A visual voyage there and back again.
Writing about the allure of fantasy, J.R.R. Tolkien famously asserted that there is no such thing as writing “for children” — that’s perhaps why his stories continue to enchant generations and attract admirers of all ages. Tolkien’s first major work, The Hobbit (public library) — the prequel to his epic novel The Lord of the Rings, which made its debut nearly 20 years later — was published in 1937 and in the years since has drawn remarkable international acclaim. Because the story is driven by visual whimsy, it has also produced a number of vibrant illustrated editions from all around the world, beginning with Tolkien’s own artwork for the original edition, which I wrote about some years ago. Here are a few favorites.
J.R.R. TOLKIEN (GREAT BRITAIN, 1937)
In October of 1936, Tolkien delivered to his publisher the manuscript of The Hobbit, in which he included more than 100 illustrations — Tolkien, unbeknownst to many, was a rather gifted and prolific artist. These manuscript drawings were recently released in The Art of the Hobbit (public library) — a magnificent volume celebrating the 75th anniversary of The Hobbit with 110 beautiful, many never-before-seen illustrations by Tolkien, ranging from pencil sketches to ink line drawings to watercolors.
In creating the artwork for The Hobbit, Tolkien borrowed from a short story he had written for his son Michael, titled “Roverandom.”
Also included are conceptual sketches for the now-iconic dust jacket cover painting of the mountains Bilbo Baggins transverses in his adventures.
See more of Tolkien’s art here.
TOVE JANSSON (SWEDEN, 1962)
In 1962, shortly before she received the prestigious Hans Christian Andersen award, beloved Swedish-speaking Finnish artist, writer, and Moomin creator Tove Jansson illustrated a Swedish edition of The Hobbit. Janssen was at the peak of her career and brought to the Tolkien classic her signature touch of subtly wistful whimsy.
Alas, this gem is now severely out of print, practically unfindable online, but available at some better-stocked public libraries.
RIYÛICHI TERASHIMA (JAPAN, 1965)
In 1965, artist Ryûichi Terashima illustrated a Japanese edition of The Hobbit, notable not only for its delicate line drawings but also for the exquisite production of the book itself, which mirrors the sensibility of Terashima’s art with lavish paper and luxury binding. It has been reprinted several times, as recently as 2008.
The book is currently out of print, but used copies can be found online; alas, not at the library.
MIKHAIL BELOMLINSKY (RUSSIA, 1976)
In 1976, Russian — then Soviet — artist Mikhail Belomlinsky took on the Tolkien classic shortly after graduating from an MFA program in painting, architecture, and sculpture. The opportunity kicked off Belomlinsky’s career as he turned to political cartooning and children’s books. He went on to illustrate more than 100 of the latter, both in Soviet Russia and in the United States after his move to New York City in 1989.
JIRI SALAMOUN (CZECH REPUBLIC, 1979)
In 1979, when he was forty-four — the same age Tolkien was when he published The Hobbit — the Czech artist, graphic designer, and illustrator Jiri Salamoun was commissioned to illustrate a Czech edition of the book. He brought his eclectic background in visual storytelling and the graphic arts — spanning film poster design, typography, book illustration, and silk-screen printing — to the project.
This vintage gem is also a rarity, but some libraries do have it.
BONUS: MAURICE SENDAK (UNITED STATES, 1967)
In 1967, six years after legendary editor Ursula Nordstrom had nurtured his creative direction and four years after his iconic Where the Wild Things Are, 39-year-old Maurice Sendak was commissioned to illustrate a 30th anniversary edition of The Hobbit. But the project fell through, leaving behind only a single surviving drawing, which Open Culture unearthed.
A realized edition would’ve been unimaginably wonderful, judging by Sendak’s artistic interpretations of literary classics like William Blake’s Song of Innocence, which he illustrated the same year as the failed Tolkien project, and Tolstoy’s Nikolenka’s Childhood, completed four years earlier.