Last week marked the 183rd birthday of iconic science fiction writer and futurist Jules Verne, who coined the term “imaginary voyages.” (And Amazon celebrated by offering a slew of his work as free ebooks, which you can still grab.) Today, we turn to the beautiful mid-century illustration of Peter P. Plasencia for Franz Born’s 1964 book Jules Verne: The Man Who Invented the Future — a light but excellent biography of the great novelist and a powerful primer for his literary legacy.
Jules Verne: The Man Who Invented the Future is currently out of print, but you might be able to snag it from several independent sellers through Amazon or look for a copy at yoru local library — the screen doesn’t do Plasencia’s artwork justice.
I’ve started to see all the buildings intersect, all the areas locking together. A lot of the drawings seem to reflect this interlocking of manmade structures, i.e. it’s all connected. I started out wanting to hug all the buildings in some autistic reaction to love, awe, shock… but now they are slowly becoming just friends.” ~ James Gulliver Hancock
With his playful style and mix of drawing tools and techniques, from Sharpie-on-notebook to digital illustration to screenprints, Hancock offers a refreshing lens on the world’s most overexposed city, filling it with the kind of childlike wonder so easy to lose amidst New York’s chronic hurry.
In this talk from Harvest HQ’s excellent HOBBY series, Hancock pulls the curtain on his creative process
The interesting thing about drawing is that it makes you look at objects in more detail. Instead of just passing by a building, you realize that there’s this weird little sign and it says these funny things about what the deli sells.” ~ James Gulliver Hancock
Many of Hancock’s lovely drawings are available as prints on the project site. We’re particularly loving the How New York Works one. (Sorry, no direct link — look in the blog’s right sidebar.)
With his unique access to Gorey’s extraordinary wit, intelligence and creative genius, Theroux delivers a brief but lively read that’s equal parts loving memoir and fascinating cultural collectible.
It is a falsehood that Edward Gorey refused to give interviews. Nevertheless, to those acquainted with his hundred or so menacing little books, written as if by moonlight, the very thought of tracing out this eccentric artist (for Gorey was a solitary) might somehow have seemed to recapitulate to a nervous heart the monstrous dread felt in approaching the unholy chambers of the demented Ambrosio or the trap-doored of the satanic Caliph Vatek of the Abassides.” ~ Alexander Theroux
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