Brain Pickings

Posts Tagged ‘illustration’

03 APRIL, 2013

Advice to Little Girls: Young Mark Twain’s Little-Known, Lovely 1865 Children’s Book

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A labor of love nearly two years in the making.

In the summer of 2011, I chanced upon a lovely Italian edition of a little-known, playful short story young Mark Twain had written in 1865 at age of 30, with Victorian-scrapbook-inspired artwork by celebrated Russian-born children’s book illustrator Vladimir Radunsky, mischievously encouraging girls to think independently rather than blindly obey rules and social mores. I was instantly in love. So I approached my friend Claudia Zoe Bedrick of Brooklyn’s Enchanted Lion Books, whom I’d befriended through her beautiful books and with whom I’d already begun collaborating on another side project, to see if she’d be willing to take a leap of faith and help bring this gem to life in America. It took a bit of convincing, but we eventually joined forces, pooled our lunch money to pay Vladimir his advance, and found a printer capable of reflecting the mesmerism of the Twain/Radunsky story in the book’s physicality — rich colors, crisp text, thick beautiful paper with a red fabric spine.

I’m enormously delighted to announce that Advice to Little Girls (public library) is officially out this week — a true labor of love nearly two years in the making. (You might recall a sneak peek from my TED Bookstore selections earlier this year.) Grab a copy, enjoy, and share!

While frolicsome in tone and full of wink, the story — like the most timeless of children’s books — is colored with subtle hues of grown-up philosophy on the human condition, exploring all the deft ways in which we creatively rationalize our wrongdoing and reconcile the good and evil we each embody.

Good little girls ought not to make mouths at their teachers for every trifling offense. This retaliation should only be resorted to under peculiarly aggravated circumstances.

If you have nothing but a rag-doll stuffed with sawdust, while one of your more fortunate little playmates has a costly China one, you should treat her with a show of kindness nevertheless. And you ought not to attempt to make a forcible swap with her unless your conscience would justify you in it, and you know you are able to do it.

One can’t help but wonder whether this particular bit may have in part inspired the irreverent 1964 anthology Beastly Boys and Ghastly Girls and its mischievous advice on brother-sister relations:

If at any time you find it necessary to correct your brother, do not correct him with mud — never, on any account, throw mud at him, because it will spoil his clothes. It is better to scald him a little, for then you obtain desirable results. You secure his immediate attention to the lessons you are inculcating, and at the same time your hot water will have a tendency to move impurities from his person, and possibly the skin, in spots.

If your mother tells you to do a thing, it is wrong to reply that you won’t. It is better and more becoming to intimate that you will do as she bids you, and then afterward act quietly in the matter according to the dictates of your best judgment.

Good little girls always show marked deference for the aged. You ought never to ‘sass’ old people unless they ‘sass’ you first.

There are no words to describe how much Advice to Little Girls makes my heart sing — let’s make a choir.

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27 MARCH, 2013

The It-Doesn’t-Matter Suit: Sylvia Plath’s Lovely, Little-Known Vintage Children’s Book

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A charming cautionary tale about the perils of self-consciousness.

Sylvia Plath — celebrated poet, little-known artist, lover of the world, repressed “addict of experience”, steamy romancer … and children’s book author? Given my soft spot for lesser-known vintage children’s books by famous literary icons, I was delighted to discover The It-Doesn’t-Matter Suit (public library) — a charming children’s story Plath penned shortly before having her first child. Though her journals indicate it was written on or immediately before September 26, 1959, it wasn’t until March of 1996 that the tale saw light of day with its first — and only — publication, featuring wonderful illustrations by German graphic designer and artist Rotraut Susanne Berner.

It tells the story of seven-year-old Maximilian “Max” Nix, one of seven brothers, who sees people in various suits everywhere he looks and dreams of the perfect attire for any and all occasions — an “it-doesn’t-matter suit.”

One day, a mysterious package arrives at the Nix house and inside it is a “wonderful, woolly, whiskery, brand-new, mustard-yellow It-Doesn’t-Matter Suit.”

All the Nix brothers proceed to try the suit on, but each finds it ill-fitted, worrying about how the townspeople might judge this unusual mustard-yellow suit.

When Max tries it on, it fits him “as if it were made-to-order.” Once he puts the suit on, Max never takes it off — he goes to school in it, goes fishing, rides his bicycle, takes to the slopes, milks the cow, goes hunting and all along earns the admiration of his fellow citizens.

It’s inescapable to consider how the moral of the story — an admonition against the perilous preoccupation with other people’s opinions — reflects Plath’s own daily struggle with self-consciousness.

The It-Doesn’t-Matter Suit is currently out of print, but used copies can still be tracked down.

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26 MARCH, 2013

Tender Buttons: Gertrude Stein’s Vintage Verses About Objects, Illustrated by Lisa Congdon

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A book is a book is a book. Or is it?

Given my affinity for all things Gertrude Stein and my enduring admiration for the art of my frequent collaborator and talented friend Lisa Congdon, I was instantly enamored with Tender Buttons: Objects (public library) — Stein’s 1914 collection of avant-garde verses celebrating everyday objects in her signature style of semantic somersaults, brought to fresh life with Lisa’s vibrant illustrations of birds, boxes, cups, clocks, umbrellas, and other ordinary objects made extraordinary.

A FEATHER.

A feather is trimmed, it is trimmed by the light and the bug and the post, it is trimmed by little leaning and by all sorts of mounted reserves and loud volumes. It is surely cohesive.

I asked Lisa about the project’s particular mesmerism:

Every now and again an illustration project comes your way that feels like sheer kismet. I’ve had an infatuation with the life of Gertrude Stein since I was in my early 20s, and I’ve always been intrigued by her bizarre poetry. Chronicle Books gave me an extreme amount of creative freedom to illustrate Tender Buttons — which was at the same time both glorious and extremely challenging.

Hope in gates, hope in spoons, hope in doors, hope in tables, no hope in daintiness and determination. Hope in dates.

In the morning there is meaning, in the evening there is feeling.

Tender Buttons, which comes on the heels of Lisa’s equally but very differently delightful A Collection a Day, is an absolute joy from cover to cover. Some of the artwork from it is available in Lisa’s shop.

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