Brain Pickings

Posts Tagged ‘illustration’

14 JULY, 2015

Little Red Riding Hood, Reimagined in Beautiful Laser-Cut Illustrations

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“All the better to eat you with!”

The fairy tales of the Brothers Grimm are among the most beloved and enduring storytelling our civilization has produced. Wildly whimsical and highly visual, they have bewitched generations of lay readers and a multitude of celebrated artists, who have reimagined them a thousand times over in the two centuries since Jacob and Wilhelm penned their forgotten original edition — including some extraordinary interpretations like those by Maurice Sendak, Lisbeth Zwerger, and Shaun Tan.

In her exquisite take on Little Red Riding Hood (public library), German illustrator and graphic designer Sybille Schenker blends the beauty of delicate papercraft with the Grimms’ original starkness of sensibility to produce something unusual and utterly beguiling — something partway between Kevin Stanton’s die-cut illustrations for Romeo and Juliet and Andrea Dezsö’s gorgeous black-and-white illustrations of the Grimm tales, yet something wholly original.

Ethereal layers of laser-cut and die-cut paper overlay Schenker’s graphic silhouette illustrations, making tangible the beloved story’s inherent duality of darkness and light from which its enduring enchantment springs.

Complement Schenker’s Little Red Riding Hood with Edward Gorey’s illustrations for classic fairy tales and David Hockney’s vintage twist on the Brothers Grimm, then revisit the die-cut masterpiece I Saw a Peacock with a Fiery Tail, which reimagines a Victorian “trick” poem in traditional Indian folk art.

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13 JULY, 2015

Wild Ideas: The Creative Problem-Solving Strategies of Different Animals, in Illustrated Dioramas

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From procrastinating pigeons to counting bears to dung beetles that navigate by the stars.

“Life and Reality are not things you can have for yourself unless you accord them to all others,” Alan Watts wrote in his mind-expanding 1950s meditation on what reality really is. Although our species has a long history of using nonhuman animals as metaphors for understanding human reality, we are only just beginning to accord our fellow creatures the dignity of their own reality by growing a new understanding of their complex consciousness.

Nonhuman animals, it turns out, have a great deal to teach us not only about reality but also about our immutable quest to bend reality to our will — that is, about the art of problem-solving.

In Wild Ideas (public library), researcher, educator, and environmental writer Elin Kelsey and Korean-Canadian artist Soyeon Kim — the creative duo behind You Are Stardust, that wonderful picture-book teaching kids about the universe in illustrated dioramas — present an imaginative and illuminating catalog of various animals’ problem-solving strategies, from how dung beetles use stars as a navigation system to the procrastination tactics of pigeons.

Each example in the book comes from Kelsey’s interviews with scientists who study the respective species, brought to life in Kim’s breathtaking 2D/3D dioramas.

In addition to the heartening celebration of our kinship with other beings, there is also a subtler, almost Buddhist undertone to the project: So much of our anguish in the face of obstacles comes from judging them as bad and resisting that particular manifestation of reality, causing ourselves enormous distress in the act of this resistance — and yet here is a powerful reminder that obstacles are neutral events and a natural part of life, which other species face as a matter of course and without negative judgment.

Step outside. Look. If squirrels can learn to cross roads by watching people, what can you learn by watching squirrels?

All around you, creatures seek solutions.

Pigeons procrastinate.

Bees calculate.

Elephants innovate.

Bears keep count.

You turn to friends and family for support, and so do other animals.

Ravens use gestures to offer ideas. Hyenas cooperate to help the hunt.

When they’re seeking direction, dung beetles look to the heavens and steer by the Milky Way.

Complement Wild Ideas with a very different take on how nonhuman animals enrich our human lives — Beastly Verse, a glorious illustrated celebration of famous poems inspired by animals.

Illustrations courtesy of Owlkids Books

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25 JUNE, 2015

Why Dogs Have Wet Noses: An Irreverent Illustrated Reimagining of Noah’s Ark

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Forty days and forty nights of loyalty and love.

The dog is an amazing creature — a frequent muse to an entire canon of art, a whole collection of Mary Oliver verses, and some excellent metaphors for beauty and aging, and . But its nose — which is how the dog actually “sees” the world — is a particularly miraculous pinnacle of its amazingness, and now the inspiration for a most fanciful alternative mythology.

In the immensely wonderful Why Dogs Have Wet Noses (public library), Scottish poet, novelist, and children’s book author Kenneth Steven and celebrated Norwegian illustrator Øyvind Torseter — the artist behind the existential allegory The Hole and the bittersweet My Father’s Arms Are a Boat — offer an irreverent and utterly heartwarming modern reimagining of Noah’s Ark.

Steven sets the stage:

A long, long time ago, not long after the world began, it started to rain. It was the kind of rain that really soaks you, pouring down from the sky like it will never stop.

We meet Noah, a man “both watchful and wise,” who looks like a lovable aging hipster from the maker movement. He begins building an enormous lifeboat — the Ark — then sets out to recruit “as many creatures as he could remember,” emanating a kind of indiscriminate Buddhist love for all, even “slugs, spiders, and other creepy-crawlies.”

The last to board is a mutt so odd-looking that Noah can’t quite tell what kind of a dog it is, but the soft black nose assures him that it is one.

With a great big groan and a terrifying tilt, the Ark sets sail as Noah wonders whether his strange company will survive this plunge into the unknown.

Steven’s writing, to be sure, is absolutely exquisite — the kind you might find in a Henry Beston masterpiece or an Annie Dillard classic rather than a typical children’s book (but this, of course, isn’t a typical children’s book):

They sailed away. Land had long since vanished. Only sea and sky remained. The rain fell heavier and heavier, and lightning shot from the black clouds, gleaming like snakes’ tongues. But apart from the crashing sounds of rain and thunder, it was completely quiet. As though there were no other sounds left in the whole wide world.

And yet inside the Ark, it was a completely different story — creatures of all shapes, sizes, and appetites clamored day and night. In a scene familiar to parents raising multiple small children — and perhaps good training for Noah himself, whose equally hipster-looking wife grows increasingly pregnant throughout the voyage — he labors tirelessly to feed each animal its favorite food, having “no peace and not a wink of sleep.”

No sooner had the last animal had dinner and gone to sleep, then it was time for the first to have breakfast again.

And yet Noah manages to hold the floating fort for twenty days until, suddenly, disaster strikes — the Ark springs a leak. Although the hole is “no bigger than a chestnut,” water begins to gush in, spelling dread and doom.

With his now beloved dog by his side, Noah brainstorms for a plan. At last, lightning of the more welcome and metaphorical kind strikes.

Just like that, the supreme testament to the dog’s dogness — its soft black nose — plugs the hole and saves the Ark.

All other creatures rejoice as the loyal dog sits there for forty days and forty nights, keeping their lifeboat from sinking amid the seemingly endless ocean.

And then one morning, just as the dog smells an unfamiliar scent, another violent disruption rattles their nautical rhythm — the Ark hits something hard.

Land! Hills rose up through the mist and behind them there was a tiny bit of blue sky. The rain had stopped at last and a magnificent rainbow stretched across the sky.

One by one, the creatures disembark onto the long-awaited shore, marveling at the lush life covering the land. But just as Noah, the last to climb out, joins the marveling bunch, he is seized with a shocking realization: His beloved dog is still down in the belly of the boat, nose faithfully plugging the hole.

Noah rushes to the rescue.

Noah gently stoked his dog’s tummy.

“Good boy,” he whispered.

“Woof!” the dog replied, leaping up to give his master a kiss wit his wet nose.

Never again would Noah’s dog have to go to sea. But from then on, every dog in the world would have a wet nose.

And that, you see, is why dogs have wet noses.

Why Dogs Have Wet Noses comes from Brooklyn-based independent children’s book powerhouse Enchanted Lion Books, makers of such intelligent and imaginative treasures as Beastly Verse, The Lion and the Bird, and the illustrated biography of E.E. Cummings.

Complement this particular gem with Torseter’s philosophical take on a different hole and another magnificent tale of the sea by way of an illustrated love letter to the blue whale, then revisit the far less fanciful actual science of the dog’s amazing nose.

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18 JUNE, 2015

Pool: A Tender Illustrated Celebration of Quiet Curiosity and How We Find Our Kindred Spirits

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What our hunger for connection has to do with Borges’s imaginary beings.

A century and a half after Lewis Carroll plunged his Alice into a fantastical world through the looking-glass, South Korean fine artist and illustrator JiHyeon Lee offers a magnificent modern counterpart in her picture-book debut, Pool (public library) — a wordless masterpiece of space, scale, and silence converging to create an underwater world of wonder just beneath the reflective surface of ordinary life.

Lee’s delicate yet immensely expressive pencil illustrations, partway between Sophie Blackall and mid-career Maurice Sendak, emanate childhood’s tender trepidations and the gentle playfulness at the heart of the story.

We meet a boy standing poolside, looking reluctantly at the boisterous crowd lurching into the annual invasion of the public pool — a noisy, chaotic scene Lee communicates with great subtlety and quietude.

Perched on an uncrowded corner of the pool, the boy hesitantly contemplates the prospect of plunging.

At last, he takes the leap and dives below the superficial clamor of the crowd, where he encounters his unexpected counterpart — a little girl propelled by the same shy curiosity.

Together, they dive even deeper and the pool suddenly transmogrifies into a whimsical underwater wonderland full of strange and beautiful creatures — a magical mashup of the ocean’s most glorious real-life inhabitants, the mythological marine deities of ancient folklore, and Borges’s imaginary beings.

Suddenly, they come upon a most magnificent sight.

With a mastery of pacing time through negative space, calling to mind Marianne Dubuc’s exquisite The Lion and the Bird, Lee paints a visual gasp as the two children find themselves facing a gentle giant — a peculiar being reminiscent of our planet’s largest real creature (the subject of another spectacular picture-book), only white and furry.

They peer into its giant eye, into its enormous otherness, not with fear but with affectionate awe — a sweet and subtle reminder that, as Neil Gaiman memorably put it, “behind every pair of eyes, there’s somebody like us.”

As the two make their way back to the surface, that watery looking-glass through which they had plunged into a modern-day Wonderland, they exit the pool from the other end, somehow transformed; the clamorous crowd, having completed this annual chore, leaves the same way it had flounced in.

And then, as they take off their goggles, they peer into each other’s naked eyes to find in the otherness an affectionate sameness of spirit peering back.

Pool is wonderful beyond words from cover to cover. Complement it with another wordless masterwork: Marla Frazee’s The Farmer and the Clown.

Thanks, Amy

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