Books in general are really good at showing time and progression, a ton of books are very good at showing something happening right here, right now. They are depicting these worlds that are almost like a dream, and everything seems very real and very possible… I like to create scenes that want to be explained, because I think about them almost as these springboards for the imagination — you long to go there, you long to be there.” ~ Andrea Dezso
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What Herman Melville has to do with the artist’s gauntlet and the sacrilege of sequels.
There are very few creators alive today truly worthy of being called “creative genius.” Children’s book author and illustrator Maurice Sendak, beloved for Where The Wild Things Are and other gems, is certainly one of them. This affectionate 5-minute micro-documentary from Tate Modern zooms in on the iconic creator, uncompromising and idiosyncratic and brilliant as ever at the age of 83, to reveal the creatively restless and lovably grumpy workings of his heart and mind.
My books are really books that are impressed and in love with the memory of comics and how important they were to me as a child… I didn’t live near any famous person, I didn’t see Michelangelo go to work in the morning. I just lived in Brooklyn, where everything was ordinary — and yet, enticing and exciting and bewildering. The magic of childhood, the strangeness of childhood, the uniqueness that makes us see things that other people don’t see…”
In 2011, bringing you (ad-free) Brain Pickings took more than 5,000 hours. If you found any joy and stimulation here this year, please consider a modest donation.
Brain Pickings has a free weekly newsletter and people say it’s cool. It comes out on Sundays and offers the week’s best articles. Here’s what to expect. Like? Sign up.
Why reality is a better storytelling tool than fiction and how film can be a conduit of democracy.
Pioneering Scottish filmmaker John Grierson (1898-1972) is often considered the father of documentary film and credited with coining the very term “documentary” in his review of Robert Flaherty’s film Moana in the February 8, 1926, issue of the New York Sun. His 1932 essay “First Principles of Documentary” argued that cinema’s capacity for observing life could be a new art form, wherein the materials “taken from the raw” can be more real than acted fiction and the “original” actor and “original” scene are better lens for interpreting the modern world than their fiction counterparts. Above all, Grierson believed in the social responsibility of the filmmaker and the potential of film in helping society achieve its democratic ideals.
Grierson is a 1973 documentary about the father of documentary by Canadian filmmaker Roger Blais, now free online in its entirety courtesy of the National Film Board of Canada. Through archival footage, interviews with people who knew him, and footage of Grierson himself, Blais paints a lively and fascinating portrait of a man who was concerned not only with documentary film as an art form but also as a powerful tool of democracy. (Cue in The Power of Photojournalism.)
The film is also available on DVD from the NFB. For more on Grierson’s vision and legacy, dig around for a used copy of the excellent out-of-print book Grierson on the Movies.
In 2011, bringing you (ad-free) Brain Pickings took more than 5,000 hours. If you found any joy and stimulation here this year, please consider a modest donation.
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Brain Pickings has a free weekly newsletter and people say it's cool. It comes out on Sundays and offers the week's best articles. Here's an example. Like? Sign up.