Brain Pickings

Posts Tagged ‘love’

05 JUNE, 2013

Love Over Biology: Jennifer Finney Boylan on What It’s Like to Be a Transgender Parent

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Why there’s much more to the art of raising a human being than the science of chromosomal alignment.

Mother’s Day has come and gone, and along with it history’s finest letters of motherly advice as well as witty wisdom from women who have chosen not to have kids. But what, exactly, does it mean to be a mother? Surely, it can’t be the mere checklist of certain biological givens and processes — for, as Italo Calvino observed nearly forty years ago, “a human being becomes human not through the casual convergence of certain biological conditions, but through an act of will and love on the part of other people.”

That — how much biology defines parenthood (hint: barely), how much that act of will and love does (hint: a great deal), and how much our experience of gender shapes it (hint: depends) — is precisely what Jennifer Finney Boylan, who used to be James Finney Boylan, explores in Stuck in the Middle with You: A Memoir of Parenting in Three Genders (public library).

Boylan began transitioning at the age of 44, while her children were toddlers, and remains with her wife Deirdre — the two had been married for twelve years before James came out as Jennifer and recently celebrated their 25th anniversary — as the two raise their boys in a two-mom family. She writes with equal parts humor and humility:

I was a father for six years, a mother for ten, and for a time in between I was both, or neither, like some parental version of the schnoodle, or the cockapoo. Of course, as parents go, I was a rather feminine father; for that matter I suppose I’m a masculine mother. When I was their father I showed my boys how to make a good tomato sauce, how to fold a napkin, how to iron a dress shirt; as their mother I’ve shown them how to split wood with a maul. Whether this means I’ve had one parenting style or two, I am not entirely certain. I can assure you I am not a perfect parent and will be glad to review the long list of my mistakes. But in dealing with a parent who subverts a lot of expectations about gender, I hope my sons have learned to be more flexible and openhearted than many of their peers with traditionally gendered parents.

I would like to think that this has been a gift to them and not a curse. It is my hope that having a father who became a woman has made my two remarkable boys, in turn, into better men.

Jennifer Finney Boylan

In the anecdote of how her son learned to shave, Boylan finds a beautiful metaphor for her unique dual experience of manhood and womanhood:

Zach learned to shave when he was two years old, by watching me. He says that this is one of his primary memories of me as a man— the morning ritual of the razor and the hot steam from the basin. Zach stood upon a stool so that he could see his face in the bathroom mirror. I used to coat his young, pink cheeks with Gillette Foamy, and then give him a razor with the protective shield still on the blade. As I shaved my face, Zach would shave his. He’d mimic the contortions I’d make with my face in order to keep my skin taut. And he’d shave his own face in the same order I shaved mine — cheeks first, then the neck, then the chin, mustache last.

We stood there before the mirror, the two of us. I wiped the steam away from the top half of the mirror so I could see myself; Zach wiped a smaller hole away for himself at the bottom. Our expressions were so serious as we shaved, as men’s faces always are as they undertake this business, as if we are not shaving, but staring out across the bridge of our intergalactic star destroyers.

Afterward, we’d towel down our faces, removing the residual froth and smacking our smooth cheeks lightly with an air of manly satisfaction. “There,” he’d say. “I’m clean as a whistle!”

Where he got that phrase I can’t tell you.

He didn’t get it from me. That Christmas, Deedie bought Zach his own pretend shaving kit, complete with a plastic razor. When he opened this gift, though, he immediately burst into tears. “What?” said Deedie, discouraged that what had seemed like the perfect gift had gone so wrong.

“I don’t want a baby razor,” Zach wept, looking at me for backup. “I want a real one!”

Twelve years later, when Zach began to shave for real, he did it with an electric razor, one of those contraptions with the “floating heads.” I didn’t show him how to do it, although I tried. But he stopped me as he headed into the bathroom, and said, “Maddy. I got it from here.” A moment later, the door closed, and I sat down in the kitchen and listened to the faint buzzing sound coming through the wall.

I didn’t learn how to shave from my father either. Which turns out, I think, not to be so strange. One of the things about manhood I learned from my father is that it’s a solitary experience, a land of silences and understatements, a place where a lot of important things have to be learned alone. Whereas womanhood, a lot of the time, is a thing you get to share.

Recounting another anecdote, in which young Zach exhibits admirable character, Boylan reflects:

Looking down at my boy, I had a strange, nostalgic feeling — wishing that, when I’d been a guy, I’d had half the character now exhibited by my own near-grown son. It’s common enough, I guess, a thought such as this, demented though it may be. We look to our children as a kind of cosmic mulligan, our own best hope for a second chance. There were plenty of times I had looked at my son Zach as a better version of me, man-wise. He had the same goofy sense of humor, the same habit of wearing his heart right out there on his sleeve where anyone could crush it, the same buoyant hope that somehow love would prevail over all.

If I had failed as a man — and even those people who loved me most would have to admit this, what with the vagina and everything — then maybe Zach was a last chance to get it right. The man that I had once been clearly lived in him, although this time around we seemed to have been spared the melancholic lunacy.

Pair Stuck in the Middle with You, which comes a decade after Boylan’s critically acclaimed first memoir, She’s Not There: A Life in Two Genders, with Dan Savage on redefining marriage and Caitlin Moran on how to be a woman.

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03 JUNE, 2013

Space for Equality: NASA Joins the It Gets Better Project

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“It’s becoming the new normal — you’re being defined by your character and not by whom you love.”

When we lost pioneering astronaut Sally Ride in 2012, many knew that as she boarded the Space Shuttle Challenger in June of 1983, she became the first American woman in space and the nation’s youngest astronaut to ever launch into the cosmos. But few were aware that she was also America’s first lesbian astronaut in space — a quiet but powerful rebel of gender diversity on multiple levels in a field still dominated by rigid stereotypes and gender norms. At the time of her death, Ride had been with her partner, Tam O’Shaughnessy, for the past 27 years. And yet one can only imagine the pressures, both inward and outward, she had to withstand coming of age at a time of extreme orientation-based discrimination.

Hardly any movement has done more to alleviate the spectrum from crippling self-doubt to suicide that young queer people struggle with than the It Gets Better project, masterminded by Dan Savage and his husband of 18 years, Terry Miller. Since its conception in 2010, it has drawn thousands of brave people of various sexual orientations and gender identities, as well as a cohort of heterosexual supporters — from countless individuals to the staffers of organizations like Google, Apple and Etsy to the cast of popular TV shows like House and True Blood to President Obama himself — to face the camera and help struggling LGBTQ youth face themselves with dignity and inner peace. Thirty years after Ride boarded the Challenger, NASA joins the It Gets Better ranks with a heartening testament to the diversity of the LBGTQ community, with space agency staffers ranging from interns to managers, engineers to astronauts, and even NASA’s Chief of Staff.

It almost doesn’t matter anymore — it’s who I am; it’s one part of who I am and not everything that I am.

Complement with Dan Savage’s recently released and excellent American Savage: Insights, Slights, and Fights on Faith, Sex, Love, and Politics, discussed in brief here.

The Dish

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31 MAY, 2013

Patti Smith Reads Her Poetic Tribute to Robert Mapplethorpe, Plus Her Handwritten Verses

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“Blessedness is within us all.”

“The mere addition of meter does not in itself entitle a work to the name of poem, for nothing can permanently please which does not contain in itself the reason why it is so and not otherwise,” Coleridge asserted. “Poetry is the first and last of all knowledge — it is as immortal as the heart of man,” Wordsworth famously proclaimed. Nowhere is this dual definition more ablaze with life than in The Coral Sea (public library) by the eclectically brilliant Patti Smith — a breathtaking collection of prose poems exorcising Smith’s profound grief for her lifelong spirit-mate, beloved photographer Robert Mapplethorpe (1946 — 1989). She describes the collection as “a season in grief” and writes:

All that I knew of him encrypted within a small suite of prose poems. They speak of his love for art, his patron Sam Wagstaff, and his aring for me. But most importantly his resolute will to live, that could not be contained, not even in death.

Her short foreword stirs the soul intensely:

The first time I saw Robert he was sleeping. I stood over him, this boy of twenty, who sensing my presence opened his eyes and smiled. With few words he became my friend, my compeer, my beloved adventure.

When he became ill I wept and could not stop weeping. He scolded me for that, not with words but with a simple look of reproach, and I ceased.

When I saw him last we sat in silence and he rested his head on my shoulder. I watched the light changing over his hands, over his work, and over the whole of our lives. Later, returning to his bed, we said goodbye. But as I was leaving something stopped me and I went back to his room. He was sleeping. I stood over him, a dying man, who sensing my presence opened his yes and smiled.

When he passed away I could not weep so I wrote. Then I took the pages and set them away. Here are those pages, my farewell to my friend, my adventure, my unfettered joy.

At the recent opening of exhibition of the same title at Cincinnati’s Contemporary Arts Center — which also gave us Smith’s delightful lettuce soup recipe for starving artists — I recorded Smith’s moving reading of some poems from the book and photographed the handwritten originals of the poems, below, on display at the CAC.

I had the pleasure of hearing — and, to our shared delight, recording — Smith’s reading of my favorite poem from the book, the stirring “Reflecting Robert”:

Blessedness is within us all
It lies upon the long scaffold
Patrols the vaporous hall
In our pursuits, though still, we venture forth
Hoping to grasp a handful of cloud and return
Unscathed, cloud in hand. We encounter
Space, fist, violin, or this — an immaculate face
Of a boy, somewhat wild, smiling in the sun.
He raises his hand, as if in carefree salute
Shading eyes that contain the thread of God.
Soon they will gather power, disenchantment
They will reflect enlightenment, agony
They will reveal the process of love
They will, in an hour alone, shed tears.
His mouth a circlet, a baptismal font
Opening wide as the lips of a damsel
Sounding the dizzying extremes.
The relativity of vein, the hip of unrest
For the sake of wing there is shoulder.
For symmetry there is blade.
He kneels, humiliates, he pierces her side.
Offering spleen to the wolves of the forest.
He races across the tiles, the human board.
Virility, coquetry all a game — well played.
Immersed in luminous disgrace, he lifts
As a slave, a nymph, a fabulous hood
As a rose, a thief of life, he will parade
Nude crowned with leaves, immortal.
He will sing of the body, his truth
He will increase the shining neck
Pluck airs toward our delight
Of the waning
The blossoming
The violent charade
But who will sing of him?
Who will sing of his blessedness?
The blameless eye, the radiant grin
For he, his own messenger, is gone
He has leapt through the orphic glass
To wander eternally
In search of perfection
His blue ankles tattooed with stars.

The Coral Sea is sublime in its entirety, as is Smith’s album of the same title.

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