Brain Pickings

Posts Tagged ‘illustration’

31 MARCH, 2014

The Betrayed Confidence: Edward Gorey’s Weird and Whimsical Vintage Illustrated Postcards

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Neglected murderesses, imaginary elixirs, cryptic objects, and other darkly delightful treats from Gorey’s singular creative chest.

Edward Gorey is undoubtedly one of the most extraordinary — in every sense of the word — illustrators of the past century. From his quirky children’s books to his naughty treats for grown-ups to his covers for literary classics, he injected his singular blend of darkly delightful weirdness and whimsy into his various masterpieces, created under his many pseudonyms. But Gorey had an especially enchanting soft spot for the old-fashioned charisma of postcards, in addition to the magnificent illustrated envelopes he mailed to his editor. Now comes The Betrayed Confidence Revisited (public library) — an infinitely delightful collection of ten of Gorey’s postcard series, including three never previously published, ranging from the grimly humorous Neglected Murderesses to the cryptic Menaced Objects to the disarmingly adorable Dogear Wryde Interpretive Series to the purposely puzzling Q.R.V. Here’s but a small taste of the enormous delight.

From Dogear Wryde Interpretive Series (“Dogear Wryde” being, as you may have noticed, one of Gorey’s anagrammatic pseudonyms), originally created in 1980:

From Neglected Murderesses, also published in 1980:

From Menaced Objects, released in 1989:

From Q.R.V., Gorey’s final postcard series, created in 1996 and named after a mysterious imaginary elixir that Gorey first introduced in the 1989 miniature book The Universal Solvent:

From Alms for Oblivion, part of the Dogear Wryde series:

The Betrayed Confidence Revisited is an absolute treat in its entirety. Complement it with Gorey’s classic scandalous alphabet book, The Gashlycrumb Tinies, and his fantastic vintage illustrations for T.S. Eliot’s cat verses.

Illustrations © The Edward Gorey Charitable Trust courtesy of Pomegranate. All rights reserved.

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27 MARCH, 2014

John Vernon Lord’s Whimsical Illustrations for James Joyce’s Finnegans Wake

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Enchanting drawings bring to life “a book that has to be experienced rather than fully understood.”

The history of artistic takes on literary classics is long and colorful. There are William Blake’s paintings for Milton’s Paradise Lost and for Dante’s Divine Comedy, Picasso’s drawings for a naughty ancient Greek comedy, Matisse’s etchings for Ulysses, and Salvador Dalí’s prolific illustrations for Don Quixote in 1946, the essays of Montaigne in 1947, The Divine Comedy in 1957, Alice in Wonderland in 1969, and Romeo and Juliet in 1975. In recent years, we’ve seen such visual treats as Matt Kish’s illustrations for Moby-Dick and Heart of Darkness and Yayoi Kusama’s take on Alice in Wonderland.

Now, from the Folio Society — who also gave us those gorgeous illustrated editions of Irish Myths and Legends and the Alice B. Toklas Cookbook — comes an exquisite edition of James Joyce’s Finnegans Wake, illustrated by artist John Vernon Lord. In his whimsical and wonderfully weird collage-like drawings, Joyce’s experimental narrative, seventeen years in the making, and idiosyncratic storytelling blossom to new life.

Lord, who set out to illustrate the Joyce classic in order to better understand it, writes in the introduction:

Reading such a text as Joyce’s, and interpreting it, is a greater challenge than for most books. After all each word is “as cunningly hidden in its maze of confused drapery as a fieldmouse in a nest of coloured ribbons.” Sometimes I felt like Alice in Through the Looking-Glass when she first read “Jabberwocky.” She commented, “It seems very pretty… but it’s rather hard to understand… Somehow it seems to fill my head with ideas — only I don’t exactly know what they are!” Finnegans Wake is a book that has to be experienced rather than fully understood.

As a lover of artists’ sketchbooks and creators’ notebooks, I was especially taken with this glimpse of Lord’s notebooks, revealing his necessarily messy but clearly fruitful creative process:

Compare and contrast the Folio Society edition with a wholly different take on the Joyce classic, artist Jacob Drachler’s vintage typographic “confabulation” Id-Grids and Ego-Graphs, then complement with these lovely illustrations for James Joyce’s children’s book.

via The Guardian

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24 MARCH, 2014

Larry and Friends: An Illustrated Ode to Immigration, Diversity, Friendship, and Acceptance

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A charming celebration of camaraderie across cultures.

Much has been said about the lack of diversity in children’s books. But these discussions — as most conversations about diversity — have been largely co-opted by questions of race, overlooking other elements of diversity, such as nationality and native language. This is particularly perplexing in America which, for a nation of immigrants that prides itself on being a “melting pot” of global cultures, has one of the world’s most hostile immigration policies. (I can attest to this myself as a “resident alien” — the tellingly unfriendly term for a U.S.-based foreign citizen — whose entire adult life has been plagued by immigration-related bureaucratic nightmares.) National policies being the seedbed of national attitudes, it’s hard not to wonder and worry about the toxic effect such legal practices might have on fostering xenophobia and intolerance. This concern, coupled with my enormous soft spot for children’s books, is why I was instantly smitten with Larry and Friends (publisher) — a heartening story about immigration, diversity, friendship, and acceptance, envisioned by Ecuadorian-born, New-York-based illustrator Carla Torres, who partnered with Belgian-born, Venezuelan-raised, New-York-based writer Nat Jaspar to bring the project, funded on Kickstarter, to life.

Torres’s gorgeous illustrations tell the tale of Larry the American dog, who decides to have a birthday celebration and invites all his friends, each from a different part of the world and an immigrant in New York, where the story is set — a fitting backdrop, given Gotham’s Ellis Island was the original entry point for immigrants in the United States and New York is the most linguistically diverse city in the world today, home to more than three million foreign-born residents who speak over 800 languages.

The bell begins to ring and each of Larry’s friends arrives, along with a piece of cultural, linguistic, and geopolitical history. We meet such endearing characters as Magda, the little pig from Poland who was sent to New York by her serious parents to “become a competent secretary” but instead pursued her passion and became a tightrope artist; Cogui, the tiny Puerto Rican frog, a violinist living in the Bronx; Gugu, the African zebra who moved to New York with only his Djembe drum and went on to become the lead percussionist at the Apollo Theater.

Then there is Laila, the sinewy cat from Iran who works as an entomologist at the American Museum of Natural History; Edgar, the Colombian alligator who moved to New York as a street musician playing the accordion and now has a steady gig at a French restaurant in Manhattan; Bernard, the French gargoyle who spent years observing people from atop the Notre Dame Cathedral and was drawn to New York as the world’s best people-watching locale; and Rimshi, the Tibetan yak who moved to New York after the Chinese invasion and whom Larry met while volunteering at the refugee center where she works.

Then comes the Mexican coyote Rosita, the best luchadora in New York, and Larry’s heart begins to pound uncontrollably — shy as he is, he has an irrepressible crush on this fierce lady. The Greek owl Ulises, a fine cook, arrives and brings Larry “the biggest and most beautiful birthday cake he has ever seen.”

What’s perhaps most enchanting about the story, however, is that a number of the characters are drawn from the real stories of real people Torres met in New York. Pedro, the Ecuadorian guinea pig, is based on Pedro Erazo, one of the members of the beloved indie band Gogol Bordello. Jin, the Korean fox, is inspired by Mariola Paen, a self-taught Korean artist. Ashki, the Native American buffalo, is based on Melvin, a shaman from the Navajo people who performed a spiritual ceremony Torres attended some years ago.

In the end, the jolly and eclectic group has a party — a charming celebration of diversity and belonging.

Larry and Friends is absolutely wonderful in its entirety, both aesthetically and in its cultural message, and is also available directly from Tangerine Books in both English and Spanish editions.

Images courtesy of Carla Torres

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20 MARCH, 2014

Hello, New York: Julia Rothman’s Illustrated Love Letter to Gotham’s Five Boroughs

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From bodegas to bras, a visual serenade to Gotham’s emblems and eccentricities.

On the heels of Wendy MacNaughton’s magnificent Meanwhile in San Francisco (which is less about San Francisco than about the human soul) comes Hello, New York: An Illustrated Love Letter to the Five Boroughs (public library) from Brooklyn-based illustrator Julia Rothman, who has previously given us such charming treats as The Where, the Why, and the How: 75 Artists Illustrate Wondrous Mysteries of Science, Drawn In, and Farm Anatomy.

Rothman takes us on a tour of New York’s hidden treasures and traces the little-known, fascinating stories and personalities behind the city’s most iconic landmarks and places, from the rare books curator at The New York Public Library to the Hasidic Jewish couple that runs New York’s go-to store for bras, from standbys like the ubiquitous bodega and the yellow taxi cab to curiosities like the Lower East Side Tenement Museum, an extraordinary time-capsule of working-class immigrant life in the 19th century, to cultural icons like the ghostly beams illuminating the skies where the Twin Towers used to be.

Just like San Francisco’s Dolphin Club Swimmers, New York has its own brave souls who plunge into the East River — here they are, mere minutes from my own abode in Brooklyn:

Then there are the buildings, reminiscent in spirit of James Gulliver Hancock’s illustrated architectural tour of Gotham, but bent through the lens of Rothman’s distinctive style:

But my favorite section, perhaps predictably, is an homage to one of the city’s greatest cultural institutions, the New York Public Library, guarded by its famous lions, Patience and Fortitude:

Complement Hello, New York with two very different love letters to Gotham: a photographic one, honoring its humans and a literary one, celebrating Central Park.

Images courtesy of Julia Rothman / Chronicle Books

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