Brain Pickings

Posts Tagged ‘John Vernon Lord’

08 APRIL, 2014

Gorgeous and Rare Illustrations for Alice in Wonderland by John Vernon Lord

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The intricate art of confounding expectations.

“Words mean more than we mean to express when we use them,” Lewis Carroll once wrote in a letter to a friend, “so a whole book ought to mean a great deal more than the writer means.”

Perhaps due to its timelessly whimsical nature, Alice in Wonderland — the umbrella title given to Lewis Carroll’s classic duo Alice’s Adventures in Wonderland and Through the Looking-Glass and What Alice Found There, inspired by a real-life little girl he once knew — has commanded a number of artful visual interpretations over the years, by some of history’s most celebrated artists — from John Tenniel’s original engravings to Leonard Weisgard’s gorgeous 1949 illustrations to Salvador Dalí’s little-known heliogravures to legendary cartoonist Ralph Steadman’s 1973 masterpiece to Yayoi Kusama’s unmistakable dotted fancy, and even some remarkable 3-D paper engineering. But among the most enchanting is the special ultra-limited edition Through the Looking-Glass and What Alice Found There (public library) illustrated by British artist John Vernon Lord — one of the most imaginative literary illustrators working today, who also gave us those spectacular recent illustrations for James Joyce’s Finnegans Wake. The Alice volume was originally printed in an edition of only 420 signed and numbered copies, of which 98 came with a special set of prints.

Lord writes in the afterword to his glorious edition:

There is hardly anything new to be said about Lewis Carroll’s two ‘Alice’ books. So much has been written about them. Their contents have been probed by the scalpels of psychoanalysts, literary theorists, annotators, enthusiasts and the journalists. Perhaps I should include illustrators among this group, for it is the illustrator’s duty to get to grips with the text and thus make a visual commentary upon it.

Readers of the text and viewers of the illustrations also make a book their own. Each one of us interprets stories and pictures in our own way and each one of us is unique. . . . [But] I think we have to be careful not to look for too many possible meanings that we might think may be lurking within the text of Carroll’s Alice books. It is very tempting to do so and many writers have done just that, sometimes disturbingly, often without evidence, and sometimes in a most delightfully illuminating way.

And yet Lord’s own illustrations invite a wealth of meaning — the most “delightfully illuminating” kind possible. He argues that illustrators of classics like Carroll’s have the special duty of “confounding people’s expectations,” as readers are already well familiar with the stories and long “to be given a different slant to a familiar narrative.” I was fortunate enough to hunt down one of these rare editions — here’s a taste of Lord’s unparalleled genius:

If you’re able to track one down, do treat yourself to a copy of Lord’s Through the Looking-Glass and What Alice Found There — it’s absolutely gorgeous. Complement it with other visual takes on Alice by Leonard Weisgard (1949), Salvador Dalí (1969), Ralph Steadman (1973), and Yayoi Kusama (2012).

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27 MARCH, 2014

John Vernon Lord’s Whimsical Illustrations for James Joyce’s Finnegans Wake

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Enchanting drawings bring to life “a book that has to be experienced rather than fully understood.”

The history of artistic takes on literary classics is long and colorful. There are William Blake’s paintings for Milton’s Paradise Lost and for Dante’s Divine Comedy, Picasso’s drawings for a naughty ancient Greek comedy, Matisse’s etchings for Ulysses, and Salvador Dalí’s prolific illustrations for Don Quixote in 1946, the essays of Montaigne in 1947, The Divine Comedy in 1957, Alice in Wonderland in 1969, and Romeo and Juliet in 1975. In recent years, we’ve seen such visual treats as Matt Kish’s illustrations for Moby-Dick and Heart of Darkness and Yayoi Kusama’s take on Alice in Wonderland.

Now, from the Folio Society — who also gave us those gorgeous illustrated editions of Irish Myths and Legends and the Alice B. Toklas Cookbook — comes an exquisite edition of James Joyce’s Finnegans Wake, illustrated by artist John Vernon Lord. In his whimsical and wonderfully weird collage-like drawings, Joyce’s experimental narrative, seventeen years in the making, and idiosyncratic storytelling blossom to new life.

Lord, who set out to illustrate the Joyce classic in order to better understand it, writes in the introduction:

Reading such a text as Joyce’s, and interpreting it, is a greater challenge than for most books. After all each word is “as cunningly hidden in its maze of confused drapery as a fieldmouse in a nest of coloured ribbons.” Sometimes I felt like Alice in Through the Looking-Glass when she first read “Jabberwocky.” She commented, “It seems very pretty… but it’s rather hard to understand… Somehow it seems to fill my head with ideas — only I don’t exactly know what they are!” Finnegans Wake is a book that has to be experienced rather than fully understood.

As a lover of artists’ sketchbooks and creators’ notebooks, I was especially taken with this glimpse of Lord’s notebooks, revealing his necessarily messy but clearly fruitful creative process:

Compare and contrast the Folio Society edition with a wholly different take on the Joyce classic, artist Jacob Drachler’s vintage typographic “confabulation” Id-Grids and Ego-Graphs, then complement with these lovely illustrations for James Joyce’s children’s book.

via The Guardian

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