Brain Pickings

Posts Tagged ‘Edward Gorey’

11 APRIL, 2013

T. S. Eliot’s Iconic Vintage Verses About Cats, Illustrated and Signed by Edward Gorey

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Two grand masters of delight, together.

Until the wonderful Lost Cat: A True Story of Love, Desperation, and GPS Technology came out, the great Edward Gorey had the corner on feline art with his timeless illustrations for the 1982 edition of Old Possum’s Book of Practical Cats (public library) by T. S. Eliot, a documented cat-lover, who penned these whimsical verses about feline psychology and social order in a series of letters to his godchildren in the 1930s. The poems were first collected and published in 1939, adding Eliot to the ranks of other famous “adult” authors who wrote for children, and eventually became the basis for the famed Broadway musical Cats.

Some time ago, I had the good fortune of tracking down an original edition of this tiny treasure, signed by Gorey himself — please enjoy:

THE NAMING OF CATS

The Naming of Cats is a difficult matter,
It isn’t just one of your holiday games;
You may think at first I’m as mad as a hatter
When I tell you, a cat must have THREE DIFFERENT NAMES.
First of all, there’s the name that the family use daily,
Such as Peter, Augustus, Alonzo or James,
Such as Victor or Jonathan, George or Bill Bailey —
All of them sensible everyday names.
There are fancier names if you think they sound sweeter,
Some for the gentlemen, some for the dames:
Such as Plato, Admetus, Electra, Demeter —
But all of them sensible everyday names.
But I tell you, a cat needs a name that’s particular,
A name that’s peculiar, and more dignified,
Else how can he keep up his tail perpendicular,
Or spread out his whiskers, or cherish his pride?
Of names of this kind, I can give you a quorum,
Such as Munkustrap, Quaxo, or Coricopat,
Such as Bombalurina, or else Jellylorum —
Names that never belong to more than one cat.
But above and beyond there’s still one name left over,
And that is the name that you never will guess;
The name that no human research can discover —
But THE CAT HIMSELF KNOWS, and will never confess.
When you notice a cat in profound meditation,
The reason, I tell you, is always the same:
His mind is engaged in a rapt contemplation
Of the thought, of the thought, of the thought of his name:
His ineffable effable
Effanineffable
Deep and inscrutable singular Name.

THE SONG OF THE JELLICLES

Jellicle Cats come out to-night
Jellicle Cats come one come all:
The Jellicle Moon is shining bright –
Jellicles come to the Jellicle Ball.

Jellicle Cats are black and white,
Jellicle Cats are rather small;
Jellicle Cats are merry and bright,
And pleasant to hear when they caterwaul.
Jellicle Cats have cheerful faces,
Jellicle Cats have bright black eyes;
They like to practise their airs and graces
And wait for the Jellicle Moon to rise.

Jellicle Cats develop slowly,
Jellicle Cats are not too big;
Jellicle Cats are roly-poly,
They know how to dance a gavotte and a jig.
Until the Jellicle Moon appears
They make their toilette and take their repose:
Jellicle Cats wash behind their ears,
Jellicle dry between their toes.

Jellicle Cats are white and black,
Jellicle Cats are of moderate size;
Jellicle Cats jump like a jumping-jack,
Jellicle Cats have moonlit eyes.
They’re quitet enough in the morning hours,
They’re quitet enough in the afternoon,
Reserving their terpsichorean powers
To dance by the light of the Jellicle Moon.

Jellicle Cats are black and white,
Jellicle Cats (as I said) are small;
If it happends to be a stormy night
They will practise a caper or two in the hall.
If it happens the sun is shining bright
You would say they had nothing to do at all:
They are resting and saving themselves to be right
For the Jellicle Moon and the Jellicle Ball.

BUSTOPHER JONES: THE CAT ABOUT TOWN

Bustopher Jones is not skin and bones —
In fact, he’s remarkably fat.
He doesn’t haunt pubs — he has eight or nine clubs,
For he’s the St. James’s Street Cat!
He’s the Cat we all greet as he walks down the street
In his coat of fastidious black:
No commonplace mousers have such well-cut trousers
Or such an impeccable back.
In the whole of St. James’s the smartest of names is
The name of this Brummell of Cats;
And we’re all of us proud to be nodded or bowed to
By Bustopher Jones in white spats!
His visits are occasional to the Senior Educational
and it is against the rules
For any one cat to belong both to that
And the Joint Superior Schools.
For a similar reason, when game is in season
He is found, not at Fox’s, but Blimp’s;
But he’s frequently seen at the gay Stage and Screen
Which is famous for winkles and shrimps.
In the season of venison he gives his ben’son
To the Pothunter’s succulent bones;
And just before noon’s not a moment too soon
To drop in for a drink at the Drones.
When he’s seen in a hurry there’s probably curry
At the Siamese — or at the Glutton;
If he looks full of gloom then he’s lunched at the Tomb
On cabbage, rice pudding and mutton.
So, much in this way, passes Bustopher’s day —
At one club or another he’s found.
It can cause no surprise that under our eyes
He has grown unmistakably round.
He’s a twenty-five pounder, or I am a bounder,
And he’s putting on weight every day:
But he’s so well preserved because he’s observed
All his life a routine, so he’ll say.
And (to put it in rhyme) `I shall last out my time’
Is the word of this stoutest of Cats.
It must and it shall be Spring in Pall Mall
While Bustopher Jones wears white spats!

Complement Old Possum’s Book of Practical Cats with Lost Cat and Gay Talese on the social order of New York’s cats, and consider supporting Gorey’s legacy with a donation to the Edward Gorey Charitable Trust.

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12 MARCH, 2013

The Green Beads: Edward Gorey and the “Disturbed Person”

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“How it knocks my heart!”

Mid-century illustrator extraordinaire Edward Gorey has a wealth of gems under his belt — his legendary grim alphabet, exquisite letters, illustrations for H. G. Wells’s The War of the Worlds, fairy tale adaptations, naughty adult entertainment, and then some. But hardly do any of Gorey’s magnificent stories get more tender, heartening, and heartbreaking than The Green Beads (public library). Originally published in 1978 as a limited edition of 426 signed copies — 400 numbered copies for sale and 26 lettered A-Z reserved for Gorey’s inner circle — it tells the story of Little Tancred who, en route to the store to buy tapioca, meets “a disturbed person whose sex is unclear, wearing a string of green beads around “its” neck. A characteristically grim adventure involving the beads ensues.

But what makes the book particularly poignant is that it’s hard not to see a piece of Gorey himself — old, eccentric, a defiant spirit and sensitive soul, an oft-speculated gay man — in the Disturbed Person, whom only Little Tancred truly sees and who inhabits that elusive neverland between the real and the imagined.

I was fortunate enough to hunt down one of the surviving copies — number 136, to be precise — and have preserved it here for shared enjoyment:

Complement The Green Beads with the charming The Shrinking of Treehorn and consider supporting the Edward Gorey Charitable Trust with a donation to the Edward Gorey House.

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22 FEBRUARY, 2013

Edward Gorey’s Vintage Illustrations for H. G. Wells’s The War of the Worlds

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Two classic masters of the macabre and wonderful, together.

Beloved mid-century illustrator Edward Goreygrim alphabetician, masterful letter-writer, dispenser of visual snark, semi-secret sort-of-pornographer — was born on this day in 1925. During his seven-year stint living in New York City between 1953 and 1960, he worked at the Doubleday art department — which also employed young Andy Warhol — and illustrated a number of books by famous mainstream authors, including the T. S. Eliot children’s book Old Possum’s Book of Practical Cats, on which the Broadway musical Cats is based.

At the end of his time at Doubleday, Gorey illustrated a special edition of H. G. Wells’s The War of the Worlds (public library) for the celebrated Looking Glass Library series, published in 1960 under the New York Review of Books Classics imprint. One of Gorey’s inimitable pen-and-ink drawings adorns the beginning of each chapter. Here is a taste:

The War of the Worlds, like all things Gorey, is sublime in its entirety. And what better excuse than his birthday for celebrating his life and legacy by supporting the Edward Gorey Charitable Trust with a donation to the Edward Gorey House?

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04 FEBRUARY, 2013

The Shrinking of Treehorn: An Edward Gorey Illustrated Gem, 1971

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The unusual story of a little boy who grows littler.

As a lover of vintage children’s books and of Edward Gorey’s intricate and irreverent illustrations, I was delighted to stumble upon an original first edition of the 1971 gem The Shrinking of Treehorn (public library), written by Florence Parry Heide and illustrated by Gorey. This first installment in the Treehorn trilogy, followed by Treehorn’s Treasure (1981) and Treehorne’s Wish (1986), tells the curious Alice-in-Wonderland-meets-Benjamin-Button story of a little boy who is shocked to discover that he is shrinking, but can’t figure out the cause or the cure.

Something very strange was happening to Treehorn.

The first thing he noticed was that he couldn’t reach the shelf in his closet that he had always been able to reach before, the one where he hid his candy bars and bubble gum.

The Shrinking of Treehorn and the other two books in the series were eventually reprinted in 2011 in a single volume, The Treehorn Trilogy. Complement it with some Gorey’s other gems, including his snarky illustrated commentary on 1960s culture, his classic gory alphabet book The Gashlycrumb Tinies, his Little Red Riding Hood adaptation, and his frisky story for adults only.

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12 SEPTEMBER, 2012

Thoughtful Alphabets: Edward Gorey’s Lost Cryptic 26-Word Illustrated Stories

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A delightfully dark journey into the love of language.

Having a soft spot for all things Edward Gorey and unusual alphabet books, I was thrilled by Pomegranate’s new edition of Thoughtful Alphabets: The Just Dessert and The Deadly Blotter (public library) — a collection of two cryptic 26-word stories, in which the word begin with the letters of the alphabet in order and the story progresses as the alphabet does in parallel.

The stories belong to a mid-90s “Thoughtful Alphabets” series, the first six volumes of which were released as hand-lettered posters illustrated with clip-art. Then, several years ago, stories numbers XI and XVII emerged as signed limited-edition books featuring Gorey’s original drawings — but the books quickly went out of print. In this beautiful resurrection, Gorey’s signature blend of wit and dark whimsy shines in each of the micro-vignettes — a fine complement to his beloved alphabet classic, The Gashlycrumb Tinies.

Illustrations © The Edward Gorey Charitable Trust, courtesy Pomegranate. All rights reserved.

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