Brain Pickings

Posts Tagged ‘H. G. Wells’

04 MARCH, 2014

A Solitary World: A Breathtaking Homage to H.G. Wells from a New Genre of Cinematic Poetry

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“What is this spirit in man that urges him forever to depart from happiness, to toil and to place himself in danger?”

From my friends at PBS Digital Studios and filmmaker James W. Griffiths comes A Solitary World — a breathtaking homage to H.G. Wells, with text adapted from five of his most celebrated works: The Time Machine (1895), The Island of Dr. Moreau (1896), The First Men in the Moon (1901), In The Days of the Comet (1906), The World Set Free (1914). Read by Terry Burns and featuring an appropriately haunting score from the young British composer Lennert Busch, the film belongs to — pioneers, perhaps — an emerging creative genre: the cinematic poem.

A horrible feeling of desolation pinched my heart. I listened rigid but heard nothing but the creep of blood in my ears. Great and shadowy and strange was the world and I drifted solitary through its vast mysteries.

A remote faint question, where I might be, drifted and vanished again in my mind. I found myself standing astonished, my emotions penetrated by something I could not understand.

I felt naked. I felt as perhaps a bird may feel in the clear air knowing the hawk wings above and will swoop.

I began to feel the need of fellowship. I wanted to question, wanted to speak, wanted to relate my experience. What is this spirit in man that urges him forever to depart from happiness, to toil and to place himself in danger?

It was this restlessness, this insecurity perhaps that drove me further and further afield in my exploring expedition. As the hush of the evening crept over the world, the sun touched the mountains and became very swiftly a blazing hemisphere of liquid flame, and sank.

Then, slow and soft and wrapping the world in fold after fold of deepening blue, came the night. And then, the splendor of the sight — in the sky, one bright planet shone kindly and steadily like the face of an old friend. The full temerity of my voyage suddenly came upon me. At last I began to feel the pull of the earth upon my being, drawing me back again to the life that is real, for men.

For a wholly different homage to Wells, see Edward Gorey’s vintage illustrations of The War of the Worlds. For a deeper dive into Wells’s own narrative magic, the works used in the film are in the public domain and thus available as free ebooks here, here, here, here and here.

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20 FEBRUARY, 2014

Why Science-Fiction Writers Are So Good at Predicting the Future

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“At its core, good science fiction must rest on good science.”

“Trying to predict the future is a discouraging and hazardous occupation,” Arthur C. Clarke declared in 1964, and yet he got it astoundingly right in his own predictions, including his 1968 vision for the iPad. He wasn’t alone — Isaac Asimov predicted online education, Douglas Adams predicted ebooks, Ray Bradbury predicted that we would reach Mars (though, so far, we’ve only done so with robotic extensions of ourselves), and Jules Verne envisioned the hi-tech Nautilus “at a time when even a can-opener [was] considered an exciting new concept.” In fact, science-fiction authors have a formidable track record of predicting the future — but why?

That’s exactly what Joe Hanson of It’s Okay To Be Smart — who has previously explained the science of why we kiss and the mathematical odds of finding your soulmate — explores in this fantastic short film for PBS:

One right prediction in any one body of work would be lucky, but this many right answers can’t be luck — clearly, something sets these people apart. Many of the greatest sci-fi writers also had serious scientific training: Isaac Asimov had a Ph.D. in biochemistry, and Arthur C. Clarke had degrees in math and physics; H.G. Wells had a degree in biology…

At its core, good science fiction must rest on good science…

How far can we see into the future? Well, it depends on what we’re looking for — Isaac Asimov said that when we look at stars or galaxies or DNA, we’re looking at simple things, things that follow nice, neat rules and equations; but when we look at human history, it’s chaotic, unpredictable, our vision is limited. Science transforms the complex into the simple — that’s how we explain the chaos. Science is how we see farther, and science fiction is where we write down what we see.

Complement with this fantastic visual timeline of the future based on famous fiction and some vintage visions for the future of technology, then revisit one of H.G. Wells’s as-yet unfulfilled predictions with Edward Gorey’s illustrations for The War of the Worlds.

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22 FEBRUARY, 2013

Edward Gorey’s Vintage Illustrations for H. G. Wells’s The War of the Worlds

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Two classic masters of the macabre and wonderful, together.

Beloved mid-century illustrator Edward Goreygrim alphabetician, masterful letter-writer, dispenser of visual snark, semi-secret sort-of-pornographer — was born on this day in 1925. During his seven-year stint living in New York City between 1953 and 1960, he worked at the Doubleday art department — which also employed young Andy Warhol — and illustrated a number of books by famous mainstream authors, including the T. S. Eliot children’s book Old Possum’s Book of Practical Cats, on which the Broadway musical Cats is based.

At the end of his time at Doubleday, Gorey illustrated a special edition of H. G. Wells’s The War of the Worlds (public library) for the celebrated Looking Glass Library series, published in 1960 under the New York Review of Books Classics imprint. One of Gorey’s inimitable pen-and-ink drawings adorns the beginning of each chapter. Here is a taste:

The War of the Worlds, like all things Gorey, is sublime in its entirety. And what better excuse than his birthday for celebrating his life and legacy by supporting the Edward Gorey Charitable Trust with a donation to the Edward Gorey House?

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