Brain Pickings

Posts Tagged ‘illustration’

10 JANUARY, 2014

Alice in Wonderland Illustrated by Ralph Steadman: A 1973 Gem

By:

Down the rabbit hole of creative magic, one truly mad hatter at a time.

In the century and a half since Lewis Carroll met little Alice Liddell and imagined around her his Alice in Wonderland, the beloved tale has inspired a wealth of stunning artwork, ranging from John Tenniel’s original illustrations to Leonard Weisgard’s mid-century masterpieces to Salvador Dalí’s little-known heliogravures to Robert Sabuda’s pop-up magic. But among the most singular and weirdly wonderful is the 1973 gem Lewis Carroll’s Alice in Wonderland Illustrated by Ralph Steadman (public library; Abe Books). Barely in his mid-thirties at the time, the beloved British cartoonist — best-known today for his collaborations with Hunter S. Thompson and his unmistakable inkblot dog drawings — brings to Carroll’s classic the perfect kind of semi-sensical visual genius, blending the irreverent with the sublime.

(Because, you know, it’s not a tea party until somebody flips the bird.)

Lewis Carroll’s Alice in Wonderland Illustrated by Ralph Steadman is an absolute treat in its entirety. Wash it down with The Alice in Wonderland Cookbook.

Donating = Loving

Bringing you (ad-free) Brain Pickings takes hundreds of hours each month. If you find any joy and stimulation here, please consider becoming a Supporting Member with a recurring monthly donation of your choosing, between a cup of tea and a good dinner:





You can also become a one-time patron with a single donation in any amount:





Brain Pickings has a free weekly newsletter. It comes out on Sundays and offers the week’s best articles. Here’s what to expect. Like? Sign up.

07 JANUARY, 2014

French Artist Benjamin Lacombe’s Haunting Illustrations for Poe’s Tales of the Macabre

By:

“Either the memory of past bliss is the anguish of to-day, or the agonies which are, have their origin in the ecstasies which might have been.”

Certain types of literature readily invite gorgeous complementary artwork. Classic fairy tales, for instance, have attracted some magnificent illustrations over the centuries. But arguably the most haunting art for literary-literature is that accompanying the stories of Edgar Allan Poe. Nearly a century after Harry Clarke’s remarkable 1919 illustrations and shortly after the stunning graphic novel for Lou Reed’s adaptation of The Raven, French artist Benjamin Lacombe illustrated Poe’s Tales of the Macabre (public library) in his signature style of gentle, eerie, endlessly evocative large-eyed creatures.

The result is nothing short of bewitching.

The Lacombe-illustrated Tales of the Macabre is an absolute treat. Complement it with Italian graphic artist Lorenzo Mattotti’s take on The Raven.

Donating = Loving

Bringing you (ad-free) Brain Pickings takes hundreds of hours each month. If you find any joy and stimulation here, please consider becoming a Supporting Member with a recurring monthly donation of your choosing, between a cup of tea and a good dinner:





You can also become a one-time patron with a single donation in any amount:





Brain Pickings has a free weekly newsletter. It comes out on Sundays and offers the week’s best articles. Here’s what to expect. Like? Sign up.

03 JANUARY, 2014

J.R.R. Tolkien’s Little-Known, Gorgeous Art

By:

An important side of the beloved writer, who was as much an artist of pictures as he was of words.

Storytelling icon J.R.R. Tolkien (January 3, 1892–September 2, 1973) was also among those rare creators with semi-secret talents in a discipline other than their primary realm of fame — but while his original sketches for the first edition of The Hobbit have seen the light of day in recent years, few realize that Tolkien, who self-illustrated many of his famous works, was as much an artist of pictures as he was of words. Unlike other famous authors who also drew but only as a hobby or diversion, including Sylvia Plath, William Faulkner, and Flannery O’Connor, Tolkien approached the visual medium with as much thoughtfulness and imaginative rigor as he did his stories. J.R.R. Tolkien: Artist and Illustrator (public library) collects more than 200 color reproductions, many previously unpublished, of Tolkien’s surviving art in watercolor, pencil, and ink, spanning sixty years of his life — from his childhood drawings to his illustrations for his books to his final sketches, as well as the drawings he created for his own children, his obsessive calligraphy, and his imaginative maps of Middle Earth.

Wayne G. Hammond and Christina Scull, who edited the volume and who ventured to England to find the exact locations where each of Tolkien’s drawings was created, write in the introduction:

We have long felt that Tolkien’s art deserves to be as well known as his writings. The two were closely linked, and in his paintings and drawings he displayed remarkable powers of invention that equalled his skill with words. His books have been read by countless thousands; most of his art, however, has been seen by only a very few.

Fortunately, a wealth of Tolkien’s art survives, for the beloved author seems to have had “an archivist’s soul,” as Hammond and Scull aptly put it: He kept nearly everything he drew, down to the scraps of paper filled with spontaneous doodles, and carefully tucked his most prized creations into special envelopes which he opened periodically to add captions and inscriptions years after the drawings were made.

'They Slept in Beauty Side by Side' | Pencil

Tolkien drew this in early 1904, when he was twelve, when his mother was hospitalized for diabetes and he had to stay with her younger sister, Jane, in Sussex. The drawing depicts Jane and her husband Edwin, and the title was likely inspired by a line from the popular 19th-century poem 'The Graves of a Household' by Felicia Dorothea Hemans, which goes: 'They grew in beauty, side by side / They fill'd one home with glee.'

'Untitled (Two Boys at the Seaside)' | Watercolor, pencil

'Water, Wind & Sand' | Pencil, watercolor, white body color.

Tolkien drew this in early 1915 for 'The Book of Ishness'

'Moonlight on a Wood' | Pencil, black ink, watercolor

'Gandalf' | Pencil, colored pencil

One of the most fascinating sections of the book, titled “Visions, Myths and Legends,” explores Tolkien’s drawings for abstract and psychological concepts like wickedness, weirdness, thinking, and time — something on which he had strong opinions.

'Wickedness' | Pencil, colored pencil

'Afterwards' | Pencil, colored pencil

'Thought' | Pencil

'Undertenishness' | Watercolor, black ink

'Grownupishness' | Black ink

(Curiously, Tolkien made the above drawing shortly after turning twenty-one, that special “grownupishness” rite of passage.)

J.R.R. Tolkien: Artist and Illustrator is a treasure trove in its entirety. Complement it with Tolkien on fairy tales, the psychology of fantasy, and why there’s no such thing as writing “for children.”

Donating = Loving

Bringing you (ad-free) Brain Pickings takes hundreds of hours each month. If you find any joy and stimulation here, please consider becoming a Supporting Member with a recurring monthly donation of your choosing, between a cup of tea and a good dinner:





You can also become a one-time patron with a single donation in any amount:





Brain Pickings has a free weekly newsletter. It comes out on Sundays and offers the week’s best articles. Here’s what to expect. Like? Sign up.