Brain Pickings

Posts Tagged ‘Gestalten’

28 OCTOBER, 2011

Studio on Fire: Iron Beasts Make Great Beauty

By:

Labors of Victorian love, or how to make typography with spare bicycle parts.

Last year, my studiomate Erica introduced me to the wonderful Studio on Fire, a Minneapolis-based design studio, workshop, and printer crafting some of the most heart-stopping letterpress and screenprint gems I’ve ever seen. They use old-timey printing machines and techniques to produce a kind of haptic magic, the product of founder Ben Levitz’s lifelong obsession with the tactile world of analog design, who has amassed a formidable collection of vintage and antique printing presses and has mastered some of the most labor-intensive techniques, from letterpress and screen-printing to hot foil stamping and blind embossing. This month, the fine folks at Gestalten () are capturing Studio on Fire’s spark in a glorious volume titled Studio on Fire: Iron Beasts Make Great Beauty, gathering the studio’s most delightful printed ephemera — posters, flyers, wedding invitations, business cards, book covers, wallpaper, and more.

Here’s a peek at the obsessive grit the fuels the studio’s vision and process:

There’s a tactility to what we do and the creation of the design object. In a sense, that’s what print design is — good print design is objects that we remember because of visually seeing them and having a connection with them, and that’s why letter press is gonna be around.” ~ Ben Levitz

For a taste of the eerily hypnotic analog magic-making, here’s a video of how the book’s cover was made:

An absolute treat from cover to gloriously letterpressed cover, Studio on Fire: Iron Beasts Make Great Beauty is chock-full of just what the tin says and makes it hard to resist the urge to get up and make something beautiful and papery with your own two hands.

Images courtesy of Gestalten / Studio on Fire

Brain Pickings has a free weekly newsletter and people say it’s cool. It comes out on Sundays and offers the week’s best articles. Here’s an example. Like? Sign up.

25 OCTOBER, 2011

Visual Storytelling: New Language for the Information Age

By:

We now live in a world where information is potentially unlimited. Information is cheap, but meaning is expensive. Where is the meaning? Only human beings can tell you where it is. We’re extracting meaning from our minds and our own lives.”

These words of wisdom come from legendary inventor and futurist George Dyson, who in a recent interview contemplated the growing disconnect between information and meaning in the age of data overload. Over the past several years, our quest to extract meaning from information has taken us more and more towards the realm of visual storytelling — we’ve used data visualization to reveal hidden patterns about the world, employed animation in engaging kids with important issues, and let infographics distill human emotion. In fact, our very brains are wired for the visual over the textual by way of the pictorial superiority effect.

It would be ridiculous to try to express by curved lines moral ideals, the prosperity of peoples, or the decadence of their literature. But anything that has to do with extent or quantity can be presented geometrically. Statistical projections which speak to the senses without fatiguing the mind, possess the advantage of fixing the attention on a great number of important facts.” ~ Alexander von Humboldt, Political Essay on the Kingdom of Spain, 1811

Visual Storytelling: Inspiring a New Visual Language, from the fine folks at Gestalten, gathers the most compelling work by a new generation of designers, illustrators, graphic editors, and data journalists tackling the grand sensemaking challenge of our time by pushing forward the evolving visual vocabulary of storytelling.

Vahram Muratyan: Paris vs. New York: L’obsession

Peter Ørntoft: Information Graphics in Context, a project illustrating a ranked list of social concerns in Denmark

Peter Ørntoft: Information Graphics in Context, a project illustrating a ranked list of social concerns in Denmark

Gregory Ferembach: The Movies Flowcharts

Gregory Ferembach: The Movies Flowcharts

Carl Kleiner's 'Homemade Is Best' IKEA cookbook

Part of the 'Oceans' campaign for Greenpeace, showing the devastating effects of FADs (fish aggregation devices) used in commercial tuna fishing

An infographic showing the details that go into a Formula 1 event, from traveling furniture to vodka to spare engines

Jan Schwochow, Katharina Stipp, David Weinberg: A graphic comparing highway speed limits in countries around the world and showing the number of traffic deaths per 100,000 inhabitants

Road Map of the Eye, part of Katja Günther's Cartographic project visualizing information by mapping relevant elements

Orenzo Petrantoni: Piece was commissioned by the Wall Street Journal for an article about the countries, themes, and characters involved in the Gulf crisis

Alexandra Muresan: The Paper Pie Chart; various paper products such as tissue, cardboard, writing paper, and newsprint are used in corresponding amounts to make a pie chart representing the breakdown of paper production in the united states in 2000

From hand-drawn diagrams to sophisticated data visualization, by way of graphic design, illustration, photography, and information architecture, this magnificent volume of contemporary and experimental visual storytelling explores what it means to convey information with equal parts clarity and creativity, speaking with remarkable aesthetic eloquence about the things that matter in the world today.

Every field has some central tension it is trying to resolve. Visualization deals with the inhuman scale of the information and the need to present it at the very human scale of what the eye can see.” ~ Martin Wattenberg in The Economist, 2010

Wataro Yoshida: Composition of Mammals, a fictional exhibition using fictional places to study the anatomy of mammals with displays of taxidermy and skulls and accompanying informational posters about the complex structure of each mammal's body

Wataro Yoshida: Composition of Mammals, a fictional exhibition using fictional places to study the anatomy of mammals with displays of taxidermy and skulls and accompanying informational posters about the complex structure of each mammal's body

Lucas Van Vuuren: Lunch, a thorough decision tree

David Garcia Studio: MAP 001 Antarctica, part of MAP (Manual of architectural Possibilities), a publication that aims to merge science and research with architectural design

David Garcia Studio: MAP 002 Quarantine

Stunning, ambitious, and thoughtfully curated, Visual Storytelling is part high-concept dictionary for a language of increasingly critical importance, part priceless time-capsule of bleeding-edge creativity from the Golden Age of information overload, the era we call home.

Donating = Loving

Bringing you (ad-free) Brain Pickings takes hundreds of hours each month. If you find any joy and stimulation here, please consider becoming a Supporting Member with a recurring monthly donation of your choosing, between a cup of tea and a good dinner:





You can also become a one-time patron with a single donation in any amount:





Brain Pickings has a free weekly newsletter. It comes out on Sundays and offers the week’s best articles. Here’s what to expect. Like? Sign up.

02 JUNE, 2011

The Modernist: Graphic Design’s Mid-Century Muse

By:

Celebrating the hot-and-heavy love affair between classical modern and contemporary graphics.

Designers and illustrators have been mining the motherlode of mid-20th-century graphics for years, and now there’s a beautiful record of their inspired explorations. The Modernist, the latest exquisite anthology by Gestalten, draws the genealogical lines of graphic design from the bold images of the 1960s and ’70s to their post-millennial progeny — what we see on album and book covers, posters, and websites today.

It’s easy to see why work by masters such as Gerd Arntz and Otto Neurath provide inspiration to contemporary artists, designers, and illustrators. Especially as web design has matured, younger generations turned to the striking work of classical modernism, transforming its deliberately minimalist colors and geometry with new vector graphics tools. (And, lest we forget, the basic language of this now iconic composition itself drew on previous artistic movements like Russian Constructivism and the Bauhaus school.)

The Modernist puts all of these pictorial relationships in perspective, with gorgeous spreads of top-notch design from both eras.

Fifty years in the making, The Modernist‘s gorgeous artwork will delight your senses, and its smart connect-the-dots visual storytelling will satisfy even your most voracious inner design geek.

Kirstin Butler is writing an adaptation of Gogol for the Google era called Dead SULs, but when not working spends far, far too much time on Twitter. She currently lives in Cambridge, MA.

Donating = Loving

Bringing you (ad-free) Brain Pickings takes hundreds of hours each month. If you find any joy and stimulation here, please consider becoming a Supporting Member with a recurring monthly donation of your choosing, between a cup of tea and a good dinner.





You can also become a one-time patron with a single donation in any amount:





Brain Pickings has a free weekly newsletter. It comes out on Sundays and offers the week’s best articles. Here’s what to expect. Like? Sign up.