MAY, 2012

Litographs: Classic Books as Typographic Prints Supporting Global Literacy

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Literature and art converge to combat book famine and bibliowaste.

A modern paradox: While the developing world is experiencing the worst “book famine” in decades, an estimated 40% of books printed in the “developed world” go to waste, eventually destroyed by the publishers themselves. Having a tremendous soft spot for art and design projects inspired by literary classics, I love everything about Danny Fein’s Litographs project, which addresses this paradox through beautiful prints by a team of artists, made of upcycled classic texts, many in the public domain. The books remain fully legible in the final print. Thanks to a partnership with the International Book Bank, every print sold sends a book to a community in need.

The Moby-Dick litograph is the loveliest take on the Melville classic since Matt Kish’s page-by-page illustrations.

'Think not, is my eleventh commandment; and sleep when you can, is my twelfth.'

This 24 x 36 inch print (full view at top, close-up zoom at bottom) includes approximately the first third of Moby Dick. The 18 x 24 inch print includes approximately the first sixth of the book.

For a fine complement to the wonderful Beholding Holden artwork, a knock-out litograph of The Catcher in the Rye:

'What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn't happen much, though.'

This 24 x 36 inch print (full view at top, close-up zoom at bottom) includes the full text of The Catcher in the Rye. The 18 x 24 inch print includes approximately the first half of the book.

As a lover of all things Alice in Wonderland, the Alice litograph makes my heart sing.

'If everybody minded their own business, the world would go around a great deal faster than it does.'

This 24 x 36 inch print (full view at top, close-up zoom at bottom) includes the full text of both Alice's Adventures in Wonderland and Through the Looking Glass. The 18 x 24 inch print includes the full text of Alice's Adventures in Wonderland.

Though it’s hard to outshine Stefanie Posavec’s Writing Without Words project based on the Jack Kerouac classic, this On The Road litograph is quite lovely:

'I was surprised, as always, be how easy the act of leaving was, and how good it felt. The world was suddenly rich with possibility.'

This 24 x 36 inch print (full view at top, close-up zoom at bottom) includes the full text of On the Road. The 18 x 24 inch print includes approximately the first half of the book.

'...for the shield may be as important for victory, as the sword or spear.'

This 24 x 36 inch print (full view at top, close-up zoom at bottom) includes approximately the first third of On the Origin of Species. The 18 x 24 inch print includes approximately the first sixth of the book.

All the litographs are available in color as well as black-and-white, and you can see the full full collection on the project site.

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01 MAY, 2012

The Conference of Birds: Beautifully Illustrated Story of Belonging Based on an Ancient Sufi Poem

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What a hopeful hoopoe bird has to do with the deepest truths of the human condition.

As a lover of children’s books with timeless philosophy for grown-ups and of obscure children’s books by famous authors of adult literature, I find it a rare delight to stumble upon an inversion of sorts — poetic books for grown-ups by beloved authors of children’s literature. Such is the case of The Conference of the Birds (public library) by the celebrated and prolific Czech-born children’s writer and illustrator Peter Sís — a lyrical, heartwarming adaptation of the classic 12th-century Sufi epic poem of the same title. The story unfolds in a landscape reminiscent of the sentimental cartography world: Thirty birds, led by the hoopoe, set out on a journey across the seven valleys of Quest, Love, Understanding, Detachment, Unity, Amazement, and Death in a quest to find their true king, Simorgh.

At its heart, it’s a story about belonging and homecoming to the deepest of inner certitude as the avian heroes, drawn from all species, perish and persevere on their momentous quest, only to find at the end that Simorgh is, in fact, each of them and all of them — a beautiful allegory of a beautiful human truth to which Sís’s soft yet evocative illustrations add delicate dimension.

Birds!
Look at the troubles happening in our world!
Anarchy — discontent — upheaval!
Desperate fights over territory, water, and food!
Poisoned air! Unhappiness!
I fear we are lost. We must do something!
I’wve seen the world. I know many secrets.
Listen to me: I know of a king who has all the answers.
We must go and find him.

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01 MAY, 2012

Lessons in Conveying Complex Ideas with Simple Graphics from the World’s Best Information Designers

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What Frank Zappa’s life has to do with e-waste, whale songs, and the black market for body parts.

Much has been said about visual storytelling and how to tell stories of data in the information age, and there is no shortage of great books on data visualization. But count on Taschen to tackle a big conceptual challenge with a big, beautifully designed book: Information Graphics by art historian Sandra Rendgen explores the four key aspects of visualizing data — Location, Time, Category, and Hierarchy — through exemplary work from more than 200 projects, alongside essays by information architect and TED founder Richard Saul Wurman, Guardian Datablog editor Simon Rogers, Density Design’s Paolo Ciuccarelli, and Rendgen herself.

'Geek Love,' The New York Times, newspaper article, 2008

Exposed to Dungeons & Dragons Early in Life. Design: Sam Potts. Art Direction: Brian Rea

'Medallandssandur,' a blend of the sound specters form sonar and whale song. From a series of drawings, 2010

Design: Torgeir Husevaag. Article: Adam Rogers

'The Very Many Varieties of Beer,' poster, 2010

Design: Ben Gibson, Patrick Mulligan (Pop Chart Lab)

'Two Mindsets,' Stanford, magazine article, 2007

Data Source: Carol Dweck: 'Mindset: The New Psychology of Success', 2006. Design: Nigel Holmes

'Body Parts,' Esquire, magazine article, 2006

Design: Peter Grundy (Grundini). Art Direction: Alex Breuer

'Frank Zappa Chart,' painting, 2008

Artist: Ward Shelley (represented by Pierogi Gallery)

'The Growing E-Waste Situation,' GOOD, website, 2010

Data Source: CBS News; ABI Research; US EPA; Basel Action Network; Silicon Valley Toxics Coalition. Research: Brian Wolford. Design: Andrew Effendy (Column Five Media). Art Direction: Ross Crooks

'Mission(s) to Mars,' IEEE Spectrum, magazine article, 2009

Data Source: Cornell University; European Space Agency; NASA; RussianSpaceWeb.com. Design: Bryan Christie, Joe Lertola. Art Direction: Mark Montgomery, Michael Solita

Information Graphics features work by a number of Brain Pickings favorites, including Stefanie Posavec, Nicholas Felton, Ward Shelley, Hans Rosling, Nathalie Miebach, David McCandless, Toby Ng, Michael Paukner, Christoph Niemann, Sam Potts, and Jonathan Harris. The cover image is, of course, the unmistakable Web Trend Map by Information Architects.

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